![\"oshiro.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/04\/oshiro.jpg\")
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Gold Head 2 (2011) by Kouji Oshiro.<\/em><\/p>\n \u2022 Josef Hartwig\u2019s 1922 Bauhaus chess set<\/a>. Contemporary copies can be bought from Naef Spiele<\/a> but they’re not cheap. Related: Bauhaus: Art as Life<\/a>, a major exhibition at the Barbican, London. Related, related: Art as life by Fiona MacCarthy<\/a>.<\/p>\n \u2022 Rattera is a new font by Barnbrook Design<\/a> for Fuse 1\u201320<\/em><\/a>, Taschen’s collection of the experimental typography publication. Related: The Fuse poster explained<\/a>.<\/p>\n \u2022 Genesis<\/em><\/a> (1981), video feedback and computer animation by Ron Hays with an electronic score by Ragnar Grippe<\/a>.<\/p>\n \u2022 Deadly Doris<\/a><\/em>, a recording by Malcolm Mooney-era Can from the forthcoming Lost Tapes<\/em> collection.<\/p>\n \u2022 “How did a pop band end up in a museum” Sasha Frere-Jones<\/a> on Kraftwerk.<\/p>\n \u2022 Philip Glass & Robert Wilson<\/a> on how they made Einstein on the Beach<\/em>.<\/p>\n \u2022 An astonishing aerial photo of post-quake San Francisco<\/a> in 1906.<\/p>\n \u2022 More electronic music: Buddha Machine’s SoundCloud page<\/a>.<\/p>\n \u2022 My Baby<\/em><\/a>, music and video from Julia Holter & Jib Kidder.<\/p>\n \u2022 Homotography<\/a>‘s photos can now be browsed at Pinterest.<\/p>\n \u2022 Deviates, Inc<\/a>., a Tumblr.<\/p>\n \u2022\u00a0Raoul Bj\u00f6rkenheim live: Apocalypso<\/em> pt. 1<\/a> | Apocalypso<\/em> pt. 2<\/a> | 1-2-11 DMG, NYC<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Gold Head 2 (2011) by Kouji Oshiro. \u2022 Josef Hartwig\u2019s 1922 Bauhaus chess set. Contemporary copies can be bought from Naef Spiele but they’re not cheap. Related: Bauhaus: Art as Life, a major exhibition at the Barbican, London. Related, related: Art as life by Fiona MacCarthy. \u2022 Rattera is a new font by Barnbrook Design … Continue reading “Weekend links 106”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,2,4,29,7,5,3,12,46,10],"tags":[3644,143,2271,3645,1580,3650,982,3643,3372,3651,122,3648,3131,3647,467,3133,3646,3649],"class_list":["post-11326","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-art","category-design","category-electronica","category-film","category-gay","category-music","category-photography","category-theatre","category-typography","tag-bauhaus-design","tag-buddha-machine","tag-can-group","tag-fiona-maccarthy","tag-homotography","tag-jib-kidder","tag-jonathan-barnbrook","tag-josef-hartwig","tag-julia-holter","tag-kouji-oshiro","tag-kraftwerk","tag-malcolm-mooney","tag-philip-glass","tag-ragnar-grippe","tag-raoul-bjorkenheim","tag-robert-wilson","tag-ron-hays","tag-sasha-frere-jones"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2WG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11326"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11326\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}