{"id":1032,"date":"2006-11-14T03:57:43","date_gmt":"2006-11-14T03:57:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1032"},"modified":"2024-06-13T23:40:22","modified_gmt":"2024-06-13T22:40:22","slug":"film-noir-posters","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/14\/film-noir-posters\/","title":{"rendered":"Film noir posters"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/11\/third_man.jpg\" alt=\"third_man.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.doctormacro.com\/Movie%20Star%20Pages\/Film%20Noir%20Posters\/Film%20Noir%20Posters.htm\" target=\"_blank\" rel=\"noopener\">Three pages of them<\/a>, and BIG scans as well, which makes a nice change for a web gallery. Strictly speaking, many of these films aren&#8217;t what&#8217;s usually classed as film noir (a debatable term at the best of times) but we shouldn&#8217;t quibble, painted posters are now a lost art.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/24\/alida-valli-1921-2006\/\">Alida Valli, 1921\u20132006<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three pages of them, and BIG scans as well, which makes a nice change for a web gallery. Strictly speaking, many of these films aren&#8217;t what&#8217;s usually classed as film noir (a debatable term at the best of times) but we shouldn&#8217;t quibble, painted posters are now a lost art. Previously on { feuilleton } &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/14\/film-noir-posters\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Film noir posters&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7,38],"tags":[],"class_list":["post-1032","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-pulp"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-gE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1032\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}