{"id":10667,"date":"2011-12-22T01:06:26","date_gmt":"2011-12-22T01:06:26","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10667"},"modified":"2011-12-22T02:27:23","modified_gmt":"2011-12-22T02:27:23","slug":"joseph-noel-patons-ancient-mariner","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/22\/joseph-noel-patons-ancient-mariner\/","title":{"rendered":"Joseph Noel Paton&#8217;s Ancient Mariner"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton01.jpg\" alt=\"paton01.jpg\" \/><\/p>\n<p>From Patten Wilson to <a href=\"http:\/\/www.artcyclopedia.com\/artists\/paton_sir_joseph_noel.html\" target=\"_blank\">Joseph Noel Paton<\/a> (1821\u20131901), a Scottish artist whose illustrations for Coleridge&#8217;s poem I much prefer to his generic paintings. Other artists often skimp on the ship details but Paton&#8217;s crowded deck scenes are done with such accuracy they must have been based on a real vessel. The book was published in 1893, and the plates would appear to be engravings given the presence of another monogram besides that of the artist. The <a href=\"http:\/\/www.archive.org\/details\/cu31924015792629\" target=\"_blank\">Internet Archive scans<\/a> aren&#8217;t as bad as the Patten Wilson but Paton&#8217;s meticulous draughtsmanship is best seen in the near-complete set of images posted at <a href=\"http:\/\/goldenagecomicbookstories.blogspot.com\/2009\/08\/joseph-noel-paton-1821-1901.html\" target=\"_blank\">Golden Age Comic Book Stories<\/a>. And for anyone familiar with my comic strip adaptation of Lovecraft&#8217;s <a href=\"http:\/\/www.johncoulthart.com\/retinacula\/hotd.html\" target=\"_blank\"><em>The Haunter of the Dark<\/em><\/a>, the portrait of Enoch Bowen, founder of the Starry Wisdom cult, was based on Paton&#8217;s head of the Ancient Mariner in the scene where the sailors are fastening the albatross around the accursed man&#8217;s neck.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton02.jpg\" alt=\"paton02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton03.jpg\" alt=\"paton03.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton04.jpg\" alt=\"paton04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton05.jpg\" alt=\"paton05.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton06.jpg\" alt=\"paton06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton07.jpg\" alt=\"paton07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton08.jpg\" alt=\"paton08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton09.jpg\" alt=\"paton09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton10.jpg\" alt=\"paton10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton11.jpg\" alt=\"paton11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton12.jpg\" alt=\"paton12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton13.jpg\" alt=\"paton13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/12\/paton14.jpg\" alt=\"paton14.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/21\/patten-wilsons-illustrated-coleridge\/\">Patten Wilson\u2019s illustrated Coleridge<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/20\/gerald-metcalfes-illustrated-coleridge\/\">Gerald Metcalfe\u2019s illustrated Coleridge<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Patten Wilson to Joseph Noel Paton (1821\u20131901), a Scottish artist whose illustrations for Coleridge&#8217;s poem I much prefer to his generic paintings. Other artists often skimp on the ship details but Paton&#8217;s crowded deck scenes are done with such accuracy they must have been based on a real vessel. The book was published in &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/12\/22\/joseph-noel-patons-ancient-mariner\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Joseph Noel Paton&#8217;s Ancient Mariner&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,48,23],"tags":[3193,2084,3192],"class_list":["post-10667","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-illustrators","category-work","tag-joseph-noel-paton","tag-patten-wilson","tag-samuel-taylor-coleridge"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2M3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10667"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10667\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}