![\"clarke1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/clarke1.jpg\")
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A little something for the season of strong drink. Harry Clarke’s books command high prices in their original editions yet two of the costliest items in the Clarke bibliography are a pair of promotional booklets the artist illustrated for Jameson & Son’s Irish Whiskey: A History of a Great House<\/em> in 1924, and Elixir of Life<\/em> a year later. Given the quality of Clarke’s work for these publications it’s a shame they remain out of print; I’m sure I’m not the only Clarkeophile who’d be happy to buy a facsimile edition.<\/p>\n Elsewhere on { feuilleton } Previously on { feuilleton } A little something for the season of strong drink. Harry Clarke’s books command high prices in their original editions yet two of the costliest items in the Clarke bibliography are a pair of promotional booklets the artist illustrated for Jameson & Son’s Irish Whiskey: A History of a Great House in 1924, and Elixir of … Continue reading “Harry Clarke and the Elixir of Life”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[2116,99,2373],"class_list":["post-10687","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-cardwell-higgins","tag-harry-clarke","tag-stained-glass"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Mn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10687"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10687\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"clarke2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/clarke2.jpg\")
<\/p>\n
\n\u2022 The illustrators archive<\/a><\/p>\n
\n\u2022 Cardwell Higgins versus Harry Clarke<\/a>
\n\u2022 Modern book illustrators, 1914<\/a>
\n\u2022 Illustrating Poe #3: Harry Clarke<\/a>
\n\u2022 Strangest Genius: The Stained Glass of Harry Clarke<\/a>
\n\u2022 Harry Clarke\u2019s stained glass<\/a>
\n\u2022 Harry Clarke\u2019s The Year\u2019s at the Spring<\/a>
\n\u2022 The art of Harry Clarke, 1889\u20131931<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"