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![\"rork2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/11\/rork2.jpg\")
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Andreas Martens<\/a>, artist of Rork<\/em><\/a>.<\/p>\n A native of Germany, Andreas (Andreas Martens (1951- ) studied at the St. Luc comics school in Belgium, assisting Eddy Paape on Udolfo<\/em>, before relocating to France. His genre series include Arq<\/em>, Cromwell Stone<\/em>, Cyrrus<\/em>, Rork<\/em> and its spin-off, Capricorne<\/em>, as well as a number of single works such as La Caverne du Souvenir<\/em> (The Cave of Memory), Coutoo<\/em>, D\u00e9rives<\/em> (Adrift), Azt\u00e8ques<\/em>, and R\u00e9v\u00e9lations Posthumes<\/em> (Posthumous Revelations).<\/p><\/blockquote>\n Previously on { feuilleton } Andreas Martens, artist of Rork. A native of Germany, Andreas (Andreas Martens (1951- ) studied at the St. Luc comics school in Belgium, assisting Eddy Paape on Udolfo, before relocating to France. His genre series include Arq, Cromwell Stone, Cyrrus, Rork and its spin-off, Capricorne, as well as a number of single works such as … Continue reading “The art of Andreas Martens”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,9,21],"tags":[99],"class_list":["post-1030","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-comics","category-fantasy","tag-harry-clarke"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-gC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1030"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1030\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2022 The art of Harry Clarke, 1889\u20131931<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"