{"id":10998,"date":"2012-02-19T01:13:07","date_gmt":"2012-02-19T01:13:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10998"},"modified":"2013-02-02T03:38:25","modified_gmt":"2013-02-02T03:38:25","slug":"weekend-links-96","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/19\/weekend-links-96\/","title":{"rendered":"Weekend links 96"},"content":{"rendered":"

\"nunez.jpg\"<\/a><\/p>\n

Sin t\u00edtulo (monstruas) (2008) by Marina N\u00fa\u00f1ez<\/a>. \u00a0\u00a0<\/em><\/p>\n

\u2022 Salon asks Christopher Bram “Is gay literature over?<\/a>” Bram’s new book, Eminent Outlaws: The Gay Writers Who Changed America<\/em>, is reviewed here<\/a>.<\/p>\n

\u2022 Robert Montgomery<\/a> is profiled at the Independent<\/em> as “The artist vandalising advertising with poetry<\/a>.”<\/p>\n

In addition to aesthetics, McCarthy noted a deeper link between great science and great writing. \u201cBoth involve curiosity, taking risks, thinking in an adventurous manner, and being willing to say something 9\/10ths of people will say is wrong.\u201d Profound insights in both domains also tend arise from a source beyond the limits of analytic reason. \u201cMajor insights in science come from the subconscious, from staring at your shoes. They\u2019re not just analytical.\u201d<\/p>\n

Nick Romeo meets Cormac McCarthy<\/a> at the Santa Fe Institute.<\/em><\/p><\/blockquote>\n

\u2022 For FACT mix 316 Julia Holter<\/a> mixes radio broadcasts, street recordings and music.<\/p>\n

\u2022 This week in the Tumblr labyrinth: fin de si\u00e8cle<\/em> art and graphics from Nocnitsa<\/a>.<\/p>\n

\u201cThere\u2019s a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future,\u201d he says. \u201cAll of the genuinely interesting work is being done on the margins, with independent companies, self-producing, and alternative distribution networks.”<\/p>\n

Alan Moore<\/a> on Watchmen’s “toxic cloud” and creativity v. big business.<\/em><\/p><\/blockquote>\n

\u2022 Stone Tape Shuffle<\/em>, a 12\u201d LP of readings by Iain Sinclair<\/a>. Limited to 400 copies.<\/p>\n

\u2022 Monolake<\/a> on how we cope with death: mythologies, rituals, drugs and Ghosts<\/em>.<\/p>\n

\u2022 Kraftwerk<\/a> perform at New York’s Museum of Modern Art in April.<\/p>\n

\u2022 Kathy Acker<\/a> (in 1988?) interviewing William Burroughs.<\/p>\n

\"pogany.jpg\"<\/a><\/p>\n

Willy Pog\u00e1ny’s erotica<\/a>: illustrations for a 1926 edition of The Songs of Bilitis by Pierre Lou\u00ffs.<\/em><\/p>\n

\u2022 Nicholas Lezard on David Lynch: director of dreams<\/a>.<\/p>\n

\u2022 Did otherworldly music inspire Stonehenge?<\/a><\/p>\n

\u2022 Coilhouse<\/a> has an Eyepatch Party.<\/p>\n

\u2022 Tanzmusik<\/a><\/em> (1973) by Kraftwerk | The Model<\/em><\/a> (1992) by the Balanescu Quartet | Trans Europe Express<\/em><\/a> (2003) by the Wiener Sinfonie Orchestra & Arnold Sch\u00f6nberg Choir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sin t\u00edtulo (monstruas) (2008) by Marina N\u00fa\u00f1ez. \u00a0\u00a0 \u2022 Salon asks Christopher Bram “Is gay literature over?” Bram’s new book, Eminent Outlaws: The Gay Writers Who Changed America, is reviewed here. \u2022 Robert Montgomery is profiled at the Independent as “The artist vandalising advertising with poetry.” In addition to aesthetics, McCarthy noted a deeper link … Continue reading “Weekend links 96”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,28,9,47,851,29,57,7,5,48,3,44,14,13],"tags":[103,3373,3369,1292,96,265,136,218,3372,3001,122,3368,880,3243,3371,697,3370,6371,1190,2198],"class_list":["post-10998","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-burroughs","category-comics","category-cormac","category-drugs","category-electronica","category-fashion","category-film","category-gay","category-illustrators","category-music","category-painting","category-politics","category-science","tag-alan-moore","tag-balanescu-quartet","tag-christopher-bram","tag-coilhouse","tag-cormac-mccarthy","tag-david-lynch","tag-fin-de-siecle","tag-iain-sinclair","tag-julia-holter","tag-kathy-acker","tag-kraftwerk","tag-marina-nunez","tag-monolake","tag-nicholas-lezard","tag-nick-romeo","tag-pierre-louys","tag-robert-montgomery","tag-the-balanescu-quartet","tag-william-burroughs","tag-willy-pogany"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Ro","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10998"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10998\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}