{"id":10721,"date":"2011-12-30T01:27:11","date_gmt":"2011-12-30T01:27:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10721"},"modified":"2025-09-21T14:23:20","modified_gmt":"2025-09-21T13:23:20","slug":"the-weekend-artists","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/30\/the-weekend-artists\/","title":{"rendered":"The weekend artists"},"content":{"rendered":"

\"olofsdotter1.jpg\"<\/a><\/p>\n

Flower Me Gently (2010) by Linn Olofsdotter<\/a>.<\/em><\/p>\n

Yes, this is one of those lazy end-of-year retrospectives, a look back at all the artists whose work was highlighted in the weekend posts for 2011. Thanks to BibliOdyssey<\/a>, Form is Void<\/a> and 50 Watts<\/a> for so often pointing the way.<\/p>\n

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Blasphemous Rumours (2009\/2010) by Ryan Martin. The artist now has a dedicated site<\/a> for his paintings.<\/em><\/p>\n

\"beksinski1.jpg\"<\/a><\/p>\n

DG-2499 (1975) by the fantastic (in every sense of the word) Zdzis\u0142aw Beksi\u0144ski (1929\u20132005). See the Dmochowski Gallery<\/a> for a comprehensive collection of the artist\u2019s work.
\n<\/em><\/p>\n

<\/p>\n

\"ceranic1.jpg\"<\/a><\/p>\n

Star City by Tomislav Ceranic<\/a>.<\/em><\/p>\n

\"selski1.jpg\"<\/a><\/p>\n

Invisible Light by Margo Selski<\/a>.<\/em><\/p>\n

\"judd.jpg\"<\/a><\/p>\n

Three Seekers (2009) by Kelly Louise Judd<\/a>.<\/em><\/p>\n

\"shah1.jpg\"<\/a><\/p>\n

From the Ornamental Age series (2009) by Seher Shah<\/a>.<\/em><\/p>\n

\"kallela.jpg\"<\/a><\/p>\n

Ad Astra (1907) by Akseli Gallen-Kallela<\/a>.<\/em><\/p>\n

\"delpozo1.jpg\"<\/a><\/p>\n

Oya by Alberto del Pozo (1945\u20131992). Also known as Yansa, Oya is Chang\u00f3\u2019s third wife. She is the goddess of the winds and of lightning and is mistress of the cemetery gates. Passionate and brave she fights by her husband\u2019s side if needed. Her favorite offerings are papaya, eggplant and geraniums. From Santeria at BibliOdyssey<\/a>.<\/em><\/p>\n

\"knaus.jpg\"<\/a><\/p>\n

Marbles and Butterflies (2011) by Jennifer Knaus<\/a>.<\/em><\/p>\n

\"pavlishin.jpg\"<\/a><\/p>\n

A plate from Tales of the Amur<\/a> by Dmitry Nagishkin, a 1975 edition illustrated by Gennady Pavlishin.<\/em><\/p>\n

\"plakhova.jpg\"<\/a><\/p>\n

From Light Beyond Sound<\/a>, a new series of works by Tatiana Plakhova<\/a>.<\/em><\/p>\n

\"kunz.jpg\"<\/p>\n

A design by Emma Kunz<\/a> (1892\u20131963).<\/em><\/p>\n

\"hofstatter.jpg\"<\/a><\/p>\n

Neutron Drip (2011) by Amrei Hofst\u00e4tter<\/a>.<\/em><\/p>\n

\"dorosheva.jpg\"<\/a><\/p>\n

Every man and every woman is a star by Sveta Dorosheva<\/a>.<\/em><\/p>\n

\"evans.jpg\"<\/a><\/p>\n

Peacock Apocalypse (detail) by Julie Evans<\/a> in collaboration with Ajay Sharma<\/a>.<\/em><\/p>\n

\"orazi.jpg\"<\/a><\/p>\n

Manuel Orazi (1860\u20131934) was one of the best of the many Mucha imitators. An untitled & undated posting at Indigo Asmodel<\/a>.<\/em><\/p>\n

\"darde.jpg\"<\/a><\/p>\n

Eternal Pain<\/a> (1913) by Paul Dard\u00e9. (And also here<\/a>)<\/em><\/p>\n

\"farmer.jpg\"<\/a><\/p>\n

Art by Tessa Farmer<\/a>.<\/em><\/p>\n

\"carr.jpg\"<\/a><\/p>\n

Struggle (2009) by Lindsey Carr<\/a>.<\/em><\/p>\n

\"wittkamp.jpg\"<\/a><\/p>\n

Black Cat on a Chair (1850\u20131860) by Andrew L Von Wittkamp<\/a>.<\/em><\/p>\n

\"morris.jpg\"<\/a><\/p>\n

At the Mountains of Madness (1979) from Halloween in Arkham<\/a> by Harry O. Morris.<\/em><\/p>\n

\"hackett.jpg\"<\/a><\/p>\n

In Memory by Caitlin Hackett<\/a> who describes her astonishing drawings as \u201ccontemporary mythology\u201d.<\/em><\/p>\n

\"enok.jpg\"<\/a><\/p>\n

Regeneration (2011) by Toshiyuki Enoki<\/a>.<\/em><\/p>\n

\"farmanfarmaian.jpg\"<\/a><\/p>\n

Group I (Convertible Series, 2010) by Monir Farmanfarmaian<\/a>.<\/em><\/p>\n

\"alastair.jpg\"<\/p>\n

Salammb\u00f4 by Alastair<\/a> (Hans Henning Voigt) from Harry Crosby<\/a>\u2018s Red Skeletons (1927). Dover published a new collection of Alastair\u2019s drawings<\/a> in September.<\/em><\/p>\n

\"scott.jpg\"<\/a><\/p>\n

Untitled art by Katie Scott<\/a>.<\/em><\/p>\n

\"zarnowerowna.jpg\"<\/a><\/p>\n

Typographic Composition (1924) by <\/em>Teresa Zarnower\u00f3wna <\/em>from a post about Polish graphic design at 50 Watts<\/a>.<\/p>\n

\"gnoli.jpg\"<\/a><\/p>\n

A drawing from Bestiario Moderno by Domenico Gnoli<\/a> (1933\u20131970).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Flower Me Gently (2010) by Linn Olofsdotter. Yes, this is one of those lazy end-of-year retrospectives, a look back at all the artists whose work was highlighted in the weekend posts for 2011. Thanks to BibliOdyssey, Form is Void and 50 Watts for so often pointing the way. Blasphemous Rumours (2009\/2010) by Ryan Martin. The … Continue reading “The weekend artists”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,21,48,44,41,18],"tags":[2329,2769,2481,2515,2729,3005,3054,2637,3177,2712,5367,1293,3023,2607,2768,3138,2400,2928,2129,1208,2358,3105,2852,198,1684,2748,1382,3154,2909,2335,3085,2298],"class_list":["post-10721","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-fantasy","category-illustrators","category-painting","category-sculpture","category-surrealism","tag-50-watts","tag-ajay-sharma","tag-akseli-gallen-kallela","tag-alberto-del-pozo","tag-amrei-hofstatter","tag-andrew-l-von-wittkamp","tag-caitlin-hackett","tag-dmitry-nagishkin","tag-domenico-gnoli","tag-emma-kunz","tag-form-is-void","tag-hans-henning-voigt","tag-harry-o-morris","tag-jennifer-knaus","tag-julie-evans","tag-katie-scott","tag-kelly-louise-judd","tag-lindsey-carr","tag-linn-olofsdotter","tag-manuel-orazi","tag-margo-selski","tag-monir-farmanfarmaian","tag-paul-darde","tag-ryan-martin","tag-seher-shah","tag-sveta-dorosheva","tag-tatiana-plakhova","tag-teresa-zarnowerowna","tag-tessa-farmer","tag-tomislav-ceranic","tag-toshiyuki-enoki","tag-zdzislaw-beksinski"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2MV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10721"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10721\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}