{"id":10467,"date":"2011-11-14T02:41:46","date_gmt":"2011-11-14T02:41:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10467"},"modified":"2011-11-14T03:07:19","modified_gmt":"2011-11-14T03:07:19","slug":"edward-gorey-book-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/14\/edward-gorey-book-covers\/","title":{"rendered":"Edward Gorey book covers"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/gorey1.jpg\" alt=\"gorey1.jpg\" \/><\/p>\n<p><em>Scribner&#8217;s edition (USA, 1978).<\/em><\/p>\n<p>I&#8217;m still working through the Robert Aickman stories so curiosity had me looking up the covers of his first editions. Edward Gorey was a fitting choice as artist for Aickman&#8217;s fifth story collection, <em>Cold Hand in Mine<\/em>, and it&#8217;s interesting seeing his work labelled on both these books as &#8220;strange stories&#8221;; paperbacks tended to brand his fiction as horror which isn&#8217;t always accurate. We&#8217;re back with that term &#8220;<a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/05\/weird-fiction-review\/\">weird<\/a>&#8221; again: reading Aickman today is like finding the quotidian Britishness of Alan Bennett darkening into the inexplicable nightmares of David Lynch. Gorey&#8217;s gloomy renderings suit these atmospheres a lot better than later attempts to package Aickman&#8217;s books so it&#8217;s a shame he wasn&#8217;t allowed to illustrate more of them. <em>Cold Hand in Mine<\/em> has recently been <a href=\"http:\/\/www.faber.co.uk\/author\/robert-aickman\/\" target=\"_blank\">republished by Faber<\/a>, together with two more collections of Aickman&#8217;s stories.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/gorey2.jpg\" alt=\"gorey2.jpg\" \/><\/p>\n<p><em>Scribner&#8217;s edition (USA, 1979).<\/em><\/p>\n<p>Edward Gorey illustrated and designed many book covers, not all of them horror or ghost stories. <a href=\"http:\/\/www.flickr.com\/photos\/marcianddeth\/sets\/72157623540530883\/\" target=\"_blank\">This Flickr set<\/a> has some of the more notable examples which includes <em>Cold Hand in Mine<\/em>. Also <a href=\"http:\/\/www.flickr.com\/photos\/marcianddeth\/4644252060\/in\/set-72157623540530883\" target=\"_blank\">a flaming spider<\/a>&#8230; There are more covers at <a href=\"http:\/\/www.goreybooks.com\/cgi-bin\/emAlbum.cgi\" target=\"_blank\">Gorey Books<\/a> where I was surprised to find he&#8217;d produced a cover for <a href=\"http:\/\/www.goreybooks.com\/cgi-bin\/emAlbum.cgi?c=show_image;p=Book%20Covers;i=4;img=d018-chelseasquare.jpg\" target=\"_blank\"><em>A Room in Chelsea Square<\/em><\/a>, an early novel of gay life in London by Michael Nelson that was originally published anonymously to spare the author the attentions of intolerant authorities. Gorey&#8217;s drawing is like something <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/12\/13\/philippe-jullian-connoisseur-of-the-exotic\/\">Philippe Jullian<\/a> might have done had he been a more careful draughtsman.<\/p>\n<p>\u2022 See also: <a href=\"http:\/\/edwardgoreyelephanthouse.tumblr.com\/\" target=\"_blank\">Edward Gorey&#8217;s Elephant House<\/a> for more covers and Gorey ephemera.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/05\/weird-fiction-review\/\">Weird Fiction Review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scribner&#8217;s edition (USA, 1978). I&#8217;m still working through the Robert Aickman stories so curiosity had me looking up the covers of his first editions. Edward Gorey was a fitting choice as artist for Aickman&#8217;s fifth story collection, Cold Hand in Mine, and it&#8217;s interesting seeing his work labelled on both these books as &#8220;strange stories&#8221;; &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/14\/edward-gorey-book-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Edward Gorey book covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,22,48],"tags":[1012,265,2313,3098,158,2947,3530],"class_list":["post-10467","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-horror","category-illustrators","tag-alan-bennett","tag-david-lynch","tag-edward-gorey","tag-michael-nelson","tag-philippe-jullian","tag-robert-aickman","tag-weird-fiction-review"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2IP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10467"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10467\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}