{"id":1148,"date":"2006-12-15T22:04:21","date_gmt":"2006-12-15T22:04:21","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1148"},"modified":"2008-07-19T18:03:34","modified_gmt":"2008-07-19T17:03:34","slug":"insect-lab","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/15\/insect-lab\/","title":{"rendered":"Insect Lab"},"content":{"rendered":"<p><a href=\"http:\/\/www.insectlabstudio.com\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/12\/beetle.jpg\" alt=\"beetle.jpg\" id=\"image1147\" \/><\/a><\/p>\n<p><em>Euchrona Gigantea. <\/em><\/p>\n<p><a href=\"http:\/\/www.insectlabstudio.com\/\" target=\"_blank\">Mike Libby<\/a> hybridizes insects and clockwork parts to create sculptures that look something like the vampiric mechanism from Guillermo del Toro&#8217;s <a href=\"http:\/\/www.imdb.com\/title\/tt0104029\/\" target=\"_blank\"><em>Cronos<\/em><\/a>. Via <a href=\"http:\/\/boingboing.net\/\" target=\"_blank\">Boing Boing<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/19\/the-art-of-jessica-joslin\/\">The art of Jessica Joslin<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/14\/the-museum-of-fantastic-specimens\/\">The Museum of Fantastic Specimens<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Euchrona Gigantea. Mike Libby hybridizes insects and clockwork parts to create sculptures that look something like the vampiric mechanism from Guillermo del Toro&#8217;s Cronos. Via Boing Boing. Previously on { feuilleton } \u2022 The art of Jessica Joslin \u2022 The Museum of Fantastic Specimens<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,41],"tags":[604,141],"class_list":["post-1148","post","type-post","status-publish","format-standard","hentry","category-art","category-sculpture","tag-guillermo-del-toro","tag-insects"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-iw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}