{"id":11360,"date":"2012-05-06T01:10:54","date_gmt":"2012-05-06T00:10:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11360"},"modified":"2022-11-30T13:38:38","modified_gmt":"2022-11-30T13:38:38","slug":"weekend-links-107","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/05\/06\/weekend-links-107\/","title":{"rendered":"Weekend links 107"},"content":{"rendered":"

\"schwabe.jpg\"<\/a><\/p>\n

Le Faune<\/a> (1923) by Carlos Schwabe<\/a>.<\/em><\/p>\n

\u2022 “When I recently attended a conference in China, many of the presenters left their papers on the cloud\u2014Google Docs, to be specific. You know how this story ends: they got to China and there was no Google. Shit out of luck. Their cloud-based Gmail was also unavailable, as were the cloud lockers on which they had stored their rich media presentations.” Ubuweb’s Kenneth Goldsmith<\/a> on why he doesn’t trust the Cloud.<\/p>\n

\u2022 “I\u2019m a poet and Britain is not a land for poets anymore.” A marvellous interview with the great Lindsay Kemp<\/a> at Dangerous Minds. Subjects include all that you’d hope for: Genet, Salom\u00e9<\/em>, David Bowie, Ken Russell, Derek Jarman, The Wicker Man<\/em> and “papier mach\u00e9 giant cocks”.<\/p>\n

\u2022 “As early as the 1950s, Maurice Richardson wrote a Freudian analysis which concluded that Dracula<\/em> was ‘a kind of incestuous-necrophilious, oral-anal-sadistic all-in wrestling match’.” Christopher Frayling<\/a> on the Bram Stoker centenary.<\/p>\n

\u2022 Bj\u00f6rk<\/a> gets enthused by (among other things) Leonora Carrington, The Hourglass Sanatorium<\/em> and Alejandro Jodorowsky’s YouTube lectures.<\/p>\n

\u2022 Before Fritz Lang’s Metropolis<\/em> there was Algol \u2013 Trag\u00f6die der Macht<\/em> (1920). Strange Flowers<\/a> investigates.<\/p>\n

\"marsh.jpg\"<\/a><\/p>\n

David Marsh<\/a> recreates famous album covers using Adobe Illustrator’s Pantone swatches.<\/em><\/p>\n

\u2022 New titles forthcoming from Strange Attractor Press<\/a>. Related: an interview with SAP allies Cyclobe<\/a>.<\/p>\n

\u2022 960 individual slabs of vinyl make an animated waveform for Benga’s I Will Never Change<\/em><\/a>.<\/p>\n

\u2022 An exhibition of works by Stanislav Szukalksi<\/a> at Varnish Fine Art, San Francisco,<\/p>\n

\u2022 Keith Haring<\/a>‘s erotic mural for the NYC LGBT Community Center is restored.<\/p>\n

\u2022 The Situationist Times<\/em><\/a> (1962\u20131967) is resurrected at Boo-Hooray.<\/p>\n

\u2022 Doors Closing Slowly: Derek Raymond<\/a>‘s Factory Novels.<\/p>\n

\u2022 Will Wilkinson<\/a> insists that fiction isn’t good for you.<\/p>\n

\u2022 More bookplates at BibliOdyssey<\/a> and 50 Watts<\/a>.<\/p>\n

\u2022 The Top 25 Psychedelic Videos of All Time<\/a>.<\/p>\n

\u2022 Flannery O\u2019Connor<\/a>: cartoonist.<\/p>\n

\u2022 RIP Adam Yauch<\/a>.<\/p>\n

\u2022 Their finest moment: Sabotage<\/em><\/a> (1994) by Beastie Boys.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Faune (1923) by Carlos Schwabe. \u2022 “When I recently attended a conference in China, many of the presenters left their papers on the cloud\u2014Google Docs, to be specific. You know how this story ends: they got to China and there was no Google. Shit out of luck. Their cloud-based Gmail was also unavailable, as … Continue reading “Weekend links 107”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,2,42,4,29,7,5,22,43,3,44,17,41,15,46],"tags":[2329,3669,718,3670,3664,1042,888,1645,1172,3449,2739,2772,1301,3663,511,3667,977,3563,385,751,3666,595,2498,731,1178,1231,123,3665,98,2419,195,119,5180,3668],"class_list":["post-11360","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-magazines","category-music","category-painting","category-psychedelia","category-sculpture","category-technology","category-theatre","tag-50-watts","tag-adam-yauch","tag-alejandro-jodorowsky","tag-beastie-boys","tag-benga","tag-bibliodyssey","tag-bjork","tag-bookplates","tag-bram-stoker","tag-carlos-schwabe","tag-christopher-frayling","tag-cyclobe","tag-david-bowie","tag-david-marsh","tag-derek-jarman","tag-derek-raymond","tag-dracula","tag-flannery-oconnor","tag-fritz-lang","tag-jean-genet","tag-keith-haring","tag-ken-russell","tag-kenneth-goldsmith","tag-leonora-carrington","tag-lindsay-kemp","tag-maurice-richardson","tag-salome","tag-stanislav-szukalksi","tag-strange-attractor","tag-strange-flowers","tag-the-wicker-man","tag-ubuweb","tag-wicker-man","tag-will-wilkinson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Xe","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11360"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11360\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}