{"id":21042,"date":"2021-11-10T18:32:41","date_gmt":"2021-11-10T17:32:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?page_id=21042"},"modified":"2026-04-29T16:34:40","modified_gmt":"2026-04-29T15:34:40","slug":"the-abstract-cinema-archive","status":"publish","type":"page","link":"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-abstract-cinema-archive\/","title":{"rendered":"The abstract cinema archive"},"content":{"rendered":"

\"abstract.jpg\"<\/p>\n

Previous posts about abstract cinema.<\/p>\n

\"doodlin1-150x150.jpg\"<\/a>
\n\u2022 Doodlin\u2019 \u2013 Impressions of Len Lye<\/a><\/p>\n

\"five-pieces-150x150.jpg\"<\/a>
\n\u2022 Three short films by Piotr Kamler<\/a><\/p>\n

\"california1-150x150.jpg\"<\/a>
\n\u2022 California Images: Hi-fi for the Eyes<\/a><\/p>\n

\"dazzle-150x150.jpg\"<\/a>
\n\u2022 Dazzle<\/a><\/p>\n

\"pixillation-150x150.jpg\"<\/a>
\n\u2022 Pixillation, a film by Lillian Schwartz<\/a><\/p>\n

\"whitney1-150x150.jpg\"<\/a>
\n\u2022 The World of John Whitney<\/a><\/p>\n

\"abstract-150x150.jpg\"<\/a>
\n\u2022 Abstract Cinema<\/a><\/p>\n

\"vanderbeek1-150x150.jpg\"<\/a>
\n\u2022 Moirage, a film by Stan VanDerBeek<\/a><\/p>\n

\"beckett-150x150.jpg\"<\/a>
\n\u2022 Heavy-Light, a film by Adam K. Beckett<\/a><\/p>\n

\"fischinger-150x150.jpg\"<\/a>
\n\u2022 An Optical Poem by Oskar Fischinger<\/a><\/p>\n

\"moon69-150x150.jpg\"<\/a>
\n\u2022 Moon 69, a film by Scott Bartlett<\/a><\/p>\n

\"yalkut2-150x150.jpg\"<\/a>
\n\u2022 Us Down By The Riverside, a film by Jud Yalkut<\/a><\/p>\n

\"yalkut-150x150.jpg\"<\/a>
\n\u2022 Turn, Turn, Turn, a film by Jud Yalkut<\/a><\/p>\n

\"hays1-150x150.jpg\"<\/a>
\n\u2022 Ron Hays Music Image: Odyssey<\/a><\/p>\n

\"mothlight-150x150.jpg\"<\/a>
\n\u2022 Mothlight, a film by Stan Brakhage<\/a><\/p>\n

\"waskowski-150x150.jpg\"<\/a>
\n\u2022 Somnambulists, a film by Mieczyslaw Waskowski<\/a><\/p>\n

\"ruttmann1-150x150.jpg\"<\/a>
\n\u2022 Walter Ruttmann\u2019s abstract cinema<\/a><\/p>\n

\"7362-150x150.jpg\"<\/a>
\n\u2022 7362, a film by Pat O\u2019Neill<\/a><\/p>\n

\"hereandthere-150x150.jpg\"<\/a>
\n\u2022 Here and There, a film by Andrzej Pawlowski<\/a><\/p>\n

\"powerspot-150x150.jpg\"<\/a>
\n\u2022 Power Spot by Michael Scroggins<\/a><\/p>\n

\"bartlett1-150x150.jpg\"<\/a>
\n\u2022 OffOn by Scott Bartlett<\/a><\/p>\n

\"flow-150x150.jpg\"<\/a>
\n\u2022 The Flow III<\/a><\/p>\n

\"parks-150x150.jpg\"<\/a>
\n\u2022 Chris Parks<\/a><\/p>\n

\"rainbowdance-150x150.jpg\"<\/a>
\n\u2022 Len Lye<\/a><\/p>\n

\"matrix-iii-150x150.jpg\"<\/a>
\n\u2022 Matrix III by John Whitney<\/a><\/p>\n

\"eggeling.thumbnail.jpg\"<\/a>
\n\u2022 Symphonie Diagonale by Viking Eggeling<\/a><\/p>\n

\"bute2.thumbnail.jpg\"<\/a>
\n\u2022 Mary Ellen Bute: Films 1934\u20131957<\/a><\/p>\n

\"whitney.thumbnail.jpg\"<\/a>
\n\u2022 John Whitney\u2019s Catalog<\/a><\/p>\n

\"arabesque.thumbnail.jpg\"<\/a>
\n\u2022 Arabesque by John Whitney<\/a><\/p>\n

\"moonlight_video.thumbnail.jpg\"<\/a>
\n\u2022 Moonlight in Glory<\/a><\/p>\n

\"belson1.thumbnail.jpg\"<\/a>
\n\u2022 Jordan Belson on DVD<\/a><\/p>\n

\"fischinger.thumbnail.jpg\"<\/a>
\n\u2022 Ten films by Oskar Fischinger<\/a><\/p>\n

\"lapis1.thumbnail.jpg\"<\/a>
\n\u2022 Lapis by James Whitney<\/a><\/p>\n

\"expanded.thumbnail.jpg\"<\/a>
\n\u2022 Expanded Cinema by Gene Youngblood<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Previous posts about abstract cinema. \u2022 Doodlin\u2019 \u2013 Impressions of Len Lye \u2022 Three short films by Piotr Kamler \u2022 California Images: Hi-fi for the Eyes \u2022 Dazzle \u2022 Pixillation, a film by Lillian Schwartz \u2022 The World of John Whitney \u2022 Abstract Cinema \u2022 Moirage, a film by Stan VanDerBeek \u2022 Heavy-Light, a film … Continue reading “The abstract cinema archive”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2602,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21042","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/Pq7rV-5to","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/21042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21042"}],"version-history":[{"count":3,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/21042\/revisions"}],"predecessor-version":[{"id":29955,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/21042\/revisions\/29955"}],"up":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/pages\/2602"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}