{"id":11501,"date":"2012-06-03T01:44:42","date_gmt":"2012-06-03T00:44:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11501"},"modified":"2013-02-02T03:36:09","modified_gmt":"2013-02-02T03:36:09","slug":"weekend-links-111","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/03\/weekend-links-111\/","title":{"rendered":"Weekend links 111"},"content":{"rendered":"

\"thefox.jpg\"<\/a><\/p>\n

The Fox<\/a> (1968). Design by Bill Gold, art by Leo & Diane Dillon<\/a>.<\/em><\/p>\n

Mark Rydell’s The Fox<\/em><\/a> may be regarded unfavourably now for its retrograde idea of a lesbian relationship but that’s still a great poster by the Dillons. Equally retrograde (well it was 1957) is Anders als du und ich<\/em><\/a>, a film about wayward German youth directed by ex-Nazi propagandist Veit Harlan:<\/p>\n

Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explores the underground world of gay clubs and electronic music. His family begins to learn of his other life and do everything they can to set him straight.<\/p><\/blockquote>\n

A saving grace is the conspicuous deployment of Oskar Sala’s Trautonium<\/a>. They’re deviants\u2014of course they like weird electronic music! Sala’s instrument was his own invention which means it has a unique pre-Moog sound, famously used by Alfred Hitchcock in the score for The Birds<\/em><\/a>. YouTube has a collection of the electronica moments<\/a> from Anders als du und ich<\/em>. Wait for the wrestling scene…<\/p>\n

\u2022 Netherwood: Last Resort of Aleister Crowley<\/em><\/a> by A Gentleman of Hastings. Related: Jimmy Page’s Lucifer Rising<\/em> sessions part 1<\/a> and part 2<\/a>.<\/p>\n

\u2022 “This coming 16 June, [BBC] Radio 4 will be a wall-to-wall Joycefest<\/a>, kicking off at 9am and running until midnight.”<\/p>\n

\u2022 A World Where Architecture is the Driving Force Behind Society<\/a>, Core77 on the Cit\u00e9s Obscures<\/em> of Fran\u00e7ois Schuiten.<\/p>\n

\u2022 At The Hooded Utilitarian<\/a> an examination of the thorny problem of adapting Lovecraft for the comics medium.<\/p>\n

\u2022 Plates from La Plante et ses Applications Ornementales<\/em><\/a> (1897\u20131900) by Eugene Grasset.<\/p>\n

\u2022 Coilhouse found a rough copy of Todd Haynes’ Superstar: The Karen Carpenter Story<\/em><\/a>.<\/p>\n

\u2022 Three Quick Ways to Introduce Yourself to the Work of Harlan Ellison<\/a>.<\/p>\n

\u2022 Daniel Buren’s Monumenta 2012<\/a> at the Grand Palais, Paris.<\/p>\n

\u2022 Our Sorrows<\/em><\/a>, a new video from Julia Holter.<\/p>\n

\u2022 I, Cyclops: Monocularity in a 3-D World<\/a>.<\/p>\n

\u2022 JG Ballard: The Concordance<\/a>.<\/p>\n

\u2022 RIP Pete Cosey<\/a>.<\/p>\n

\u2022 Pete Cosey with Miles Davis et al, November 1973: Ife<\/a> | Turnaroundphrase<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Fox (1968). Design by Bill Gold, art by Leo & Diane Dillon. Mark Rydell’s The Fox may be regarded unfavourably now for its retrograde idea of a lesbian relationship but that’s still a great poster by the Dillons. Equally retrograde (well it was 1957) is Anders als du und ich, a film about wayward … Continue reading “Weekend links 111”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,58,2,42,9,4,29,7,5,3,16,41],"tags":[391,416,1789,1292,3757,1070,710,59,1687,135,137,550,3372,3756,2179,461,3753,1515,3755,3758,3074,3754],"class_list":["post-11501","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art-nouveau","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-music","category-occult","category-sculpture","tag-aleister-crowley","tag-alfred-hitchcock","tag-bill-gold","tag-coilhouse","tag-daniel-buren","tag-eugene-grasset","tag-francois-schuiten","tag-harlan-ellison","tag-hp-lovecraft","tag-james-joyce","tag-jg-ballard","tag-jimmy-page","tag-julia-holter","tag-karen-carpenter","tag-leo-diane-dillon","tag-lucifer","tag-mark-rydell","tag-miles-davis","tag-oskar-sala","tag-pete-cosey","tag-todd-haynes","tag-veit-harlan"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Zv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11501"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11501\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}