{"id":11079,"date":"2012-03-08T02:37:15","date_gmt":"2012-03-08T02:37:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11079"},"modified":"2012-03-08T02:37:15","modified_gmt":"2012-03-08T02:37:15","slug":"henry-keens-illustrated-webster","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/08\/henry-keens-illustrated-webster\/","title":{"rendered":"Henry Keen&#8217;s illustrated Webster"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/keen2.jpg\" alt=\"keen2.jpg\" \/><\/p>\n<p>More gorgeous work from elusive British illustrator Henry Keen (1871\u20131935). These are some of the ink drawings Keen provided for a 1930 edition of John Webster&#8217;s Jacobean tragedies <em>The Duchess of Malfi<\/em> and <em>The White Devil<\/em>. In addition to eleven full-page illustrations there are decorative embellishments, and as usual it&#8217;s a shame there isn&#8217;t anywhere with a complete set of the artwork. I&#8217;m tempted to track down some of Keen&#8217;s books myself, this one seems especially good. That crowned skull is not only worthy of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe<\/a>, it makes me wonder why Webster wasn&#8217;t given more attention from earlier artists. Probably because the plays were too strong for 19th century tastes, violent revenge drama wasn&#8217;t what anyone wanted on stage at the time. <a href=\"http:\/\/www.letrs.indiana.edu\/cgi-bin\/acs-idx.pl?type=section&amp;rgn=level1&amp;byte=1613585\" target=\"_blank\">Swinburne admired\u00a0Webster&#8217;s work<\/a> but then Swinburne wasn&#8217;t exactly a typical Victorian.<\/p>\n<p>Thanks to <a href=\"http:\/\/unnaturalist.tumblr.com\/post\/18913449671\/darksilenceinsuburbia-harry-keen-illustration\" target=\"_blank\">~Wunderkammer~<\/a> for the tip!<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/keen3.jpg\" alt=\"keen3.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/keen4.jpg\" alt=\"keen4.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/keen5.jpg\" alt=\"keen5.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/keen1.jpg\" alt=\"keen1.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/04\/henry-keens-dorian-gray\/\">Henry Keen\u2019s Dorian Gray<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More gorgeous work from elusive British illustrator Henry Keen (1871\u20131935). These are some of the ink drawings Keen provided for a 1930 edition of John Webster&#8217;s Jacobean tragedies The Duchess of Malfi and The White Devil. In addition to eleven full-page illustrations there are decorative embellishments, and as usual it&#8217;s a shame there isn&#8217;t anywhere &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/08\/henry-keens-illustrated-webster\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Henry Keen&#8217;s illustrated Webster&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48,46],"tags":[2691,3449,117,457,3448,154],"class_list":["post-11079","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","category-theatre","tag-algernon-swinburne","tag-carlos-schwabe","tag-dorian-gray","tag-henry-keen","tag-john-webster","tag-swinburne"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2SH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11079"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11079\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}