{"id":11085,"date":"2012-03-10T01:45:59","date_gmt":"2012-03-10T01:45:59","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11085"},"modified":"2013-02-11T00:40:10","modified_gmt":"2013-02-11T00:40:10","slug":"the-recurrent-pose-46","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/10\/the-recurrent-pose-46\/","title":{"rendered":"The recurrent pose 46"},"content":{"rendered":"<p><a href=\"http:\/\/www.bertrandlepluard.net\/raf-simons.html\" target=\"_blank\"><img decoding=\"async\" alt=\"pluard.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/pluard.jpg\" \/><\/a><\/p>\n<p>Something I&#8217;d had bookmarked for ages then overlooked, French photographer Bertrand Le Pluard borrows the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\">Flandrin pose<\/a> for a Raf Simons shoes feature in <a href=\"http:\/\/wadmag.com\/\" target=\"_blank\">Wad Magazine<\/a>. In addition to <a href=\"http:\/\/www.bertrandlepluard.net\/raf-simons.html\" target=\"_blank\">another shot<\/a> <em>avec g\u00e9nitales<\/em> at the Le Pluard site there&#8217;s also a feature <a href=\"http:\/\/www.bertrandlepluard.net\/khs3.html\" target=\"_blank\">here<\/a> and <a href=\"http:\/\/www.bertrandlepluard.net\/hub.html\" target=\"_blank\">here<\/a> for German gay mag <a href=\"http:\/\/www.kaiserin-magazine.com\/\" target=\"_blank\"><em>Kaiserin<\/em><\/a> celebrating those queer hippies known as <a href=\"http:\/\/www.cockettes.com\/history1.html\" target=\"_blank\">The Cockettes<\/a>. Via <a href=\"http:\/\/homotography.blogspot.com\/\" target=\"_blank\">Homotography<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\">The recurrent pose archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/02\/flamboyant-excess-the-art-of-steven-arnold\/\">Flamboyant excess: the art of Steven Arnold<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Something I&#8217;d had bookmarked for ages then overlooked, French photographer Bertrand Le Pluard borrows the Flandrin pose for a Raf Simons shoes feature in Wad Magazine. In addition to another shot avec g\u00e9nitales at the Le Pluard site there&#8217;s also a feature here and here for German gay mag Kaiserin celebrating those queer hippies known &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/10\/the-recurrent-pose-46\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The recurrent pose 46&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[57,5,12],"tags":[3134],"class_list":["post-11085","post","type-post","status-publish","format-standard","hentry","category-fashion","category-gay","category-photography","tag-steven-arnold"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2SN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11085"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11085\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}