{"id":11045,"date":"2012-02-28T03:09:36","date_gmt":"2012-02-28T03:09:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11045"},"modified":"2012-02-28T03:09:36","modified_gmt":"2012-02-28T03:09:36","slug":"amy-sacker-book-designer","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/28\/amy-sacker-book-designer\/","title":{"rendered":"Amy Sacker, book designer"},"content":{"rendered":"

\"sacker1.jpg\"<\/a><\/p>\n

Manders: A Tale of Paris (1899) by Elwyn Barron.<\/em><\/p>\n

Amy Sacker (1872\u20131965) was an American book designer, illustrator and bookplate artist, one of a number of female designers and illustrators whose careers began in the last years of the 19th century. I’ve mentioned before how women struggled at this time for acceptance in the male-dominated spheres of painting and sculpture. Those who insisted on pursuing an artistic career were encouraged to concentrate their impulses in the decorative arts with the result that women are a lot more visible in the illustration and design of this period. (See this earlier post<\/a> about Margaret Armstrong, and these pages<\/a> at Princeton University Library about women printers, binders and book designers.)<\/p>\n

\"sacker2.jpg\"<\/a><\/p>\n

The Kindred of the Wild (1902) by Charles G. D. Roberts.<\/em><\/p>\n

The cover above is from the Amy Sacker website<\/a> which features information about Ms Sacker’s bookbindings, illustrations and bookplate designs. A recent post<\/a> here mentioned the Troutsdale Press collection of Amy Sacker bookplates from which the two examples below are taken. These often show people in Renaissance or medieval garb drawn in a style reminiscent of Walter Crane. More of them can be seen at the Internet Archive<\/a> while the University of North Carolina archive has 120 examples<\/a> of her cover designs.<\/p>\n

\"sacker3.jpg\"<\/p>\n

\"sacker4.jpg\"<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The book covers archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Troutsdale Press bookplates<\/a>
\n\u2022 Margaret Armstrong book designs<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Manders: A Tale of Paris (1899) by Elwyn Barron. Amy Sacker (1872\u20131965) was an American book designer, illustrator and bookplate artist, one of a number of female designers and illustrators whose careers began in the last years of the 19th century. I’ve mentioned before how women struggled at this time for acceptance in the male-dominated … Continue reading “Amy Sacker, book designer”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,48],"tags":[3417,1645,971,549],"class_list":["post-11045","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-illustrators","tag-amy-sacker","tag-bookplates","tag-margaret-armstrong","tag-walter-crane"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2S9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11045"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11045\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}