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Weird Tales, October 1933. Cover art by Margaret Brundage. • Michael Moorcock’s novels are being republished this year by Gollancz in a range of print and digital editions. Publishing Perspectives asks Is Now a Perfect Time for a Michael Moorcock Revival? • Related: Dangerous Minds posted The Chronicle of the Black Sword: A Sword & Sorcery [...]

The Time Machine (1960). The turning over of the calendar from one year to the next makes this day the ideal moment to write something about HG Wells’ celebrated story. Having re-read The Magic Shop before Christmas I decided to refresh my reading habit—lapsed these past months due to pressure of work—by revisiting more of [...]

Illustration by Robert A. Graef (1932). If the predatory octopuses of the Sargasso Sea are too mundane for you, how about an extra-dimensional Kraken named Khalk’ru which has to be placated with human sacrifice? This creature is the prime menace in A. Merritt’s Dwellers in the Mirage (1932), a novel I’m afraid I haven’t read [...]

…the growths of that garden were such as no terrestrial sun could have fostered, and Dwerulas said that their seed was of like origin with the globe. There were pale, bifurcated trunks that strained upwards as if to disroot themselves from the ground, unfolding immense leaves like the dark and ribbed wings of dragons. There [...]

A floating Martian city from Letters from the Planets (1890) by WS Lach-Szyrma. Illustration by Paul Handy. In honour of the remarkable landing on Mars of the Curiosity Rover, a handful of random illustrations from the vast stock of imagery generated by the Red Planet over the past century-and-a-half. When it comes to Mars I’m [...]

Lucifer Rising: A Love Vision by Kenneth Anger (1967) by Rick Griffin. The status of Kenneth Anger’s Lucifer Rising as a kind of poly-cultural crossroads even extends to its poster art. The original poster by Rick Griffin dates back to the earliest drafts of the film, and with its swipe from Gustave Doré makes me think [...]

Thanks are due to Ty Reutel for alerting my attention to this one. I’d no idea that the great Virgil Finlay had illustrated Tarzan but here’s the proof, one half of an interior drawing for The Quest of Tarzan in Argosy Weekly for 1941. That’s the first surprise, the second, of course, was that Finlay [...]

Regeneration (2011) by Toshiyuki Enoki. Via. • HIDE/SEEK: Difference and Desire in American Portraiture, the art exhibition that caused such a fuss last year at the Smithsonian Institution, opens at the Brooklyn Museum, NYC, on November 18th. Among the events associated with the show is a screening of James Bidgood’s lusciously erotic Pink Narcissus. David [...]

At the Mountains of Madness (1979) from Halloween in Arkham by Harry O. Morris. • Golden Age Comic Book Stories always pulls out the stops in the run up to Halloween. In addition to a wonderful collection of Harry O. Morris collages, Mr Door Tree has also been posting Virgil Finlay’s illustrations for Edgar Allan [...]

While chasing down Virgil Finlay’s illustration for Lovecraft’s The Colour Out of Space earlier this week I came across another Finlay drawing I’d not noticed before in a book I’ve owned for years. Makes me wonder what else is lurking on the shelves. Finlay’s depiction of Salomé was an illustration for Waxworks, a story by [...]

Die Farbe (2010). The colour, which resembled some of the bands in the meteor’s strange spectrum, was almost impossible to describe; and it was only by analogy that they called it colour at all. Its texture was glossy, and upon tapping it appeared to promise both brittleness and hollowness. The Colour Out of Space (1927). [...]

HP Lovecraft (1937) by Virgil Finlay. I was asked recently to join the bloggers at Tor.com writing about art as it relates to fantasy and science fiction, so for today’s post your attention is directed to this piece, an expanded version of a rather half-hearted list I put together a few years back concerning HP [...]

James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus (1971) receives a screening at the IFC Center Queer/Art/Film festival, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide/Seek gay art show whose controversial history was recounted here in December. The NYT ran a short piece about Bidgood, now 77 and [...]

The Conqueror Worm (c. 1900) by František Kupka. Poe’s illustrators are legion, you could easily devote an entire blog to nothing but depictions of his stories and poems. By way of rounding off this week of posts I thought I’d point to some of the works which have caught my attention over the years, several [...]

Another item brought to light during the Great Shelf Re-ordering and Spring Clean is this 1950 Lancer paperback of The Dying Earth by Jack Vance, a slim collection of six short connected stories, and another favourite book. Despite the sf label this is far more a work of fantasy (science fantasy, if you must), being [...]

So it arrived at last, yesterday in fact, the colossal volume that is A Lovecraft Retrospective: Artists Inspired by HP Lovecraft from Centipede Press. Calling this a book is like calling the Great Pyramid of Cheops a pile of stones, technically accurate but the words somewhat fail to convey the existential reality. This is the [...]

Previous posts about illustrators. • The art of Ted Coconis • Dream Boats and Other Stories by Dugald Stewart Walker • Joseph Southall’s Bluebeard • Ezio Anichini postcards • Julius Klinger’s Sodom • René Bull’s Rubáiyát • Rackham silhouettes • Pamela Colman Smith’s Annancy Stories • The art of Henri Caruchet • George Barbier’s Falbalas [...]

Several disparate pieces of news worth mentioning recently, so here they are gathered together. • Some of my Lovecraft art is to be featured in a lavish limited edition volume from Centipede Press. Artists Inspired by HP Lovecraft Centipede Press is now accepting pre-orders. A unique art book available in a cloth slipcase edition and [...]

HP Lovecraft by Virgil Finlay, 1937.

Mrs Amworth. Another great artist of the macabre and supernatural, Virgil Finlay was the one of the most talented and imaginative illustrators of his generation. Unlike older contemporaries such as Joseph Leyendecker, who became wealthy producing elegant yet often bland advertising art, much of Finlay’s best work was for pulp magazines like Weird Tales and [...]