{"id":11469,"date":"2012-05-29T04:08:04","date_gmt":"2012-05-29T03:08:04","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11469"},"modified":"2024-04-09T13:15:33","modified_gmt":"2024-04-09T12:15:33","slug":"ah-pook-is-here","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/05\/29\/ah-pook-is-here\/","title":{"rendered":"Ah Pook Is Here"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/05\/pook1.jpg\" alt=\"pook1.jpg\" \/><\/p>\n<p><em>John Calder edition (1979). Design by Brian Paine incorporating a glyph of Ah Pook from the Dresden Codex.<\/em><\/p>\n<p>It would have been tempting to write &#8220;Ah Pook is finally here&#8221; but that&#8217;s not quite the case. Artist Malcolm McNeill sent Savoy Books the following preview images last week. What was originally going to be the long-awaited publication of McNeill&#8217;s collaboration with William Burroughs, <em>Ah Pook Is Here<\/em>, will now be two separate volumes published by Fantagraphics Books later this year: <em>The Lost Art of Ah Pook Is Here<\/em> which will comprise McNeill&#8217;s art without the accompanying text (apparently the Burroughs estate objected to its inclusion), and <em>Observed While Falling\u2014Burroughs, Ah Pook and Me<\/em>, a memoir of the project&#8217;s creation. The loss of the text is an annoyance but not the end of the world, at least if you&#8217;re fortunate enough to own the scarce Calder book above which comprises a 40-page story that I imagine (and hope) may be read whilst viewing McNeill&#8217;s meticulous artwork. Amazon&#8217;s listing shows the two books scheduled for October 2012, and there&#8217;s now <a href=\"http:\/\/www.lostartofahpook.com\/\" target=\"_blank\" rel=\"noopener\">a website for the two books<\/a> with further preview images.<\/p>\n<p><a href=\"http:\/\/www.lostartofahpook.com\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/05\/pook2.jpg\" alt=\"pook2.jpg\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.lostartofahpook.com\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/05\/pook3.jpg\" alt=\"pook3.jpg\" \/><\/a><\/p>\n<p>The 1979 <em>Ah Pook Is Here<\/em> is a fascinating collection, not least for the title piece which fits with the <em>Wild Boys\/Port of Saints<\/em> narratives that Burroughs worked on during the 1970s. It&#8217;s also one of the better Burroughs anthologies so it&#8217;s always seemed odd that it&#8217;s remained resolutely out of print. Burroughs mentions McNeill&#8217;s artwork in a preface but doesn&#8217;t show any examples of his work. There is other artwork, however: in addition to some uncredited line drawings of figures like those in the Mayan codices there&#8217;s the whole of <em>The Book of Breeething<\/em>, a collaboration with artist Robert F. Gale from 1974. The latter concerns Burroughs&#8217; interest in hieroglyphic communication, and attempts to show how one might convey short sentences through visual images alone, as in the pages below.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/05\/breeething1.jpg\" alt=\"breeething1.jpg\" \/><\/p>\n<p><em>The Book of Breeething (1974).<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/05\/breeething2.jpg\" alt=\"breeething2.jpg\" \/><\/p>\n<p>The final piece in the book is <em>The Electronic Revolution<\/em>, an essay about using technology for guerilla purposes which was an inspiration for Cabaret Voltaire and others. All of this is choice and unusual material so it&#8217;s surprising that it&#8217;s been out of print for so long. In the case of <em>Ah Pook Is Here<\/em> it&#8217;s even more surprising to find it being prevented from republication despite Burroughs&#8217; hope in his 1978 preface that the text would eventually be published along with the artwork. I&#8217;m sure the Burroughs estate have their own reasons for these manoeuvres but you can&#8217;t help but feel that this is another example of best intentions acting posthumously against the wishes of the artist they represent. A final irony can be found on the first page of <em>Ah Pook Is Here<\/em> where we see several mentions of a predatory agency that Burroughs warned\u00a0against throughout his career, the thing he called CONTROL.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-william-burroughs-archive\/\">The William Burroughs archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Calder edition (1979). Design by Brian Paine incorporating a glyph of Ah Pook from the Dresden Codex. It would have been tempting to write &#8220;Ah Pook is finally here&#8221; but that&#8217;s not quite the case. Artist Malcolm McNeill sent Savoy Books the following preview images last week. What was originally going to be the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/05\/29\/ah-pook-is-here\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ah Pook Is Here&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,28,9,48],"tags":[150,1740,3748,151,1190],"class_list":["post-11469","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-burroughs","category-comics","category-illustrators","tag-cabaret-voltaire","tag-malcolm-mcneill","tag-robert-f-gale","tag-savoy-books","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2YZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11469"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11469\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}