![\"klaphek.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/klaphek.jpg\")
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left: The Hostage (1966); right: The Female Terrorist (1971). Both by Konrad Klapheck.<\/em><\/p>\n No, I’m not suggesting that David Pelham’s paintings for the Ballard covers he designed in the 1970s are inspired by the earlier work of German artist Konrad Klapheck. But it’s tempting to think of Klapheck’s isolated objects as being intended for Ballard collections that never saw the light of day. Klapheck has connections with late Surrealism, and some of his paintings prefigure the styles and concerns of Pop Art, so I’m sure Ballard would have approved.<\/p>\n Three of Pelham’s memorable Ballard paintings were made available as signed and numbered prints<\/a> earlier this year, together with his design for A Clockwork Orange<\/em>. For more about the covers see Landscapes From a Dream: How the Art of David Pelham Captured the Essence of JG Ballard\u2019s Early Fiction<\/a>, an essay at Ballardian. The designer discussed his career<\/a> at some length in 2007. Then there’s the complete set of covers at the Penguin Science Fiction<\/a> site, and let’s not forget Konrad Klapheck who’s still painting and who has a website here<\/a>.<\/p>\n Elsewhere on { feuilleton } left: The Hostage (1966); right: The Female Terrorist (1971). Both by Konrad Klapheck. No, I’m not suggesting that David Pelham’s paintings for the Ballard covers he designed in the 1970s are inspired by the earlier work of German artist Konrad Klapheck. But it’s tempting to think of Klapheck’s isolated objects as being intended for Ballard … Continue reading “Klapheck versus Ballard”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,44,20,18],"tags":[170,792,368,137,10613],"class_list":["post-10281","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-painting","category-science-fiction","category-surrealism","tag-a-clockwork-orange","tag-ballardian","tag-david-pelham","tag-jg-ballard","tag-konrad-klapheck"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2FP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10281"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10281\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"pelham.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/11\/pelham.jpg\")
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\n\u2022 The book covers archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"