{"id":11028,"date":"2012-02-26T01:40:20","date_gmt":"2012-02-26T01:40:20","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=11028"},"modified":"2014-07-06T02:21:14","modified_gmt":"2014-07-06T01:21:14","slug":"weekend-links-97","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/26\/weekend-links-97\/","title":{"rendered":"Weekend links 97"},"content":{"rendered":"

\"conformist.jpg\"<\/a><\/p>\n

Illustration by Ermanno Iaia. Hard to believe that Bernardo Bertolucci’s The Conformist (1970) is only now appearing on DVD in the UK. Arrow Films<\/a> release a dual-format edition at the end of this month.<\/em><\/p>\n

\u2022 The week in perfume: Perfumes: The Guide<\/em> by Luca Turin & Tania Sanchez is reviewed by\u00a0Emily Gould<\/a> (“this is a golden age of perfume criticism”) and prompts a meditation on the art and process of scent from Rishidev Chaudhuri<\/a>.<\/p>\n

\u2022 Electrical Banana<\/em><\/a> by Norman Hathaway & Dan Nadel is “the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields”.<\/p>\n

\u2022 Sacred Monsters<\/em><\/a> is a forthcoming collection of essays and criticism by Edmund White. Related: Colm T\u00f3ib\u00edn<\/a> from 1999 reviewing A History of Gay Literature: The Male Tradition<\/em> by Gregory Woods.<\/p>\n

\u2022 Medium<\/em><\/a>, a video by Clayton Welham and Sam Williams for Emptyset<\/a> whose imminent release (also entitled Medium<\/em>) I’ve designed. Related: Dave Maier<\/a> on music versus noise.<\/p>\n

\u2022 Couldn’t happen to a nicer guy: the face of US presidential contender Rick Santorum<\/a> rendered as a collage of (mostly) gay porn<\/a>. More provocation: All Dead Mormons Are Now Gay<\/a>.<\/p>\n

\u2022 Coilhouse discovered a rough copy of Bells of Atlantis<\/em><\/a> (1952), an experimental film which features Ana\u00efs Nin, input from Len Lye and an electronic score by Louis & Bebe Barron.<\/p>\n

\u2022 “The idea that we should have but two options when it comes to our gender presentation, male or female, has always felt ludicrous to me,” says\u00a0LaJohn Joseph<\/a>.<\/p>\n

Bely paints \u201ca universe of strange manifestations\u201d which drifts across Apollonovich\u2019s consciousness every night before he falls asleep. We are even shown congeries of images that are shards of events which took place that day for the senator: \u201call the earlier inarticulacies, rustlings, crystallographic figures, the golden, chrysanthemum-like stars racing through the darkness on rays that resembled myriapods\u201d<\/p>\n

Malcom Forbes<\/a> on Andrei Bely’s masterwork, Petersburg (1916).<\/em><\/p><\/blockquote>\n

\u2022 RIP Barney Rosset<\/a>, publisher of Grove Press books and the Evergreen Review<\/em><\/a>.<\/p>\n

\u2022 The Brothers Quay<\/a> will be at work in Leeds city centre this May. Lucky Leeds.<\/p>\n

\u2022 Warm Leatherette<\/a><\/em>, a short film by Analogue Solutions.<\/p>\n

\u2022 Cormac McCarthy, Quantum Copy Editor<\/a>.<\/p>\n

\u2022 The importance of being axonometric<\/a>.<\/p>\n

\u2022 Always Crashing In The Same Car<\/a><\/em> (1977) by David Bowie | Crash<\/a><\/em> (1980) by Tuxedomoon | Crash Dance<\/a><\/em> (1983) by Yello.<\/p>\n","protected":false},"excerpt":{"rendered":"

Illustration by Ermanno Iaia. Hard to believe that Bernardo Bertolucci’s The Conformist (1970) is only now appearing on DVD in the UK. Arrow Films release a dual-format edition at the end of this month. \u2022 The week in perfume: Perfumes: The Guide by Luca Turin & Tania Sanchez is reviewed by\u00a0Emily Gould (“this is a … Continue reading “Weekend links 97”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,47,29,7,5,43,3,14,17],"tags":[3405,3410,643,3411,3407,3256,399,3403,1292,3401,3400,2482,1301,901,3397,3188,3394,3402,4281,3408,850,3406,3395,3409,3399,3413,3398,3404,3396,1611,3412],"class_list":["post-11028","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cormac","category-electronica","category-film","category-gay","category-magazines","category-music","category-politics","category-psychedelia","tag-anais-nin","tag-andrei-bely","tag-androgyny","tag-barney-rosset","tag-bebe-barron","tag-bernardo-bertolucci","tag-brothers-quay","tag-clayton-welham","tag-coilhouse","tag-colm-toibin","tag-dan-nadel","tag-dave-maier","tag-david-bowie","tag-edmund-white","tag-emily-gould","tag-emptyset","tag-ermanno-iaia","tag-gregory-woods","tag-grove-press","tag-lajohn-joseph","tag-len-lye","tag-louis-barron","tag-luca-turin","tag-malcom-forbes","tag-norman-hathaway","tag-perfume","tag-rishidev-chaudhuri","tag-sam-williams","tag-tania-sanchez","tag-tuxedomoon","tag-yello-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2RS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=11028"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/11028\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=11028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=11028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=11028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}