William Blake – Page 4 – { feuilleton }

The Red Book by Carl Jung

This month is a major one in book publishing as Carl Jung’s magnum opus The Red Book, or Liber Novus, which has remained unpublished for 80 years, is issued in a facsimile edition. Selections of pages have been turning up in reviews and online previews which easily whet the appetite.

In his late 30s, Jung started writing a book called The Red Book. The Red Book is part journal, part mythological novel that takes the reader through Jung’s fantasies — hallucinations he self-induced to try and get to the core of his unconscious. … The book detailed an unabashedly psychedelic voyage through his own mind, a vaguely Homeric progression of encounters with strange people taking place in a curious, shifting dreamscape. Writing in German, he filled 205 oversize pages with elaborate calligraphy and with richly hued, staggeringly detailed paintings. (More.)

Jung maintained a lifelong fascination with alchemical symbolism and many of these pages resemble the kind of plates one finds in alchemical treatises such as the Splendor Solis, if that book had also contained additions from William Blake and Hildegard von Bingen. The only drawback is the price: at £120 this isn’t a casual purchase, but then this is over 400 pages of full-colour at a big size, 45.7 x 30.5 x 5.1 cm. Time to start petitioning rich relatives for Christmas.

• The Holy Grail of the Unconscious

Previously on { feuilleton }
• The art of Julien Champagne, 1877–1932
• Digital alchemy
• In the Shadow of the Sun by Derek Jarman

Hip Gnostics and more Moore

Coincidence abounds: on Wednesday I was following a few referral URLs to see who’d been linking here and was led to a Lexic.us page about hermaphrodites which in turn had me looking again at the wonderful Borghese Hermaphroditus in the Louvre. Thursday’s postal delivery brought issue 1 of The Gnostic which prominently features the Louvre sculpture on its cover. Inside there’s my portrait of William Burroughs illustrating a piece about Burroughs’s Gnostic identification by Sven Davisson. (I linked to another essay on the same theme in 2007.) The Gnostic is an excellent publication which, the Alan Moore interview aside, I’ve only skimmed through so far. Alan’s piece is very enlightening since the discussion stays fixed around religion, science and the occult and includes the most thorough extrapolation I’ve seen to date of his long work in progress, Jerusalem. There’s also a transcript of part of his William Blake piece from 2001, Angel Passage. If you want to know more I suggest you order a copy ($12 / £8 / €9) from Bardic Press.

Coincidence further abounds as this arrived just as Pádraig Ó Méalóid publicly announced his discovery of the long-lost and unpublished third issue of Alan Moore’s Big Numbers. This was Alan’s self-published “real life” comic series from 1989 which got off to a great start then fatally collapsed when artist Bill Sienkiewicz, then his replacement, Al Columbia, both dropped out of the project. It’s one of the great lost projects of contemporary comics and seeing the third issue sustaining the quality of the first two is deeply frustrating.

The last piece of Moore news concerns The Mindscape of Alan Moore once again which is now available to buy through iTunes. $9.99 will only get you the feature-length documentary, however. If you buy the double-disc DVD you also get my groovy interface design and an extra disc of interviews with major comic artists.

Update: Alan Moore has certainly ruled the week in this household with the delivery on Friday of The Extraordinary Works of Alan Moore, a new edition of George Khoury’s book-length autobiographical interview with Alan, and an essential purchase for anyone with more than a cursory interest in Alan’s life and work. The book features copious artwork examples by many Moore collaborators including my CD designs and the cover for the forthcoming Moon & Serpent Bumper Book of Magic.

Previously on { feuilleton }
• William Burroughs: Gnostic visionary

William Blake in Manchester

Europe: A Prophecy by William Blake (1794).

Two exhibitions based around the work of William Blake open today at Manchester’s Whitworth Art Gallery, Mind-Forg’d Manacles, “organised to coincide with the 250th anniversary of Blake’s birth as well as the 200th anniversary of the Parliamentary abolition of the transatlantic slave trade” and Blake’s Shadow: William Blake and his Artistic Legacy. The latter seems to be the more interesting of the two.

Blake’s Shadow: exhibition summary

This exhibition explores Blake’s continuing fascination for artists, filmmakers and musicians. It features around sixty watercolours, prints and paintings in addition to numerous illustrated books and a range of audio-visual material. Blake is a unique figure in British visual culture, attracting both academic and popular interest. In the years since his death in 1827, Blake has continued to influence the world of creativity and ideas. He has inspired people with such wide ranging interests as literature, painting, book design, politics, philosophy, mythology through to music and film making. Alongside works by Blake—prints, watercolours, engravings and book illustrations—the exhibition spans two centuries of his influence.

• His contemporaries in the late 18th and early 19th century are represented with works from John Flaxman, Edward Calvert, Samuel Palmer, J.H. Fuseli and Thomas Stothard
• Blake’s influence on artists in the Victorian period is explored through works by Ford Madox Brown, Walter Crane, Frederic Shields, John Everett Millais, Dante Gabriel Rossetti, Simeon Soloman and G.F. Watts.
• British artists working in the 20th and 21st century include Cecil Collins, Douglas Gordon, Paul Nash, Anish Kapoor, David Jones, Ceri Richards, Patrick Proctor, Austin Osman Spare and Keith Vaughan. This section of the exhibition features photographs and original works.
• From the 1960s onward, writers, musicians, film makers like Allen Ginsberg, Bob Dylan, Jim Morrison of The Doors and John Lennon have adopted Blake as a mystical seer and anti-establishment activitist. More latterly, as British musicians and activists like Billy Bragg and Julian Cope have grappled with notions of national identity, Blake has enjoyed something of a renaissance. Blake’s Shadow examines this more recent influence as evidenced in work by the filmmakers Jim Jarmusch and Gus Van Sant, and various musicians, notably Patti Smith and Jah Wobble.

The Dawn by Austin Spare (no date).

It’s good to see Austin Spare being included in something like this. He always referred to Blake as an influence but, as I’ve mentioned before, he’s frequently been treated disrespectfully by an art establishment that doesn’t know what to make of the occult basis of his work.

Mind Forg’d Manacles runs to 6 April 2008, Blake’s Shadow to 20 April.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Austin Spare in Glasgow
• Tygers of Wrath
• Austin Osman Spare

Tygers of Wrath

ImageTexT is an excellent web publication produced by the English Department at the University of Florida whose objective “is to advance the academic study of comic books, comic strips, and animated cartoons”. The subject of the latest edition is “William Blake and Visual Culture” and to this end includes my written and visual account of the Tate Gallery’s William Blake event from February 2001. That evening of song and performance featured Alan Moore and Tim Perkins’ piece about Blake’s life (with my video accompaniment), a work that was later released as the Angel Passage CD. ImageText 3-2 also includes an essay by Roger Whitson, Panelling Parallax: The Fearful Symmetry of William Blake and Alan Moore.

Previously on { feuilleton }
• Of Moons and Serpents
• Watchmen
• Alan Moore interview, 1988