{"id":1080,"date":"2006-11-27T19:33:29","date_gmt":"2006-11-27T19:33:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1080"},"modified":"2025-09-20T23:59:10","modified_gmt":"2025-09-20T22:59:10","slug":"the-brothers-quay-on-dvd","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/27\/the-brothers-quay-on-dvd\/","title":{"rendered":"The Brothers Quay on DVD"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image1079\" class=\"alignleft\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/11\/quays.jpg\" alt=\"quays.jpg\" align=\"left\" \/><\/p>\n<p><em>A very welcome release, these are some of my favourite films (I reviewed <\/em>Street of Crocodiles<em> for <\/em><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/16\/hail-horrors-hail-infernal-world\/\">Horror: the Definitive Guide to the Cinema of Fear<\/a><em> earlier this year). Most of the early ones can be found on the Region 1 release from <a href=\"http:\/\/www.kino.com\/\" target=\"_blank\" rel=\"noopener\">Kino International<\/a> but that collection is poorly transferred and the interface has a fault that renders it almost unusable on a computer. The supplementary material on this new collection seems especially good.<\/em><\/p>\n<blockquote><p><strong>Quay Brothers \u2013 The Short Films 1979-2003<\/strong><br \/>\nUK 1979-2003. Dir Quay Brothers. Colour and b&amp;w. cert 12<br \/>\nDisc 1: 134 mins + 60 mins commentary Disc 2: 121 mins. Ratio 1.33:1<br \/>\n<a href=\"http:\/\/www.bfi.org.uk\/booksvideo\/video\/catalogue\/index.php\/page\/item_view\/code\/483\" target=\"_blank\" rel=\"noopener\">Buy now on DVD<\/a> (\u00a324.99)<\/p>\n<p>The BFI has collaborated with the inimitable Quay Brothers to release a truly comprehensive compilation of their short films on DVD; a world first. The Quays were extensively involved with the preparation of the DVD, personally supervising the transfers, recording commentaries on selected titles, and contributing an exclusive 20-minute illustrated video interview.<\/p>\n<p>This two-disc set, in deluxe packaging, collects 13 of the Quay Brothers&#8217; short films, spanning 24 years, in brand new restored and re-mastered editions (six of them with new Quay commentaries), plus a collection of &#8216;footnotes&#8217; including interviews, alternative versions, unrealised pilot projects and more. An accompanying illustrated colour booklet features an encyclopaedic guide to the Quays&#8217; universe, plus the original illustrated treatment for their best-known film <em>Street of Crocodiles<\/em>.<\/p>\n<p>Born in Philadelphia and based in London, but with a creative sensibility derived from the remoter corners of Eastern Europe, identical twin animators the Quay Brothers have produced a unique body of work, and have also made a major contribution towards establishing the puppet film as a serious adult art form.<\/p>\n<p>Filtering a huge range of literary, musical, cinematic and philosophical influences through their own utterly distinctive sensibility, each Quay film is a dialogue-free and usually non-narrative experience, riveting the attention through hypnotic control of d\u00e9cor, music and movement. With a grasp of the uncanny that rivals Luis Bu\u00f1uel and Lewis Carroll, their films evoke half-remembered dreams and long-suppressed childhood memories, fascinating and deeply unsettling by turns.<\/p>\n<p>The collection ranges from their very first puppet film <em>Nocturna Artificialia<\/em> (1979) to the recent <em>The Phantom Museum<\/em> (2003). In between there are all the classics: <em>The Cabinet of Jan\u00a0\u0160vankmajer<\/em> (1984), a tribute to their great Czech counterpart; <em>This Unnameable Little Broom<\/em> (1985), a reduction of the <em>Epic of Gilgamesh<\/em> into a ten-minute frenzy; their acknowledged masterpiece <em>Street of Crocodiles<\/em> (1986), a visualisation of the labyrinthine world of Polish author Bruno Schulz; the tantalisingly suggestive <em>Rehearsals for Extinct Anatomies<\/em> (1987) and <em>The Comb<\/em> (1990); the playful documentary <em>Anamorphosis<\/em> (1991), uncovering hidden meanings in outwardly conventional paintings; the <em>Stille Nacht<\/em> quartet (1988-94) of twisted music videos, and <em>In Absentia<\/em> (2000), their acclaimed collaboration with composer Karlheinz Stockhausen.<\/p>\n<p>The second disc, &#8216;Footnotes&#8217;, contains numerous extras including a newly commissioned filmed interview, distinctive idents for the BFI and BBC2, the satirical short <em>The Summit<\/em> (1995) and a rare &#8216;acting&#8217; appearance (albeit in stills) in a clip from Peter Greenaway&#8217;s <em>The Falls<\/em>.<\/p>\n<p>The DVD has been produced by the BFI&#8217;s Michael Brooke, Content Developer for Screenonline, the BFI&#8217;s extensive online resource dedicated to the history of British film and television. To tie in with the release, <a href=\"http:\/\/www.screenonline.org.uk\/people\/id\/498256\/index.html\" target=\"_blank\" rel=\"noopener\">Screenonline<\/a> will be providing extensive background material for each individual title, together with a biography and filmography of the Quays.<\/p><\/blockquote>\n<p><strong>Disc 1 &#8211; The Films<\/strong><\/p>\n<p>The Cabinet of Jan \u0160vankmajer (1984)<br \/>\n*This Unnameable Little Broom (1985)<br \/>\n*Street of Crocodiles (1986)<br \/>\nRehearsals for Extinct Anatomies (1987)<br \/>\n*Stille Nacht I &#8211; Dramolet (1988)<br \/>\nThe Comb (1990)<br \/>\nAnamorphosis (1991)<br \/>\n*Stille Nacht II &#8211; Are We Still Married? (1992)<br \/>\n*Stille Nacht III &#8211; Tales From Vienna Woods (1993)<br \/>\nStille Nacht IV &#8211; Can&#8217;t Go Wrong Without You (1994)<br \/>\n*In Absentia (2000)<br \/>\nThe Phantom Museum (2003)<\/p>\n<p><strong>Disc 2 &#8211; Footnotes<\/strong><\/p>\n<p>Filmed introduction by the Quays<br \/>\nNocturna Artificialia (1979)<br \/>\nThe Calligrapher (1991)<br \/>\nThe Summit (1995)<br \/>\nArchive Interview (2000)<br \/>\nThe Falls (1980)<br \/>\nBFI ident<br \/>\nAlternative versions<br \/>\n*With new commentary by the Quay Brothers recorded for this DVD.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-quay-brothers-archive\/\">The Quay Brothers archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A very welcome release, these are some of my favourite films (I reviewed Street of Crocodiles for Horror: the Definitive Guide to the Cinema of Fear earlier this year). Most of the early ones can be found on the Region 1 release from Kino International but that collection is poorly transferred and the interface has &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/27\/the-brothers-quay-on-dvd\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Brothers Quay on DVD&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[3517,399,220,375,114,3639],"class_list":["post-1080","post","type-post","status-publish","format-standard","hentry","category-film","tag-bfi","tag-brothers-quay","tag-bruno-schulz","tag-jan-svankmajer","tag-lewis-carroll","tag-luis-bunuel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-hq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1080"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1080\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}