{"id":11158,"date":"2012-03-22T02:19:24","date_gmt":"2012-03-22T02:19:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11158"},"modified":"2012-03-22T02:19:24","modified_gmt":"2012-03-22T02:19:24","slug":"the-art-of-hyeyeol","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/22\/the-art-of-hyeyeol\/","title":{"rendered":"The art of Hyeyeol"},"content":{"rendered":"<p><a href=\"http:\/\/HYEYEOL.deviantart.com\/art\/BUTTERFLY-288924932?q=gallery%3Ahyeyeol&amp;qo=0\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/hyeyeol1.jpg\" alt=\"hyeyeol1.jpg\" \/><\/a><\/p>\n<p><em>Butterfly.<\/em><\/p>\n<p>Hyeyeol is the <em>nom de l&#8217;art<\/em> of a South Korean woman whose work was drawn to my attention by regular commenter Wiley (thanks!) and a suggestion that some of the homoerotic imagery is reminiscent of the elusive <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/16\/the-art-of-nobeast\/\">NoBeast<\/a>. I agree, and feel there&#8217;s also a similarity to <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/25\/the-art-of-takato-yamamoto\/\">Takato Yamamoto<\/a> in the blend of stylised decoration, bondage boys and Eros\/Thanatos pairings. The <a href=\"http:\/\/www.hyeyeol.com\/\">Hyeyeol website<\/a> has four gallery sections while more of her work can be seen at <a href=\"http:\/\/hyeyeol.deviantart.com\/\">deviantART<\/a>.<\/p>\n<p><a href=\"http:\/\/hyeyeol.com\/photogallery_v222\/index.html#1331054496487\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/hyeyeol2.jpg\" alt=\"hyeyeol2.jpg\" \/><\/a><\/p>\n<p><em>No title.<\/em><\/p>\n<p><a href=\"http:\/\/HYEYEOL.deviantart.com\/art\/Libido-185213200?q=gallery%3Ahyeyeol%2F23963751&amp;qo=32\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/hyeyeol3.jpg\" alt=\"hyeyeol3.jpg\" \/><\/a><\/p>\n<p><em>Libido.<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/25\/the-art-of-takato-yamamoto\/\">The art of Takato Yamamoto<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/16\/the-art-of-nobeast\/\">The art of NoBeast<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Butterfly. Hyeyeol is the nom de l&#8217;art of a South Korean woman whose work was drawn to my attention by regular commenter Wiley (thanks!) and a suggestion that some of the homoerotic imagery is reminiscent of the elusive NoBeast. I agree, and feel there&#8217;s also a similarity to Takato Yamamoto in the blend of stylised &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/22\/the-art-of-hyeyeol\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Hyeyeol&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5],"tags":[3524,1722],"class_list":["post-11158","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","tag-hyeyeol","tag-nobeast"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2TY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11158"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11158\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}