![\"redon5.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/redon5.jpg\")
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Pilgrim Of The Sublunary World (2002) by Heid.<\/em><\/p>\n It would have been surprising if Magazine<\/a> were the only group to have used Odilon Redon’s art for album covers. What is<\/em> surprising is that these releases are all relatively recent and aren’t the cluster of Goth doodlings I would have expected: descriptions at Discogs list Heid<\/a> as an industrial outfit, Revelation<\/a> and While Heaven Wept<\/a> are doom metal while Spider Trio<\/a> play jazz. Odilon Redon is unusual in being able to provide artwork strange enough for Magazine or, in the case of his many pastel drawings, pretty enough for classical recordings. I omitted a couple of other CD covers which inset his pictures in dreadful layouts. The Heid album uses more Redon art on the insert pages<\/a>.<\/p>\n Live @ Rendezvous\/Jewelbox Theater 8.12.06 (2007) by Spider Trio.<\/em><\/p>\n Never Comes Silence (2007) by Revelation.<\/em><\/p>\n L’Amour De Loin (2009) by Kaija Saariaho.<\/em><\/p>\n Sorrow Of The Angels (2010) by While Heaven Wept. Elsewhere on { feuilleton } Previously on { feuilleton } Pilgrim Of The Sublunary World (2002) by Heid. It would have been surprising if Magazine were the only group to have used Odilon Redon’s art for album covers. What is surprising is that these releases are all relatively recent and aren’t the cluster of Goth doodlings I would have expected: descriptions at Discogs list Heid … Continue reading “Odilon Redon’s musical afterlife”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,3,44,45],"tags":[3438,126],"class_list":["post-11073","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-music","category-painting","category-symbolists","tag-magazine-group","tag-odilon-redon"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2SB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11073"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"redon4.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/redon4.jpg\")
<\/p>\n![\"redon1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/redon1.jpg\")
<\/p>\n![\"redon3.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2012\/03\/redon3.jpg\")
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<\/p>\n
\n<\/em><\/p>\n
\n\u2022 The album covers archive<\/a><\/p>\n
\n\u2022 Odilon Redon and Magazine<\/a>
\n\u2022 Odilon Redon lithographs<\/a>
\n\u2022 The eyes of Odilon Redon<\/a>
\n\u2022 Aubrey Beardsley\u2019s musical afterlife<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"