{"id":23876,"date":"2024-01-10T16:36:42","date_gmt":"2024-01-10T16:36:42","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?page_id=23876"},"modified":"2026-06-11T01:00:58","modified_gmt":"2026-06-11T00:00:58","slug":"the-surrealism-archive","status":"publish","type":"page","link":"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-surrealism-archive\/","title":{"rendered":"The Surrealism archive"},"content":{"rendered":"

\"lrs.jpg\"<\/p>\n

Previous posts about Surrealist art, film, writing, etc.<\/p>\n

\"dali1-150x150.jpg\"<\/a>
\n\u2022 Hello Dali! revisited<\/a><\/p>\n

\"ransy12-150x150.jpg\"<\/a>
\n\u2022 The art of Jean Ransy, 1910\u20131991<\/a><\/p>\n

\"fantomas01-150x150.jpg\"<\/a>
\n\u2022 Enfant\u00f4mastic!<\/a><\/p>\n

\"minotaur-150x150.jpg\"<\/a>
\n\u2022 Minotaur Ballet \u2013 Swansea Surreal<\/a><\/p>\n

\"asemic21-150x150.jpg\"<\/a>
\n\u2022 An Anthology of Asemic Handwriting<\/a><\/p>\n

\"lenica1-150x150.jpg\"<\/a>
\n\u2022 Adam 2, a film by Jan Lenica<\/a><\/p>\n

\"ernst01-150x150.jpg\"<\/a>
\n\u2022 Max Ernst, estampes et livres illustr\u00e9s<\/a><\/p>\n

\"ernst2-150x150.jpg\"<\/a>
\n\u2022 Ballard\u2019s sextet<\/a><\/p>\n

\"crack-up1-150x150.jpg\"<\/a>
\n\u2022 Art on film: Crack-Up<\/a><\/p>\n

\"arsenal1-150x150.jpg\"<\/a>
\n\u2022 More Surrealist Subversion<\/a><\/p>\n

\"magritte2-150x150.jpg\"<\/a>
\n\u2022 Man with a Newspaper<\/a><\/p>\n

\"hugo1-150x150.jpg\"<\/a>
\n\u2022 Valentine Hugo\u2019s Contes Bizarres<\/a><\/p>\n

\"phosphor-150x150.jpg\"<\/a>
\n\u2022 Phosphor: A Surrealist Luminescence<\/a><\/p>\n

\"cc1-150x150.jpg\"<\/a>
\n\u2022 Bugs Bunny meets Fant\u00f4mas in the Aquarium of Love<\/a><\/p>\n

\"ec01-150x150.jpg\"<\/a>
\n\u2022 The exquisite corpse will drink the new wine<\/a><\/p>\n

\"arsenal1-150x150.jpg\"<\/a>
\n\u2022 Arsenal: Surrealist Subversion<\/a><\/p>\n

\"cline-150x150.jpg\"<\/a>
\n\u2022 Leonora Carrington\u2019s Surrealist Survival Kit<\/a><\/p>\n

\"magritte2-150x150.jpg\"<\/a>
\n\u2022 Forbidden reproductions<\/a><\/p>\n

\"vonholten1-150x150.jpg\"<\/a>
\n\u2022 Ragnar von Holten\u2019s Maldoror<\/a><\/p>\n

\"magritte-150x150.jpg\"<\/a>
\n\u2022 Edward James: Builder of Dreams<\/a><\/p>\n

\"morris06-150x150.jpg\"<\/a>
\n\u2022 Harry O. Morris’s Maldoror<\/a><\/p>\n

\"firstpapers1-150x150.jpg\"<\/a>
\n\u2022 First Papers of Surrealism, 1942<\/a><\/p>\n

\"herold2-150x150.jpg\"<\/a>
\n\u2022 The Great Transparent Ones<\/a><\/p>\n

\"varo1-150x150.jpg\"<\/a>
\n\u2022 Remedios Varo, 1967<\/a><\/p>\n

\"roy-150x150.jpg\"<\/a>
\n\u2022 Covering Maldoror<\/a><\/p>\n

\"chirico-150x150.jpg\"<\/a>
\n\u2022 Chirico by Tanaami and Aihara<\/a><\/p>\n

\"midnight01-150x150.jpg\"<\/a>
\n\u2022 Into the Midnight Underground<\/a><\/p>\n

\"dechirico01-150x150.jpg\"<\/a>
\n\u2022 Echoes of de Chirico<\/a><\/p>\n

\"magritte1-150x150.jpg\"<\/a>
\n\u2022 Ren\u00e9 Magritte, Cin\u00e9aste<\/a><\/p>\n

\"miro1-150x150.jpg\"<\/a>
\n\u2022 Mir\u00f3: Theatre of Dreams<\/a><\/p>\n

\"savnkmajer1-150x150.jpg\"<\/a>
\n\u2022 The Magic Art of Jan Svankmajer<\/a><\/p>\n

\"kuri-150x150.jpg\"<\/a>
\n\u2022 The Midnight Parasites by Yoji Kuri<\/a><\/p>\n

\"rubington-150x150.jpg\"<\/a>
\n\u2022 Fuzz Against Junk & The Hero Maker<\/a><\/p>\n

\"resnais1-150x150.jpg\"<\/a>
\n\u2022 Art on film: Je t\u2019aime, Je t\u2019aime<\/a><\/p>\n

\"magritte2-150x150.jpg\"<\/a>
\n\u2022 Magritte: The False Mirror<\/a><\/p>\n

\"magritte-150x150.jpg\"<\/a>
\n\u2022 Magritte, ou la lecon de chose<\/a><\/p>\n

\"henricot1-150x150.jpg\"<\/a>
\n\u2022 Michel Henricot, 1936\u20132022<\/a><\/p>\n

\"weiss1-150x150.jpg\"<\/a>
\n\u2022 Study II (Hallucinations) by Peter Weiss<\/a><\/p>\n

\"frydman02-150x150.jpg\"<\/a>
\n\u2022 Short films by G\u00e9rald Frydman<\/a><\/p>\n

\"Beyond01-150x150.jpg\"<\/a>
\n\u2022 Covers for Beyond Fantasy Fiction<\/a><\/p>\n

\"boberg1-150x150.jpg\"<\/a>
\n\u2022 Jorgen Boberg\u2019s Teresas<\/a><\/p>\n

\"delvaux1-150x150.jpg\"<\/a>
\n\u2022 Paul Delvaux ou les Femmes D\u00e9fendues<\/a><\/p>\n

\"me1-150x150.jpg\"<\/a>
\n\u2022 Max Ernst by Peter Schamoni<\/a><\/p>\n

\"fasosd1-150x150.jpg\"<\/a>
\n\u2022 The Fame and Shame of Salvador Dal\u00ed<\/a><\/p>\n

\"varo-150x150.jpg\"<\/a>
\n\u2022 Pynchon and Varo<\/a><\/p>\n

\"lc1-150x150.jpg\"<\/a>
\n\u2022 Leonora Carrington and the House of Fear<\/a><\/p>\n

\"lawrence1-150x150.jpg\"<\/a>
\n\u2022 Figures of Mortality: Lawrence versus Dal\u00ed<\/a><\/p>\n

\"manray1-150x150.jpg\"<\/a>
\n\u2022 Man Ray and the Marquis<\/a><\/p>\n

\"servais-150x150.jpg\"<\/a>
\n\u2022 Raoul Servais: Courts-M\u00e9trages<\/a><\/p>\n

\"teske-150x150.jpg\"<\/a>
\n\u2022 Kenneth Anger\u2019s Maldoror<\/a><\/p>\n

\"dtc1-150x150.jpg\"<\/a>
\n\u2022 Svankmajer\u2019s cats<\/a><\/p>\n

\"benoit01-150x150.jpg\"<\/a>
\n\u2022 The Execution of the Testament of the Marquis de Sade by Jean Beno\u00eet<\/a><\/p>\n

\"etredieu1-150x150.jpg\"<\/a>
\n\u2022 \u00catre Dieu: Dal\u00ed versus Wakh\u00e9vitch<\/a><\/p>\n

\"maldoror2-150x150.jpg\"<\/a>
\n\u2022 Chance encounters on the dissecting table<\/a><\/p>\n

\"scarabus1-150x150.jpg\"<\/a>
\n\u2022 Scarabus, a film by G\u00e9rald Frydman<\/a><\/p>\n

\"topor00-150x150.jpg\"<\/a>
\n\u2022 Topsychopor by Roland Topor<\/a><\/p>\n

\"varo-150x150.jpg\"<\/a>
\n\u2022 Remedios Varo\u2019s recipe for erotic dreams<\/a><\/p>\n

\"ernst3-150x150.jpg\"<\/a>
\n\u2022 The nightingale echo<\/a><\/p>\n

\"ernst1-150x150.jpg\"<\/a>
\n\u2022 Max Ernst\u2019s favourites<\/a><\/p>\n

\"view1-150x150.jpg\"<\/a>
\n\u2022 Viewing View<\/a><\/p>\n

\"melly-150x150.jpg\"<\/a>
\n\u2022 The Marvellous<\/a><\/p>\n

\"nezval00-150x150.jpg\"<\/a>
\n\u2022 Abeceda<\/a><\/p>\n

\"jordan1-150x150.jpg\"<\/a>
\n\u2022 Hamfat Asar, a film by Lawrence Jordan<\/a><\/p>\n

\"cornell05-150x150.jpg\"<\/a>
\n\u2022 Cornell\u2019s Constellations<\/a><\/p>\n

\"vyletal11-150x150.jpg\"<\/a>
\n\u2022 The poster art of Josef Vyletal<\/a><\/p>\n

\"khrzhanovsky1-150x150.jpg\"<\/a>
\n\u2022 There Lived Kozyavin<\/a><\/p>\n

\"knight2-150x150.jpg\"<\/a>
\n\u2022 Picturing Vermilion Sands<\/a><\/p>\n

\"svankmajer-150x150.jpg\"<\/a>
\n\u2022 Jan Svankmajer: The Animator of Prague<\/a><\/p>\n

\"fantasmagie01-150x150.jpg\"<\/a>
\n\u2022 Fantasmagie<\/a><\/p>\n

\"deren1-150x150.jpg\"<\/a>
\n\u2022 The Witch\u2019s Cradle by Maya Deren<\/a><\/p>\n

\"dali13-150x150.jpg\"<\/a>
\n\u2022 Salvador Dal\u00ed\u2019s Maze<\/a><\/p>\n

\"hyde05-150x150.jpg\"<\/a>
\n\u2022 The art of Nick Hyde, 1943\u20132018<\/a><\/p>\n

\"fini1-150x150.jpg\"<\/a>
\n\u2022 Leonor Fini<\/a><\/p>\n

\"sillner1-150x150.jpg\"<\/a>
\n\u2022 The art of Manfred Sillner<\/a><\/p>\n

\"caruso1-150x150.jpg\"<\/a>
\n\u2022 Santiago Caruso\u2019s Maldoror<\/a><\/p>\n

\"leiris-150x150.jpg\"<\/a>
\n\u2022 Nights as Day, Days as Night by Michel Leiris<\/a><\/p>\n

\"essex23-150x150.jpg\"<\/a>
\n\u2022 Essex House book covers<\/a><\/p>\n

\"svankmajer-150x150.jpg\"<\/a>
\n\u2022 Jan Svankmajer, Director<\/a><\/p>\n

\"dali2-150x150.jpg\"<\/a>
\n\u2022 Cosmic eggs<\/a><\/p>\n

\"slapphappy-150x150.jpg\"<\/a>
\n\u2022 Collagescapes<\/a><\/p>\n

\"threepainters-150x150.jpg\"<\/a>
\n\u2022 Trois peintres visionnaires, a film by Fabienne Strouv\u00e9<\/a><\/p>\n

\"fuchs12-150x150.jpg\"<\/a>
\n\u2022 Ernst Fuchs, 1977<\/a><\/p>\n

\"fuchs3-150x150.jpg\"<\/a>
\n\u2022 Ernst Fuchs, 1930\u20132015<\/a><\/p>\n

\"ak06-150x150.jpg\"<\/a>
\n\u2022 The art of Aleksandr Kosteckij<\/a><\/p>\n

\"porgu-150x150.jpg\"<\/a>
\n\u2022 Hell, a film by Rein Raamat<\/a><\/p>\n

\"phantom-150x150.jpg\"<\/a>
\n\u2022 Phantom, a film by Toshio Matsumoto<\/a><\/p>\n

\"ernst-150x150.jpg\"<\/a>
\n\u2022 Temptations<\/a><\/p>\n

\"ironside1-150x150.jpg\"<\/a>
\n\u2022 The art of Robin Ironside, 1912\u20131965<\/a><\/p>\n

\"duul07-150x150.jpg\"<\/a>
\n\u2022 Falk-Ulrich Rogner album covers<\/a><\/p>\n

\"cosmic2-150x150.jpg\"<\/a>
\n\u2022 Cosmic art<\/a><\/p>\n

\"endtrip-150x150.jpg\"<\/a>
\n\u2022 Endtrip<\/a><\/p>\n

\"carabosse-150x150.jpg\"<\/a>
\n\u2022 Carabosse, a film by Lawrence Jordan<\/a><\/p>\n

\"ernst02-150x150.jpg\"<\/a>
\n\u2022 Max Ernst album covers<\/a><\/p>\n

\"papillons-150x150.jpg\"<\/a>
\n\u2022 Papillons de Nuit, a film by Raoul Servais<\/a><\/p>\n

\"fini1-150x150.jpg\"<\/a>
\n\u2022 Leonor Fini: comment vivre sans chat<\/a><\/p>\n

\"ernst1-150x150.jpg\"<\/a>
\n\u2022 Maximiliana oder die widerrechtliche Aus\u00fcbung der Astronomie<\/a><\/p>\n

\"houplain1-150x150.jpg\"<\/a>
\n\u2022 Jacques Houplain\u2019s Maldoror<\/a><\/p>\n

\"bellmer1-150x150.jpg\"<\/a>
\n\u2022 Hans Bellmer\u2019s Maldoror<\/a><\/p>\n

\"clerici1-150x150.jpg\"<\/a>
\n\u2022 The art of Fabrizio Clerici, 1913\u20131993<\/a><\/p>\n

\"beck-150x150.jpg\"<\/a>
\n\u2022 Ren\u00e9 Magritte album covers<\/a><\/p>\n

\"magritte1-150x150.jpg\"<\/a>
\n\u2022 Monsieur Ren\u00e9 Magritte, a film by Adrian Maben<\/a><\/p>\n

\"melly2-150x150.jpg\"<\/a>
\n\u2022 George Melly\u2019s Memoirs of a Self-Confessed Surrealist<\/a><\/p>\n

\"moreau1-150x150.jpg\"<\/a>
\n\u2022 L\u2019Amour by Didier Moreau<\/a><\/p>\n

\"beard-150x150.jpg\"<\/a>
\n\u2022 The Beard, a film by Ian Emes<\/a><\/p>\n

\"chimera02-150x150.jpg\"<\/a>
\n\u2022 More chimeras<\/a><\/p>\n

\"aot1-150x150.jpg\"<\/a>
\n\u2022 The Art of Tripping, a documentary by Storm Thorgerson<\/a><\/p>\n

\"terayama-150x150.jpg\"<\/a>
\n\u2022 Les Chants de Maldoror by Shuji Terayama<\/a><\/p>\n

\"8x8-1-150x150.jpg\"<\/a>
\n\u2022 8 x 8: A Chess Sonata in 8 Movements<\/a><\/p>\n

\"ernst3-150x150.jpg\"<\/a>
\n\u2022 Max and Dorothea<\/a><\/p>\n

\"gleeson1-150x150.jpg\"<\/a>
\n\u2022 The art of James Gleeson, 1915\u20132008<\/a><\/p>\n

\"svankmajer2-150x150.jpg\"<\/a>
\n\u2022 Two sides of Liska<\/a><\/p>\n

\"valerie2-150x150.jpg\"<\/a>
\n\u2022 Valerie and Her Week of Wonders<\/a><\/p>\n

\"delvaux-150x150.jpg\"<\/a>
\n\u2022 Paul Delvaux: The Sleepwalker of Saint-Idesbald<\/a><\/p>\n

\"toyshop2-150x150.jpg\"<\/a>
\n\u2022 The Magic Toyshop<\/a><\/p>\n

\"giger1-150x150.jpg\"<\/a>
\n\u2022 Giger’s Necronomicon<\/a><\/p>\n

\"cornell2-150x150.jpg\"<\/a>
\n\u2022 Joseph Cornell: Worlds in a Box<\/a><\/p>\n

\"prieto05-150x150.jpg\"<\/a>
\n\u2022 The art of Gregorio Prieto, 1897\u20131992<\/a><\/p>\n

\"dechirico-150x150.jpg\"<\/a>
\n\u2022 Gloves<\/a><\/p>\n

\"labirynt-150x150.jpg\"<\/a>
\n\u2022 Labirynt by Jan Lenica<\/a><\/p>\n

\"bertrand19-150x150.jpg\"<\/a>
\n\u2022 Raymond Bertrand paintings<\/a><\/p>\n

\"dali-150x150.jpg\"<\/a>
\n\u2022 Dal\u00ed in New York<\/a><\/p>\n

\"fourthdimesion-150x150.jpg\"<\/a>
\n\u2022 The Fourth Dimension<\/a><\/p>\n

\"andalou-150x150.jpg\"<\/a>
\n\u2022 Un Chien Andalou<\/a><\/p>\n

\"james1-150x150.jpg\"<\/a>
\n\u2022 The Secret Life of Edward James<\/a><\/p>\n

\"brissot1-150x150.jpg\"<\/a>
\n\u2022 Jacques Brissot\u2019s Hay Wain<\/a><\/p>\n

\"tanning-150x150.jpg\"<\/a>
\n\u2022 Dorothea Tanning, 1910\u20132012<\/a><\/p>\n

\"cheval1-150x150.jpg\"<\/a>
\n\u2022 Palais Id\u00e9al panoramas<\/a><\/p>\n

\"xilitla1-150x150.jpg\"<\/a>
\n\u2022 Las Pozas panoramas<\/a><\/p>\n

\"cornell1-150x150.jpg\"<\/a>
\n\u2022 Joseph Cornell, 1967<\/a><\/p>\n

\"dreams1-150x150.jpg\"<\/a>
\n\u2022 Dreams That Money Can Buy<\/a><\/p>\n

\"maldoror2-150x150.jpg\"<\/a>
\n\u2022 Magritte\u2019s Maldoror<\/a><\/p>\n

\"magritte1-150x150.jpg\"<\/a>
\n\u2022 Ren\u00e9 Magritte by David Wheatley<\/a><\/p>\n

\"femme3-150x150.jpg\"<\/a>
\n\u2022 La femme 100 t\u00eates by Eric Duvivier<\/a><\/p>\n

\"dalidisc1-150x150.jpg\"<\/a>
\n\u2022 Dal\u00ed\u2019s discography<\/a><\/p>\n

\"styrsky2-150x150.jpg\"<\/a>
\n\u2022 The art of Jindrich Styrsky, 1899\u20131942<\/a><\/p>\n

\"softdali-150x150.jpg\"<\/a>
\n\u2022 Soft Self-Portrait of Salvador Dal\u00ed<\/a><\/p>\n

\"harter1-150x150.jpg\"<\/a>
\n\u2022 Initiations in the Abyss: A Surrealist Apocalypse<\/a><\/p>\n

\"mongolie-150x150.jpg\"<\/a>
\n\u2022 Mongolian impressions<\/a><\/p>\n

\"pilecek2-150x150.jpg\"<\/a>
\n\u2022 The art of Jindrich Pilecek, 1944\u20132002<\/a><\/p>\n

\"kryvosej2-150x150.jpg\"<\/a>
\n\u2022 The art of Leonidas Kryvosej<\/a><\/p>\n

\"temps1-150x150.jpg\"<\/a>
\n\u2022 Les Temps Morts by Ren\u00e9 Laloux<\/a><\/p>\n

\"johfra1-150x150.jpg\"<\/a>
\n\u2022 The art of Johfra Bosschart, 1919\u20131998<\/a><\/p>\n

\"hellodali3-150x150.jpg\"<\/a>
\n\u2022 Hello Dali!<\/a><\/p>\n

\"zotl-150x150.jpg\"<\/a>
\n\u2022 The art of Aloys Z\u00f6tl, 1803\u20131887<\/a><\/p>\n

\"dalisalome-150x150.jpg\"<\/a>
\n\u2022 Dal\u00ed\u2019s Salom\u00e9<\/a><\/p>\n

\"carrington-150x150.jpg\"<\/a>
\n\u2022 Leonora Carrington, 1917\u20132011<\/a><\/p>\n

\"williams-150x150.jpg\"<\/a>
\n\u2022 In the Land of Retinal Delights<\/a><\/p>\n

\"public1-150x150.jpg\"<\/a>
\n\u2022 The Public Voice by Lejf Marcussen<\/a><\/p>\n

\"vultures-await-150x150.jpg\"<\/a>
\n\u2022 Vultures Await<\/a><\/p>\n

\"willink1-150x150.jpg\"<\/a>
\n\u2022 The art of Carel Willink, 1900\u20131983<\/a><\/p>\n

\"ponc1-150x150.jpg\"<\/a>
\n\u2022 The art of Joan Pon\u00e7, 1927\u20131984<\/a><\/p>\n

\"ernst-150x150.jpg\"<\/a>
\n\u2022 Scenes from a carriage<\/a><\/p>\n

\"geetere1-150x150.jpg\"<\/a>
\n\u2022 Frans De Geetere\u2019s illustrated Maldoror<\/a><\/p>\n

\"kimura-150x150.jpg\"<\/a>
\n\u2022 Design as virus 13: Tsunehisa Kimura<\/a><\/p>\n

\"jakovenko3-150x150.jpg\"<\/a>
\n\u2022 Yuri Yakovenko bookplates<\/a><\/p>\n

\"akiyoshi1-150x150.jpg\"<\/a>
\n\u2022 The art of Ran Akiyoshi, 1922\u20131982<\/a><\/p>\n

\"marsi1-150x150.jpg\"<\/a>
\n\u2022 Marsi Paribatra: the Royal Surrealist<\/a><\/p>\n

\"fantomas-150x150.jpg\"<\/a>
\n\u2022 Monsieur Fant\u00f4mas by Ernst Moerman<\/a><\/p>\n

\"hutter1-150x150.jpg\"<\/a>
\n\u2022 The art of Michael Hutter<\/a><\/p>\n

\"ljuba-150x150.jpg\"<\/a>
\n\u2022 Repin and Ljuba<\/a><\/p>\n

\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/04\/tanning1-150x150.jpg\"<\/a>
\n\u2022 Dorothea Tanning: Early Designs for the Stage<\/a><\/p>\n

\"leon1-150x150.jpg\"<\/a>
\n\u2022 The art of Jim Leon, 1938\u20132002<\/a><\/p>\n

\"ernst-150x150.jpg\"<\/a>
\n\u2022 Surrealist echoes<\/a><\/p>\n

\"dali1-150x150.jpg\"<\/a>
\n\u2022 Dal\u00ed in Wonderland<\/a><\/p>\n

\"birdman-150x150.jpg\"<\/a>
\n\u2022 Max (The Birdman) Ernst<\/a><\/p>\n

\"birds-150x150.jpg\"<\/a>
\n\u2022 The Robing of The Birds<\/a><\/p>\n

\"delvaux-150x150.jpg\"<\/a>
\n\u2022 Ballard and the painters<\/a><\/p>\n

\"crystal_world-150x150.jpg\"<\/a>
\n\u2022 JG Ballard, 1930\u20132009<\/a><\/p>\n

\"godjokes.thumbnail.jpg\"<\/a>
\n\u2022 The art of Mati Klarwein, 1932\u20132002<\/a><\/p>\n

\"las_pozas.thumbnail.jpg\"<\/a>
\n\u2022 Return to Las Pozas<\/a><\/p>\n

\"buchinger1.thumbnail.jpg\"<\/a>
\n\u2022 Buchinger\u2019s Boot Marionettes<\/a><\/p>\n

\"maldoror.thumbnail.jpg\"<\/a>
\n\u2022 Maldoror illustrated<\/a><\/p>\n

\"mundo.thumbnail.jpg\"<\/a>
\n\u2022 The world of dreams<\/a><\/p>\n

\"harpya.thumbnail.jpg\"<\/a>
\n\u2022 Harpya by Raoul Servais<\/a><\/p>\n

\"fini.thumbnail.jpg\"<\/a>
\n\u2022 The art of Leonor Fini, 1907\u20131996<\/a><\/p>\n

\"entracte.thumbnail.jpg\"<\/a>
\n\u2022 Entr\u2019acte by Ren\u00e9 Clair<\/a><\/p>\n

\"dali.thumbnail.jpg\"<\/a>
\n\u2022 Dirty Dal\u00ed<\/a><\/p>\n

\"heffernan1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Julie Heffernan<\/a><\/p>\n

\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/08\/judex3.thumbnail.jpg\"<\/a>
\n\u2022 Judex, from Feuillade to Franju<\/a><\/p>\n

\"impressions.thumbnail.jpg\"<\/a>
\n\u2022 Impressions de la Haute Mongolie revisited<\/a><\/p>\n

\"svankmajer.thumbnail.jpg\"<\/a>
\n\u2022 Jan Svankmajer: The Complete Short Films<\/a><\/p>\n

\"borowczyk.thumbnail.jpg\"<\/a>
\n\u2022 Short films by Walerian Borowczyk<\/a><\/p>\n

\"cornell.thumbnail.jpg\"<\/a>
\n\u2022 Rose Hobart by Joseph Cornell<\/a><\/p>\n

\"magritte.thumbnail.jpg\"<\/a>
\n\u2022 Fantastic art from Pan Books<\/a><\/p>\n

\"genet.thumbnail.jpg\"<\/a>
\n\u2022 Penguin Surrealism<\/a><\/p>\n

\"benoit11.thumbnail.jpg\"<\/a>
\n\u2022 The art of Jean Beno\u00eet<\/a><\/p>\n

\"bertrand1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Bertrand<\/a><\/p>\n

\"maya.thumbnail.jpg\"<\/a>
\n\u2022 Meshes of the Afternoon by Maya Deren<\/a><\/p>\n

\"hernandez1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Jos\u00e9 Hern\u00e1ndez<\/a><\/p>\n

\"fantomas1.thumbnail.jpg\"<\/a>
\n\u2022 Fant\u00f4mas<\/a><\/p>\n

\"aparin1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Sergei Aparin<\/a><\/p>\n

\"verlato.thumbnail.jpg\"<\/a>
\n\u2022 The art of Nicola Verlato<\/a><\/p>\n

\"aldrich.thumbnail.jpg\"<\/a>
\n\u2022 The art of Stephen Aldrich<\/a><\/p>\n

\"hausner1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Rudolf Hausner, 1914\u20131995<\/a><\/p>\n

\"delvaux.thumbnail.jpg\"<\/a>
\n\u2022 Taxandria, or Raoul Servais meets Paul Delvaux<\/a><\/p>\n

\"codex.thumbnail.jpg\"<\/a>
\n\u2022 The Codex Seraphinianus<\/a><\/p>\n

\"doare1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Yves Doar\u00e9<\/a><\/p>\n

\"sage.thumbnail.jpg\"<\/a>
\n\u2022 Surrealist women<\/a><\/p>\n

\"leonora.thumbnail.jpg\"<\/a>
\n\u2022 Leonora Carrington<\/a><\/p>\n

\"666.thumbnail.jpg\"<\/a>
\n\u2022 Salvador Dal\u00ed\u2019s apocalyptic happening<\/a><\/p>\n

\"cole_goblet.thumbnail.jpg\"<\/a>
\n\u2022 Two American paintings<\/a><\/p>\n

\"lucifer.thumbnail.jpg\"<\/a>
\n\u2022 The art of Thomas H\u00e4fner, 1928\u20131985<\/a><\/p>\n

\"ricaud1.thumbnail.jpg\"<\/a>
\n\u2022 The art of Jean Louis Ricaud<\/a><\/p>\n

\"janus.thumbnail.jpg\"<\/a>
\n\u2022 The art of Ernst Fuchs<\/a><\/p>\n

\"las_pozas1.thumbnail.jpg\"<\/a>
\n\u2022 Las Pozas and Edward James<\/a><\/p>\n

\"view_cornell.thumbnail.jpg\"<\/a>
\n\u2022 View: The Modern Magazine<\/a><\/p>\n

\"ubu.thumbnail.jpg\"<\/a>
\n\u2022 Surrealist cartomancy<\/a><\/p>\n

\"moonlitehitler.thumbnail.jpg\"<\/a>
\n\u2022 Impressions de la Haute Mongolie<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Previous posts about Surrealist art, film, writing, etc. \u2022 Hello Dali! revisited \u2022 The art of Jean Ransy, 1910\u20131991 \u2022 Enfant\u00f4mastic! \u2022 Minotaur Ballet \u2013 Swansea Surreal \u2022 An Anthology of Asemic Handwriting \u2022 Adam 2, a film by Jan Lenica \u2022 Max Ernst, estampes et livres illustr\u00e9s \u2022 Ballard\u2019s sextet \u2022 Art on film: … Continue reading “The Surrealism archive”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2602,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23876","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/Pq7rV-6d6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/23876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23876"}],"version-history":[{"count":3,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/23876\/revisions"}],"predecessor-version":[{"id":30076,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/23876\/revisions\/30076"}],"up":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/2602"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}