![\"alastair.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/alastair.jpg\")
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Salammb\u00f4 by Alastair<\/a> (Hans Henning Voigt) from Harry Crosby<\/a>‘s Red Skeletons (1927). Dover published a new collection of Alastair’s drawings<\/a> in September.<\/em><\/p>\n “A Taste of Honey<\/em><\/a> showed working-class women from a working-class woman’s point of view, had a gay man as a central and sympathetic figure, and a black character who was neither idealised nor a racial stereotype.” RIP Shelagh Delaney<\/a>. Related: Shelagh Delaney’s Salford<\/a><\/em> (1960), directed by Ken Russell, and all 47 minutes (!) of The White Bus<\/em><\/a> (1967), Lindsay Anderson’s strange, pre-If….<\/em> short, written by Shelagh Delaney, filmed in and around Manchester.<\/p>\n Since birth I\u2019ve craved all things psychedelic, the energy and beauty of it. The pleasure… […] But in the US the exploration of consciousness and its powers\u2014or really any curiosity about anything at all\u2014is actively discouraged, because the system is so corrupt that it depends on people being virtually unconscious all the time. Burroughs cracked that code long ago. Spirituality here equals money; no one seems to be able to think, never mind explore their own consciousness.<\/p>\n Laurie Weeks: Making Magic Out of the Real<\/a><\/em><\/p><\/blockquote>\n \u2022 Ian Albinson shows us The Title Design of Saul Bass<\/em><\/a> while Ace Jet 170<\/a> has a copy of the new Bass monograph.<\/p>\n \u2022 Kris Kool<\/em><\/a> (1970) at 50 Watts, Philip Caza’s lurid, erotic, psychedelic comic strip.<\/p>\n G\u00f6tz Krafft by EM Lilien from a collection at Flickr<\/a>.<\/em><\/p>\n \u2022 Serious Listeners: The Strange and Frightening World of Coil<\/a>.<\/p>\n \u2022 The Octopus Chronicles<\/a>, a new blog at Scientific American<\/em>.<\/p>\n \u2022 We now live in a world where there are Ghost Box badges<\/a>.<\/p>\n \u2022 Kilian Eng<\/a> interviewed at Sci-Fi-O-Rama.<\/p>\n \u2022 Dal\u00ed Planet<\/a><\/p>\n \u2022 Bedabbled!<\/a><\/p>\n \u2022 A Taste of Honey<\/em><\/a> (1962) by Acker Bilk | A Taste of Honey<\/a><\/em> (1965) by Herb Alpert’s Tijuana Brass | A Taste of Honey (Moog version)<\/a><\/em> (1969) by Martin Denny.<\/p>\n","protected":false},"excerpt":{"rendered":" Salammb\u00f4 by Alastair (Hans Henning Voigt) from Harry Crosby‘s Red Skeletons (1927). Dover published a new collection of Alastair’s drawings in September. “A Taste of Honey showed working-class women from a working-class woman’s point of view, had a gay man as a central and sympathetic figure, and a black character who was neither idealised nor … Continue reading “Weekend links 86”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,9,4,29,7,5,48,3,17,20,18,46],"tags":[2329,3122,3124,1952,2272,1260,1799,172,1293,1075,3125,3121,181,595,2610,3120,1123,777,3117,87,436,1105,3118],"class_list":["post-10532","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-illustrators","category-music","category-psychedelia","category-science-fiction","category-surrealism","category-theatre","tag-50-watts","tag-ace-jet-170","tag-acker-bilk","tag-cephalopods","tag-coil-group","tag-em-lilien","tag-ephraim-moses-lilien","tag-ghost-box","tag-hans-henning-voigt","tag-harry-crosby","tag-herb-alpert","tag-ian-albinson","tag-if","tag-ken-russell","tag-kilian-eng","tag-laurie-weeks","tag-lindsay-anderson","tag-martin-denny","tag-salammbo","tag-salvador-dali","tag-saul-bass","tag-sci-fi-o-rama","tag-shelagh-delaney"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2JS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10532"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10532\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"lilien.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/lilien.jpg\")
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