{"id":2601,"date":"2007-12-03T21:50:56","date_gmt":"2007-12-03T21:50:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?page_id=2601"},"modified":"2025-06-02T16:34:10","modified_gmt":"2025-06-02T15:34:10","slug":"the-etching-and-engraving-archive","status":"publish","type":"page","link":"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-etching-and-engraving-archive\/","title":{"rendered":"The etching and engraving archive"},"content":{"rendered":"

\"piranesi_tivoli.pg\"<\/p>\n

Previous posts about etchings and engravings.<\/p>\n

\"monnickendam01-150x150.jpg\"<\/a>
\n\u2022 The art of Martin Monnickendam, 1874\u20131943<\/a><\/p>\n

\"becker03-150x150.jpg\"<\/a>
\n\u2022 The Population of an Old Pear-Tree; or, Stories of Insect Life<\/a><\/p>\n

\"mitelli-150x150.jpg\"<\/a>
\n\u2022 Three alphabets<\/a><\/p>\n

\"lawson1-150x150.jpg\"<\/a>
\n\u2022 Robert Lawson’s House of Usher<\/a><\/p>\n

\"destiny01-150x150.jpg\"<\/a>
\n\u2022 Destiny, A Novel in Pictures by Otto N\u00fcckel<\/a><\/p>\n

\"verne-150x150.jpg\"<\/a>
\n\u2022 A territory always rather nocturnal and almost subaqueous<\/a><\/p>\n

\"dietterlin01-150x150.jpg\"<\/a>
\n\u2022 Wendel Dietterlin\u2019s Architectura<\/a><\/p>\n

\"boberg4-150x150.jpg\"<\/a>
\n\u2022 Jorgen Boberg\u2019s Teresas<\/a><\/p>\n

\"piranesi01-150x150.jpg\"<\/a>
\n\u2022 Piranesi record covers<\/a><\/p>\n

\"dream-150x150.jpg\"<\/a>
\n\u2022 Fanned to sleep<\/a><\/p>\n

\"heyden01-150x150.jpg\"<\/a>
\n\u2022 Bruegel\u2019s sins<\/a><\/p>\n

\"wonders01-150x150.jpg\"<\/a>
\n\u2022 The World of Wonders<\/a><\/p>\n

\"lucifer1-150x150.jpg\"<\/a>
\n\u2022 LVCIFER<\/a><\/p>\n

\"trignac03-150x150.jpg\"<\/a>
\n\u2022 G\u00e9rard Trignac\u2019s Invisible Cities<\/a><\/p>\n

\"hugo1-150x150.jpg\"<\/a>
\n\u2022 La Ronde du Sabbat<\/a><\/p>\n

\"meyer02-150x150.jpg\"<\/a>
\n\u2022 Meyer\u2019s Todtengess\u00e4ngen<\/a><\/p>\n

\"houplain1-150x150.jpg\"<\/a>
\n\u2022 Jacques Houplain\u2019s Maldoror<\/a><\/p>\n

\"kircher1-150x150.jpg\"<\/a>
\n\u2022 Athanasius Kircher\u2019s Pan<\/a><\/p>\n

\"fludd2-150x150.jpg\"<\/a>
\n\u2022 Robert Fludd\u2019s Temples of Music<\/a><\/p>\n

\"alchemy11-150x150.jpg\"<\/a>
\n\u2022 Musaeum Hermeticum<\/a><\/p>\n

\"rodler01-150x150.jpg\"<\/a>
\n\u2022 Rodler\u2019s Fine, Useful Booklet<\/a><\/p>\n

\"perspective01-150x150.jpg\"<\/a>
\n\u2022 Rules and Examples of Perspective Proper, 1693<\/a><\/p>\n

\"larousse1-150x150.jpg\"<\/a>
\n\u2022 Grand capitals<\/a><\/p>\n

\"rentz01-150x150.jpg\"<\/a>
\n\u2022 Rentz\u2019s Todentanz<\/a><\/p>\n

\"rembrandt2-150x150.jpg\"<\/a>
\n\u2022 A Scholar in his Study<\/a><\/p>\n

\"neworleans05-150x150.jpg\"<\/a>
\n\u2022 Old New Orleans<\/a><\/p>\n

\"lesterres02-150x150.jpg\"<\/a>
\n\u2022 Les Terres du Ciel<\/a><\/p>\n

\"mignon2-150x150.jpg\"<\/a>
\n\u2022 Transformations<\/a><\/p>\n

\"doorway1-150x150.jpg\"<\/a>
\n\u2022 Doorways<\/a><\/p>\n

\"durer01-150x150.jpg\"<\/a>
\n\u2022 Eustace details<\/a><\/p>\n

\"library4-150x150.jpg\"<\/a>
\n\u2022 The Library of Babel by \u00c9rik Desmazi\u00e8res<\/a><\/p>\n

\"versailles01-150x150.jpg\"<\/a>
\n\u2022 The labyrinth of Versailles<\/a><\/p>\n

\"mm01-150x150.jpg\"<\/a>
\n\u2022 Atalanta Fugiens<\/a><\/p>\n

\"kircher-150x150.jpg\"<\/a>
\n\u2022 Athanasius Kircher\u2019s pyramids<\/a><\/p>\n

\"nathist01-150x150.jpg\"<\/a>
\n\u2022 The Royal Natural History by Richard Lydekker<\/a><\/p>\n

\"dupond-150x150.jpg\"<\/a>
\n\u2022 Animating Piranesi<\/a><\/p>\n

\"durer2-150x150.jpg\"<\/a>
\n\u2022 Melencolia details<\/a><\/p>\n

\"rococo6-150x150.jpg\"<\/a>
\n\u2022 Le style Louis XV<\/a><\/p>\n

\"sealand1-150x150.jpg\"<\/a>
\n\u2022 Sea and Land: An Illustrated History<\/a><\/p>\n

\"merigot1-150x150.jpg\"<\/a>
\n\u2022 M\u00e9rigot\u2019s Ruins of Rome<\/a><\/p>\n

\"fonthill1-150x150.jpg\"<\/a>
\n\u2022 Fonthill Abbey<\/a><\/p>\n

\"turgot4-150x150.jpg\"<\/a>
\n\u2022 The Turgot Map of Paris<\/a><\/p>\n

\"dore01-150x150.jpg\"<\/a>
\n\u2022 Gustave Dor\u00e9\u2019s Ancient Mariner<\/a><\/p>\n

\"babel1-150x150.jpg\"<\/a>
\n\u2022 Athanasius Kircher\u2019s Tower of Babel<\/a><\/p>\n

\"rethel-150x150.jpg\"<\/a>
\n\u2022 Alfred Rethel\u2019s Totentanz<\/a><\/p>\n

\"paulini1-150x150.jpg\"<\/a>
\n\u2022 Paulini\u2019s mythological alphabet<\/a><\/p>\n

\"brodskyutkin-150x150.jpg\"<\/a>
\n\u2022 The paper architecture of Brodsky and Utkin<\/a><\/p>\n

\"suite1-150x150.jpg\"<\/a>
\n\u2022 Six Suites of Engravings<\/a><\/p>\n

\"pilecek1-150x150.jpg\"<\/a>
\n\u2022 The art of Jindrich Pilecek, 1944\u20132002<\/a><\/p>\n

\"cacodaemonis-150x150.jpg\"<\/a>
\n\u2022 Further oddities<\/a><\/p>\n

\"khunrath1-150x150.jpg\"<\/a>
\n\u2022 Amphitheatrum Sapientiae Aeternae<\/a><\/p>\n

\"meryon1-150x150.jpg\"<\/a>
\n\u2022 Charles M\u00e9ryon revisited<\/a><\/p>\n

\"piranesi_tivoli-150x150.jpg\"<\/a>
\n\u2022 Carceri, thermae and candelabra<\/a><\/p>\n

\"jakovenko3-150x150.jpg\"<\/a>
\n\u2022 Yuri Yakovenko bookplates<\/a><\/p>\n

\"hollar1-150x150.jpg\"<\/a>
\n\u2022 Wenceslaus Hollar\u2019s peacocks<\/a><\/p>\n

\"liceti1-150x150.jpg\"<\/a>
\n\u2022 Liceti’s monsters<\/a><\/p>\n

\"durer-150x150.jpg\"<\/a>
\n\u2022 Albrecht D\u00fcrer\u2019s Triumphal Arch<\/a><\/p>\n

\"speculum-150x150.jpg\"<\/a>
\n\u2022 Cabala, Speculum Artis Et Naturae In Alchymia<\/a><\/p>\n

\"geetere3-150x150.jpg\"<\/a>
\n\u2022 Frans De Geetere\u2019s illustrated Maldoror<\/a><\/p>\n

\"schott1-150x150.jpg\"<\/a>
\n\u2022 Schott\u2019s Physica Curiosa<\/a><\/p>\n

\"grandville1-150x150.jpg\"<\/a>
\n\u2022 Grandville\u2019s Un Autre Monde<\/a><\/p>\n

\"salviati-150x150.jpg\"<\/a>
\n\u2022 The Triumph of the Phallus<\/a><\/p>\n

\"denysenko1-150x150.jpg\"<\/a>
\n\u2022 The art of Oleg Denysenko<\/a><\/p>\n

\"fencers-150x150.jpg\"<\/a>
\n\u2022 Nicoletto Giganti\u2019s naked duellists<\/a><\/p>\n

\"whale1-150x150.jpg\"<\/a>
\n\u2022 Of the Monstrous Pictures of Whales<\/a><\/p>\n

\"saenredam-150x150.jpg\"<\/a>
\n\u2022 Jan Saenredam\u2019s whale<\/a><\/p>\n

\"alchemy1-150x150.jpg\"<\/a>
\n\u2022 Digital alchemy<\/a><\/p>\n

\"lepautre-150x150.jpg\"<\/a>
\n\u2022 Oeuvres D\u2019Architecture by Jean Le Pautre<\/a><\/p>\n

\"gramato-graphices-150x150.jpg\"<\/a>
\n\u2022 Gramato-graphices<\/a><\/p>\n

\"an2-150x150.jpg\"<\/a>
\n\u2022 Edward William Lane\u2019s Arabian Nights Entertainments<\/a><\/p>\n

\"bickham1-150x150.jpg\"<\/a>
\n\u2022 John Bickham\u2019s Fables and other short poems<\/a><\/p>\n

\"pollaiuolo-150x150.jpg\"<\/a>
\n\u2022 Battle of the Naked Men<\/a><\/p>\n

\"houtin1.thumbnail.pg\"<\/a>
\n\u2022 The art of Fran\u00e7ois Houtin<\/a><\/p>\n

\"maldoror2.thumbnail.pg\"<\/a>
\n\u2022 Maldoror illustrated<\/a><\/p>\n

\"reynard2.thumbnail.pg\"<\/a>
\n\u2022 Reynard the Fox<\/a><\/p>\n

\"czanara2.thumbnail.pg\"<\/a>
\n\u2022 Czanara: The Art & Photographs of Raymond Carrance<\/a><\/p>\n

\"empusa1.thumbnail.jpg\"<\/a>
\n\u2022 Empusa<\/a><\/p>\n

\"piranesi_tivoli.thumbnail.pg\"<\/a>
\n\u2022 Hadrian and Greek love<\/a><\/p>\n

\"langdale1.jpg\"<\/a>
\n\u2022 The art of Stella Langdale, 1880\u20131976<\/a><\/p>\n

\"goro2.jpg\"<\/a>
\n\u2022 The art of Michael Goro<\/a><\/p>\n

\"hoshino2.jpg\"<\/a>
\n\u2022 The art of Michiko Hoshino<\/a><\/p>\n

\"pecoraro1.jpg\"<\/a>
\n\u2022 The art of Toni Pecoraro<\/a><\/p>\n

\"piranesi2.jpg\"<\/a>
\n\u2022 Piranesi as designer<\/a><\/p>\n

\"ghisi1.jpg\"<\/a>
\n\u2022 Giorgio Ghisi\u2019s Allegory of Life<\/a><\/p>\n

\"desmazieres1.jpg\"<\/a>
\n\u2022 Les lieux imaginaires d\u2019Erik Desmazi\u00e8res<\/a><\/p>\n

\"ward3.jpg\"<\/a>
\n\u2022 Gods\u2019 Man by Lynd Ward<\/a><\/p>\n

\"faed.jpg\"<\/a>
\n\u2022 Weel done, Cutty-sark!<\/a><\/p>\n

\"iskandar.jpg\"<\/a>
\n\u2022 Prince Iskandar’s horoscope<\/a><\/p>\n

\"brewer1.jpg\"<\/a>
\n\u2022 Architectural renderings by HW Brewer<\/a><\/p>\n

\"midsummer.jpg\"<\/a>
\n\u2022 Happy Solstice<\/a><\/p>\n

\"rops1.jpg\"<\/a>
\n\u2022 The art of F\u00e9licien Rops, 1833\u20131898<\/a><\/p>\n

\"hernandez1.jpg\"<\/a>
\n\u2022 The art of Jos\u00e9 Hern\u00e1ndez<\/a><\/p>\n

\"roma2.jpg\"<\/a>
\n\u2022 Vedute di Roma<\/a><\/p>\n

\"masereel_stadt.jpg\"<\/a>
\n\u2022 Frans Masereel\u2019s city<\/a><\/p>\n

\"le_brun.jpg\"<\/a>
\n\u2022 Charles Le Brun\u2019s physiognomies<\/a><\/p>\n

\"desmazieres1.jpg\"<\/a>
\n\u2022 The art of Erik Desmazi\u00e8res<\/a><\/p>\n

\"beuchat1.jpg\"<\/a>
\n\u2022 The art of Andr\u00e9 Beuchat<\/a><\/p>\n

\"doare1.jpg\"<\/a>
\n\u2022 The art of Yves Doar\u00e9<\/a><\/p>\n

\"mohlitz3.jpg\"<\/a>
\n\u2022 The art of Philippe Mohlitz<\/a><\/p>\n

\"dore_lucifer.jpg\"<\/a>
\n\u2022 Angels 4: Fallen angels<\/a><\/p>\n

\"morell1.jpg\"<\/a>
\n\u2022 Abelardo Morell<\/a><\/p>\n

\"piranesi.jpg\"<\/a>
\n\u2022 Aldous Huxley on Piranesi\u2019s Prisons<\/a><\/p>\n

\"jean_coulon.jpg\"<\/a>
\n\u2022 The art of Jean Coulon<\/a><\/p>\n

\"trignac1.jpg\"<\/a>
\n\u2022 The art of G\u00e9rard Trignac<\/a><\/p>\n

\"glass_stonehenge.jpg\"<\/a>
\n\u2022 Russian Utopia<\/a><\/p>\n

\"watergate1.jpg\"<\/a>
\n\u2022 The Essex Street Water Gate, London WC2<\/a><\/p>\n

\"bowles.jpg\"<\/a>
\n\u2022 The Ranelagh Rotunda<\/a><\/p>\n

\"peter_milton2.jpg\"<\/a>
\n\u2022 The art of Peter Milton<\/a><\/p>\n

\"a0000f80.jpg\"<\/a>
\n\u2022 Saint-Aubin\u2019s Butterfly People<\/a><\/p>\n

\"prm135x.jpg\"<\/a>
\n\u2022 Filippo Morghen\u2019s Voyage to the Moon<\/a><\/p>\n

\"meryon.jpg\"<\/a>
\n\u2022 Charles M\u00e9ryon\u2019s Paris<\/a><\/p>\n

\"atlas_coelestis1.jpg\"<\/a>
\n\u2022 The Atlas Coelestis of Johann Gabriel Doppelmayr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Previous posts about etchings and engravings. \u2022 The art of Martin Monnickendam, 1874\u20131943 \u2022 The Population of an Old Pear-Tree; or, Stories of Insect Life \u2022 Three alphabets \u2022 Robert Lawson’s House of Usher \u2022 Destiny, A Novel in Pictures by Otto N\u00fcckel \u2022 A territory always rather nocturnal and almost subaqueous \u2022 Wendel Dietterlin\u2019s … Continue reading “The etching and engraving archive”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2602,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2601","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/Pq7rV-FX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/2601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2601"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/2601\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/2602"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}