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Lennon, Manson and me: the psychedelic cinema of Alejandro Jodorowsky

The Million Volt Light & Sound Rave (1967).
More psychedelia as Paul Gorman at The Look alerts me to an exhibition of work by Pop artist Dudley Edwards running this month at 3345 Parr St, Liverpool. Edwards was a part of the Binder, Edwards & Vaughan design collective in the 1960s, renowned for their light shows [...]

It’s taken me years but the recent obsession with UK psychedelia led me to finally watch Joe Massot’s piece of cinematic fluff from 1968, Wonderwall, a film distinguished primarily for its score by George Harrison (with Ringo Starr and Eric Clapton playing pseudonymously), and its title which was swiped years later by a bunch of [...]

So I had a bright idea at the end of September… Instead of rehashing old work for a CafePress calendar design, I thought I’d try something new. I hadn’t done any artwork for myself all year, everything I’d been working on was a commission of some sort. In addition to that, I’d spent a large [...]

top row: The Division Bell by Pink Floyd; A Rush of Blood to the Head by Coldplay.
bottom row: London Calling by The Clash; Tubular Bells by Mike Oldfield.
The Royal Mail follows its series of British Design Classics postage stamps with a series dedicated to what they call “classic” album covers. The design classics in [...]

I said, “Girl, you drank a lot of Drink Me,
But you ain’t in a Wonderland
You know I might-a be there to greet you, child,
When your trippin’ ship touches sand.”
Donovan, The Trip (1966).
Most of the key texts of the psychedelic period tend to be either non-fiction—Huxley’s Doors of Perception, Leary’s Psychedelic Experience—or spiritual works such as [...]

left: “Hippies in a psychedelic coffee shop“, San Francisco, 1967; right: “Pair of long-haired Londoners in a psychedelic corner of the Beatles’ Apple boutique“, London, 1968.
A few of the photos which turn up when searching for pictures of the psychedelic era at Google’s LIFE archives.

By the time Yellow Submarine appeared on TV in the early Seventies I was already a keen viewer of anything showing the groovier side of the late Sixties. What I recall of that decade is resolutely unspectacular—I was only 7 in 1969, after all—but Swinging London as seen in the lighter films of the period, [...]

Further: the second version of Ken Kesey’s Merry Prankster bus.
The word psychedelic, like surreal before it, slipped from its original meaning through appropriation. Humphrey Osmond’s neologism was first coined in drug-related correspondence with Aldous Huxley in 1957 and was specifically intended to describe the “mind-manifesting” quality of the hallucinogenic drug experience. The drug-inspired art and [...]

The appearance of occultist Aleister Crowley on the sleeve of Sgt Pepper is well-documented—here he is looking rather grainy on my CD insert—although I always forget which of the Beatles it was who put him in the list of “people that we like”. I’d guess John Lennon who would have appreciated Crowley’s obscene poetry, copious [...]

Dilettantes by You Am I (2008). Illustration and design by Ken Taylor.
Dilettantes is the eighth studio album from Australian band You Am I which is released this week sporting a very creditable Beardsley pastiche by illustrator Ken Taylor. Sleevage has more details about the creation of the CD package, including preliminary sketches. Those familiar with [...]

This delightful piece of Art Nouveau-inflected grooviness is one of the new T-shirts designed by Nigel Waymouth for The Look via Topman. Waymouth, as some readers here may know, was part of Hapshash & the Coloured Coat in the late Sixties, London’s leading group of psychedelic poster artists. In addition to design, Waymouth and Sheila [...]

left: Absolutely Free by Theo van den Boogaard (1967).
right: Blowin’ Your Mind by Willem de Ridder (1967).
A couple of samples from similar work scattered around a Dutch auction site, along with more familiar designs from the San Francisco and London artists. All the Dutch examples are new to me; the dominance of the American [...]

One of the great electroacoustic compilations, Electronic Music III: Berio/Druckman/Mimaroglu, Turnabout Records (1967).
I’ve spent the past week or so immersed in the world of electroacoustic composition courtesy of torrents provided by the Avant Garde Project. Wikipedia attempts a definition of electroacoustic music and thus saves me the trouble:
While all electroacoustic music is made with [...]

“Freak out baby, the bee is coming!”
The L.S. Bumble Bee, a single by Peter Cook and Dudley Moore, Decca F 12551, February 1967. Mistakenly included on some Beatles bootlegs in the Seventies, about which Dudley Moore commented:
Regarding The L.S. Bumble Bee, Peter Cook and I recorded that song about the time when there was so [...]

Gary Oldman as Joe Orton in Prick Up Your Ears (1987).
Ken: At least you can say you’ve sat in the same chair as TS Eliot.
Joe: Yes, I’m never going to wipe my bum again.
Gay playwright Joe Orton receives a welcome renewal of attention this month with a showing of films at the ICA in [...]

The Beatles get the Royal Mail treatment in a new series of UK stamps next month.

In which the lovable moptops get the official mashup treatment courtesy of George Martin’s son, Giles. Very creditable it sounds to these ears although it strains a bit much in places to shoehorn tiny bits of the very familiar songs into other very familiar songs. The added sound effects are pretty superfluous, some of them [...]

Beyond Bowie and Frankie, there’s a whole secret history of gay pop, reports Alexis Petridis
‘Wilder, madder, gayer than a Beatle’s hairdo’
It was the love that dare not sing its name—or was it? Beyond Bowie and Frankie, there’s a whole secret history of gay pop, reports Alexis Petridis
Tuesday July 4, 2006
The Guardian
The year 1966 is known [...]

“I went down to the Chelsea Drug Store,”
“To get your prescription filled…”
The Rolling Stones, You Can’t always Get What You Want, 1969
How much Stanley Kubrick trivia can you stand? One of the delights of DVD over VHS tape is the ability to step frame by perfect frame through any given film sequence without the picture [...]