{"id":10256,"date":"2011-10-30T02:03:44","date_gmt":"2011-10-30T02:03:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10256"},"modified":"2013-02-02T15:46:02","modified_gmt":"2013-02-02T15:46:02","slug":"weekend-links-82","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/10\/30\/weekend-links-82\/","title":{"rendered":"Weekend links 82"},"content":{"rendered":"

\"morris.jpg\"<\/a><\/p>\n

At the Mountains of Madness (1979) from Halloween in Arkham<\/a> by Harry O. Morris.<\/em><\/p>\n

\u2022 Golden Age Comic Book Stories always pulls out the stops in the run up to Halloween. In addition to a wonderful collection of Harry O. Morris collages, Mr Door Tree has also been posting Virgil Finlay’s illustrations for Edgar Allan Poe<\/a>, Lynd Ward’s tremendous illustrations for\u00a0a collection of weird tales entitled The Haunted Omnibus<\/em><\/a>, Barry Moser’s woodcuts for an edition of Frankenstein<\/em><\/a>, and Virgil Finlay’s illustrations for stories and poems by HP Lovecraft<\/a>.<\/p>\n

\u2022 “Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live \u2013 a central motif of the horror genre. In the Dust of This Planet<\/em><\/a> explores these relationships between philosophy and horror.”<\/p>\n

\u2022 “…the reader […] becomes a conscious participant in the process of imposing a linear sequence, while at the same time remaining aware that all narrative is an act of memory, and that memory is necessarily random.” Jonathan Coe<\/a> reviews Marc Saporta’s book-in-a-box, Composition No.1<\/em>, recently republished by Visual Editions<\/a>.<\/p>\n

\u2022 Nearly fifty years after its first performance, Peter Weiss’s Marat\/Sade<\/em><\/a> is still disturbing playgoers. And nearly ninety years after its release, Alla Nazimova’s silent film production of Oscar Wilde’s Salom\u00e9<\/em> is touring the UK with live musical accompaniment<\/a>.<\/p>\n

\u2022 Tom of Sinland at Homotography<\/a>, in which illustrator Bendix Bauer<\/a> portrays some of the fashion world’s notable male designers as Tom of Finland-style characters for Horst<\/a><\/em> magazine.<\/p>\n

\u2022 Neil Gaiman Presents<\/a> is a new audiobook imprint which launches with works by Jonathan Carroll, Alina Simone, Keith Roberts, M. John Harrison and Steven Sherrill.<\/p>\n

\u2022 The Weird Wild West: Paul Kirchner<\/a> has put all his Dope Rider<\/em> comic strips online.<\/p>\n

\u2022 Leonora Carrington prints<\/a> at Viktor Wynd Fine Art, London, from November 5th.<\/p>\n

\u2022 The Fall to Earth: David Bowie, Cocaine and the Occult<\/a>.<\/p>\n

\u2022 Photos of New York City, 1978\u20131985<\/a>.<\/p>\n

\u2022 Kathy Acker<\/a> recordings at Ubuweb.<\/p>\n

\u2022 The Occupied Times of London<\/a><\/em>.<\/p>\n

\u2022 The Golden Age of Dirty Talk<\/a>.<\/p>\n

\u2022 Pushkin silhouettes<\/a>.<\/p>\n

\u2022 This week I’ve been lost in the Velvet Goldmine (again): John, I’m Only Dancing<\/em><\/a> (1972) by David Bowie | The Jean Genie<\/em><\/a> (1972) by David Bowie | Drive-In Saturday<\/em><\/a> (1973) by David Bowie.<\/p>\n","protected":false},"excerpt":{"rendered":"

At the Mountains of Madness (1979) from Halloween in Arkham by Harry O. Morris. \u2022 Golden Age Comic Book Stories always pulls out the stops in the run up to Halloween. In addition to a wonderful collection of Harry O. Morris collages, Mr Door Tree has also been posting Virgil Finlay’s illustrations for Edgar Allan … Continue reading “Weekend links 82”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,51,1029,9,851,57,7,5,22,48,43,3,16,12,20,18,46],"tags":[2095,3029,785,3024,3027,1301,93,3025,250,1213,3023,1580,1687,3028,3034,3001,3030,731,1709,2291,3035,2266,301,116,3032,3026,123,3031,5148,2194,119,2472,3033,1895,2396],"class_list":["post-10256","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-cities","category-collage","category-comics","category-drugs","category-fashion","category-film","category-gay","category-horror","category-illustrators","category-magazines","category-music","category-occult","category-photography","category-science-fiction","category-surrealism","category-theatre","tag-alexander-pushkin","tag-alina-simone","tag-alla-nazimova","tag-barry-moser","tag-bendix-bauer","tag-david-bowie","tag-edgar-allan-poe","tag-eugene-thacker","tag-frankenstein","tag-golden-age-comic-book-stories","tag-harry-o-morris","tag-homotography","tag-hp-lovecraft","tag-jonathan-carroll","tag-jonathan-coe","tag-kathy-acker","tag-keith-roberts","tag-leonora-carrington","tag-lynd-ward","tag-m-john-harrison","tag-marc-saporta","tag-mary-shelley","tag-neil-gaiman","tag-oscar-wilde","tag-paul-kirchner","tag-peter-weiss","tag-salome","tag-steven-sherrill","tag-the-golden-age","tag-tom-of-finland","tag-ubuweb","tag-velvet-goldmine","tag-viktor-wynd","tag-virgil-finlay","tag-weird-tales"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Fq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10256"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10256\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}