{"id":10252,"date":"2011-10-28T03:06:05","date_gmt":"2011-10-28T02:06:05","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=10252"},"modified":"2011-10-28T03:06:05","modified_gmt":"2011-10-28T02:06:05","slug":"ver-sacrum-1899","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/10\/28\/ver-sacrum-1899\/","title":{"rendered":"Ver Sacrum, 1899"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-14.jpg\" alt=\"vs-1899-14.jpg\" \/><\/p>\n<p>Another post about <em>Ver Sacrum<\/em>, the art journal of the Viennese Secession and one of the world&#8217;s major art magazines during its short run from 1898 on. This is another digitised edition from the University of Heidelberg&#8217;s archive and is the second volume of the journal&#8217;s monthly issues. It&#8217;s difficult to make a small selection from over 450 pages of high-quality Art Nouveau graphics and design so I&#8217;ve mostly chosen the covers again. Anyone wanting to see more is encouraged to download the whole volume or browse individual pages <a href=\"http:\/\/digi.ub.uni-heidelberg.de\/diglit\/vs1899?sid=1f25dad9cc780276046dc234f7c09c3f\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-01.jpg\" alt=\"vs-1899-01.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-02.jpg\" alt=\"vs-1899-02.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-03.jpg\" alt=\"vs-1899-03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-04.jpg\" alt=\"vs-1899-04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-05.jpg\" alt=\"vs-1899-05.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-06.jpg\" alt=\"vs-1899-06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-07.jpg\" alt=\"vs-1899-07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-08.jpg\" alt=\"vs-1899-08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-09.jpg\" alt=\"vs-1899-09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-10.jpg\" alt=\"vs-1899-10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-11.jpg\" alt=\"vs-1899-11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-12.jpg\" alt=\"vs-1899-12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-13.jpg\" alt=\"vs-1899-13.jpg\" \/><\/p>\n<p>One of many tesselated patterns from the remarkable Koloman Moser. I&#8217;ve wondered a few times whether his repeated animal shapes were an influence on MC Escher&#8217;s similar designs.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/vs-1899-15.jpg\" alt=\"vs-1899-15.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/04\/28\/ver-sacrum-1898\/\">Ver Sacrum, 1898<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/17\/secession-posters\/\">Secession posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another post about Ver Sacrum, the art journal of the Viennese Secession and one of the world&#8217;s major art magazines during its short run from 1898 on. This is another digitised edition from the University of Heidelberg&#8217;s archive and is the second volume of the journal&#8217;s monthly issues. It&#8217;s difficult to make a small selection &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/10\/28\/ver-sacrum-1899\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ver Sacrum, 1899&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4,43],"tags":[946,216,2326],"class_list":["post-10252","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","category-magazines","tag-koloman-moser","tag-mc-escher","tag-ver-sacrum"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2Fm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=10252"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/10252\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=10252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=10252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=10252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}