Alan Moore: Tisser l’invisible

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Arriving in the post this week was Alan Moore: Tisser l’invisible from French imprint Les Moutons Électriques. The book is a substantial collection of appreciative texts and analyses of work by the Northampton Ipsissimus edited by Julien Bétan, and, as the title would imply, is in French throughout. A couple of the pieces are reprints which I presume are receiving their first translation here. Michael Moorcock’s Homage to Cornucopia first appeared in Alan Moore: Portrait of an Extraordinary Gentleman and is also reprinted in Moorcock’s Into the Media Web which I designed and Savoy Books published earlier this year.

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Best thing for me about the French collection is seeing some of my Moore-related work printed in colour as a mini gallery at the front of the book. There are two of the poster designs for the Moon & Serpent CDs, The Highbury Working (above) and Angel Passage, and also my 1999 portrait of Promethea and the Kabbalistic Underground map which I created as a design of my own and Alan subsequently incorporated into the Promethea comic series.

And speaking of Mister Moore, issue 6 of Dodgem Logic is now on sale sporting a cover which can either be interpreted as a gloomy Halloween design or a faithful depiction of the nation’s slough of despond; you decide.

Previously on { feuilleton }
Into the Media Web by Michael Moorcock
Watchmen
Alan Moore interview, 1988

Four today

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Good things come in fours: the mighty Kraftwerk performing Numbers on the Minimum-Maximum DVD (2005).

Yes, the day between Darwin Day and St. Valentine’s Day is this blog’s birthday. I continue to be surprised that I’ve kept this going for so long since I never managed to keep a diary. Doing work that chains you to a computer is a help, although the past year was so busy that many entries were little more than picture posts. 2009 saw this site receiving more traffic than ever with the result that the server resources are now regularly overloaded for a couple of hours each day. I’ve been intending to move to a new webhost for a while but doing so is a time-consuming and technically complex business over which the current hectic workload continues to take priority.

The three most popular posts of the last twelve months were the following:

The gay artists archive. Always a popular page but now it’s the most popular destination by a long margin, helped by continual visits from Stumbleupon users.

Psychedelic Wonderland: the 2010 calendar. Links on Boing Boing, Trendhunter and elsewhere helped make this year’s calendar a big success. My thanks again to everyone who bought a copy, I’ll be doing a Through the Looking-Glass follow-up in September.

Alan Moore interview, 1988. Another Stumbleupon hit, this magazine interview was one of my earliest posts and it remains curiously popular, more so than the very long Watchmen round table discussion which followed.

As always, thanks for reading and for all your comments!

John x

DeZ did it first

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Rorschach from The Mindscape of Alan Moore.

The hype over the Watchmen film reached critical mass this week and as a consequence there’s been a spike of interest in the two Alan Moore interviews I posted in 2006, with Empire magazine and other movie sites linking here. I won’t bore you with my lack of interest in the film—read the book, it’s a masterpiece—but it’s worth noting that the feature-length DeZ Vylenz documentary, The Mindscape of Alan Moore, dramatised scenes from V for Vendetta and Watchmen back in 2003, long before Hollywood put either of them on screen. The Rorschach scene is especially interesting for having the opening monologue from Watchmen voiced by Alan himself. I’d never thought of Rorschach having such a gravel-throated delivery until I heard this. If Zack Snyder’s version is the same then you know where they swiped it from.

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V’s dressing-room from The Mindscape of Alan Moore.

As I’ve mentioned a few times here, The Mindscape of Alan Moore is available on DVD in Europe and the US and includes a bonus disc of interviews with Alan’s collaborators, Dave Gibbons among them. All the packaging and interface was designed by yours truly.

Previously on { feuilleton }
The Mindscape of Alan Moore: US edition
The Demon Regent Asmodeus
New things for June
Alan Moore in Arthur magazine
Watchmen
Alan Moore interview, 1988