Illustration by Frank Utpatel from the 1947 Arkham House edition of Carnacki, the Ghost-Finder. “Presently I got hold of myself a bit, and marked out a pentacle hurriedly with chalk on the polished floor; and there I sat in it almost until dawn. And all the time, away up the corridor, the door of the [...]
The Time Machine (1960). The turning over of the calendar from one year to the next makes this day the ideal moment to write something about HG Wells’ celebrated story. Having re-read The Magic Shop before Christmas I decided to refresh my reading habit—lapsed these past months due to pressure of work—by revisiting more of [...]
The Titan’s Goblet (1833). Thomas Cole’s Titan’s Goblet isn’t featured at the Google Art Project, unfortunately, but the following paintings are, and all benefit from being able to explore their details. Cole’s colossal vessel predates Surrealism by a century, and is one of many paintings which always has me mentally labelling him as the American [...]
Can Carnacki make any claim to be taken seriously as a detective? If he solves anything it is by force of will, rather than the application of deductive powers. He is no Sherlockian ironist, no high-domed mental traveller. He stands as close to Holmes as Mike Hammer does to Philip Marlowe. His methods are enthusiastic [...]
Fob watch (c. 1890) made by Gorham for Tiffany. Concluding a week of tentacular posts. I was tempted to do something about tentacle porn but that subject has already been covered here, and besides, there’s rather a lot of it around these days. Given the writhing nature of octopus limbs you’d expect there to be [...]
If William Hope Hodgson’s The Boats of the ‘Glen Carrig’ represents the Sublime of tentacular sea fiction then The Lost Continent, a 1968 Hammer film based on Dennis Wheatley’s 1938 novel Uncharted Seas, is the correspondingly Ridiculous end of the subgenre. The Lost Continent is an irritating film for Hodgson enthusiasts since it’s still the [...]
Famous Fantastic Mysteries, June 1945. Illustration by Lawrence (Sterne Stevens). Following last week’s revelation of Lovecraftian horror, I thought it might be worth demonstrating just how much the tentacle-menacing-a-ship scenario is owned by William Hope Hodgson. The Boats of the ‘Glen Carrig’ (1907) is one of Hodgson’s lesser novels, overshadowed by the cosmic horrors of [...]
Then, driven ahead by curiosity in their captured yacht under Johansen’s command, the men sight a great stone pillar sticking out of the sea, and in S. Latitude 47°9′, W. Longitude 126°43′, come upon a coastline of mingled mud, ooze, and weedy Cyclopean masonry which can be nothing less than the tangible substance of earth’s [...]
William Hope Hodgson and Harry Houdini. Work this week has had me scouring the Internet Archive’s scanned books more than usual for source material. You’ll see the fruits of that in due course but the search turned up a small book from 1922, The Adventurous Life of a Versatile Artist: Houdini, an anonymous account of [...]
Curse of the Dead (1966). Continuing an occasional series. This photograph, reproduced in Denis Gifford’s A Pictorial History of Horror Movies (1973), intrigued me for years. Gifford’s book is a very good collection of stills from horror films of all kinds, ranging from the earliest days of cinema to the 1970s. The pictures are mostly [...]
Another in a series of posts that supplement the forthcoming Reverbstorm book. Music, especially the rock’n’roll of the mid-50s to the mid-60s, was an important motor in Reverbstorm‘s creation: the title comes from the lyrics to Paul Temple’s song, and the song itself was included as a CD-single with the first issue. Each issue opened [...]
Sargasso Sea (no date). Did I say Sargasso Sea? Blame William Hope Hodgson some of whose sea stories I was re-reading over the weekend. An idle search for Sargasso images turned up this tremendous etching by American author and illustrator Robert Lawson, part of a collection of equally fine work at the Florida State University. [...]
That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents: From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in [...]
Masters of Terror, Vol 1, Corgi Books, 1977. No illustrator credited. It was all happening this week so there’s a lot to get through. Are you ready? Deep breath… For ye Hogge doth be of ye outer Monstrous Ones, nor shall any human come nigh him nor continue meddling when ye hear his voice, for [...]
It’s not giving too much away to let fans of tentacular horror know that Frank Darabont’s film of The Mist, currently fogging up UK cinema screens, contains these questing things among its torments. The Mist is based on a 1980 novella by Stephen King and the film has a decent King pedigree for once, with [...]
From the Hollywood Gothic series (1984). Jeff VanderMeer has a great post about artist/illustrator Ian Miller at io9 which prompts me to write a few words about his work myself, something I’ve intended for a while. Miller is indelibly linked for me with HP Lovecraft on account of his covers for the Panther Horror editions [...]
top left: Bob Pepper (1969); right: David Johnston (1974). bottom left: Mati Klarwein (1972); right: Gervasio Gallardo (1972). I wrote about the classic line of fantasy paperbacks in the Ballantine Adult Fantasy series last year as part of the post about Bob Pepper’s illustration: It was the success of the publication of The Lord of [...]
An unmade high-concept from Hammer Films’ early Seventies dalliance with pulp adventure, if you must know. Via Boing Boing via Jess Nevins via Airminded where we learn: The story was along the lines of THE LAND THAT TIME FORGOT, with a German Zeppelin being blown off-course during a bombing raid on London and winding up [...]
Xeni Jardin and Boing Boing readers reminisce today about the childhood traumas inspired by Sesame Street characters. Wimps, say I, although in fairness I was too old to be frightened of Muppetry by the time that stuff appeared on British TV screens. Scariest thing in the Coulthart household, easily out-classing anything on children’s television (Doctor [...]
Forever Changes (1967) by Love. Art by Bob Pepper, design by William S. Harvey. Following yesterday’s post about Philip K Dick covers (and Erik Davis’s appraisal of the DAW cover), I decided to check out Bob Pepper’s work a bit more and it quickly became obvious I should have joined the dots with this particular [...]
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