Steven Heller – Page 6 – { feuilleton }

Weekend links 611

Let The Power Fall (1981) by Robert Fripp. A postcard included with the original vinyl release of the Let The Power Fall album.

• Exposures 1977–1983 is the title of another wallet-busting CD/DVD/blu-ray box which will be released by DGM at the end of May. Unlike the previous King Crimson sets this one will be devoted to Robert Fripp’s first run of solo releases, covering the albums that emerged from the artistic campaign he described at the time as “The Drive to 1981”: Exposure (1979), God Save The Queen/Under Heavy Manners (1980), The League Of Gentlemen (1981), and Let The Power Fall (1981). If you’re as interested as I am in this period of Fripp’s career then this is all very exciting. Exposure has been reissued several times over the years, and exists in three different “editions” featuring alternate mixes and song variations, but the other albums have been unavailable in any form for decades, possibly as a result of the turmoil caused by the mismanagement and eventual collapse of the EG label. In addition to the reissues the box will include live recordings, a League Of Gentlemen Peel session plus a substantial quantity of Frippertronics material, including the loops that were recorded for Eno & Byrne’s My Life In The Bush Of Ghosts. Fripp retained a credit for his contribution to Regiment but the results are so far down in the mix that they’re easy to miss. Related: The Drive to 1981: Robert Fripp’s Art-Rock Classic Exposure.

• Galerie Georges-Philippe & Nathalie Valloisin, Paris, is currently creeping out visitors to Strange Aeons—We will meet you there, an exhibition by Peybak (Peyman Barabadi and Babak Alebrahim Dehkordi) that borrows its title from HP Lovecraft and includes a number of creatures, “neither embryos nor chimeras”, which may be found prostrate and breathing on the gallery floor.

• New music: Sub Zero, in which Kevin Richard Martin returns to the subterranean/subaqueous/subarctic zones he charted on his Isolationism and Driftworks compilations in the 1990s; plus The Carrier by Large Plants, an album of “psych rock belters” coming soon on the Ghost Box label.

• Science fiction as revolution: Joe Banks talks to Iain McIntyre, co-editor of Dangerous Visions and New Worlds—Radical Science Fiction, 1950–1985, about the flourishing of the New Wave of SF in the 1960s and 70s.

• “We know from his letters that Joyce sent a Greek flag to Nutting for him to colour-match. So, he was aiming for ‘Greek’ blue.” It’s that book again. Cleo Hanaway-Oakley on Ulysses, blindness and blue.

• Intermittent Eyeball Fodder: More visual delights gathered by S. Elizabeth.

• Steven Heller’s font of the month is Nicholas.

• Galerie Dennis Cooper presents…Liz Larner.

• Let The Power Fall (1971) by Max Romeo | Minor Man (1981) by The League Of Gentlemen ft. Danielle Dax | Heptaparapashinokh (1981) by The League Of Gentlemen

Weekend links 607

Jerry (1931) by Paul Cadmus.

• “I wanted to photograph naked young men as opulently and as attentively as those professional ladies appearing in Playboy-type magazines.” RIP James Bidgood, photographer and director of no-budget gay-porn classic Pink Narcissus. Also in the obituary notices this week: Monica Vitti and John Appleton, composer of electronic music and inventor of the Synclavier sampling keyboard.

• “…the Sola Busca deck is limited in its use for divinatory purposes today, and yet, since its enigmatic imagery irresistibly invites decoding, the deck nonetheless beckons twenty-first century cartomancers into a game of high imagination.” Kevin Dann on the mysteries of the world’s oldest complete Tarot deck.

• “This Missouri company still makes cassette tapes, and they are flying off the factory floor.” Jennifer Billock reports.

He attended to his own talent, not in the interest of bombast or self-aggrandisement, but rather like a faithful watchman. He had the fixity of the great and therefore no need of vanity. He estimated that three shillings would be a reasonable price for Ulysses. A tiresome book, he admitted. At the same time he was dogged by fear that the printing house would be burnt down or that some untoward catastrophe would happen. He assisted Miss Beach in wrapping the copies, he autographed the deluxe editions, he wrote to influential people, he hawked packages to the post office. He knew that the illustrati would change their minds many a time before settling down to a final opinion and that many another would know as much about it as the parliamentary side of his arse.

Edna O’Brien on James Joyce

• At Wormwoodiana: Mark Valentine on The Secret Glory by Arthur Machen, another novel now in its centenary year.

• At Aquarium Drunkard: It Is Not My Music, (1978) an hour-long Swedish TV documentary about Don Cherry.

• At Bandcamp: The transportive psychedelia of Moon Glyph records.

• Mix of the week: Fact Mix 844 by A Psychic Yes.

• Steven Heller’s font of the month is Show.

• At Dennis Cooper’s: Guitar.

• Mumblin’ Guitar (1960) by Bo Diddley | Electric Guitar (1979) by Talking Heads | Impossible Guitar (1982) by Phil Manzanera

Weekend links 604

Poster by Chris Ware for Uncle Boonmee Who Can Recall His Past Lives (2010).

• “He is a proponent of “slow cinema,” which is to say, movies that inspire reflection because they are unhurried but fluid, clear but framed by mystery.” Hilton Als on the metaphysical world of Apichatpong Weerasethakul.

• “You could take off your clothes and lay in the sun, nude, with other guys looking for sex, right in Manhattan. And the police didn’t care. It was safe…” Stanley Stellar on his photographs of New York’s “Gay Piers”.

• At Wormwoodiana: An interview with RB Russell who talks about his new book, Robert Aickman: An Attempted Biography.

• New music: Mysterium by Held By Trees; A Journey by Hinako Omori; Waves by The Soundcarriers.

• Get some cosmic perspective with an updated version of Charles & Ray Eames’ Powers of Ten.

• You Cut Your Hair and Made a Friend: Richard Conway on Ladytron’s 604 and Light & Magic.

• At Unquiet Things: The Tawdry Technicolor Horrors of Vicente B. Ballestar.

• Alexis Petridis compiles a list of the late James Mtume’s greatest recordings.

• Steven Heller’s Font of the Month is Valvolina.

• Slow Motion (1978) by Ultravox | Slow And Low (1995) by Tetsu Inoue | Slow Burning Ghosts (1996) by Paul Schütze

Weekend links 599

Taarna by Chris Achilleos for Heavy Metal, September 1981. A typical piece by Achilleos, whose death was announced this week, and very typical for a Heavy Metal cover. Achilleos was a prolific illustrator.

• New music: The Truth, the Glow, the Fall (Live At Montreux) by Anna von Hausswolff, from her forthcoming album, Live At Montreux Jazz Festival. The last gig I went to was in October 2019, to see Sunn O))) supported by Anna von Hausswolff. Easily one of the best things I’ve ever experienced. Meanwhile, Anna von Hausswolff has had to cancel a Paris church concert following protests by a rabble of outraged Catholics. Bravo les crétins!

• “…it is easy to forget that Montesquiou—regardless of his own work—was not merely emblematic of Decadence, he was essentially patient zero in its viral spread.” Strange Flowers explores the exquisite life of the bat-obsessed, hydrangea-cultivating Robert de Montesquiou.

• “Kotatsu have been around longer than we imagine. And art history has the proof.” Spoon & Tamago on an old Japanese method for warming a room during winter. Also further evidence that cats always find the warmest place in any house.

• Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2021. Thanks again for the link here!

• The Wire magazine has opened its collection of articles by the late Greg Tate so they may be read by non-subscribers.

• “Neil Bartlett is a gay writer’s gay writer,” says Jeremy Atherton Lin reviewing Bartlett’s latest, Address Book.

• James Balmont on the psychedelic cinema of Nobuhiko Obayashi.

• Steven Heller’s font of the month is Erotique.

• Northern lights photographer of the year.

• The Strange World of…Takuroku.

• RIP Robbie Shakespeare.

• Robbie Shakespeare’s bass x 3: King Tubby Meets Rockers Uptown (1974) by Augustus Pablo | Nightclubbing (1981) by Grace Jones | Bass And Trouble (1985) by Sly & Robbie

Weekend links 594

Eva und die Zukunft (1898) by Max Klinger.

• “It is no exaggeration to say that MAD invented the modern, postwar American takedown.” Thomas Larson reviews Seeing MAD: Essays on Mad Magazine’s Humor and Legacy.

• At the Internet Archive: Cartoon Modern: Style And Design In Fifties Animation (2006) by Amid Amidi, a book which has been made available as a free download by its author.

• New music: A preview of Metta, Benevolence by Sunn O))), recorded live in the Mary Anne Hobbs’ radio show in 2019; Veils by Víz; The Mountain (Blakkat Dub) by Ladytron.

• At Public Domain Review: Claude Mellan’s The Sudarium of Saint Veronica (1649), an engraving made with a single continuous line.

• “For Harry Houdini, séances and Spiritualism were just an illusion,” says Bryan Greene.

• TheStencil is Steven Heller’s font of the month.

• At Dennis Cooper’s: Derek Jarman Day.

• Nicky Mao’s favourite music.

• Mad Man Blues (1951) by John Lee Hooker | Mad Pierrot (1978) by Yellow Magic Orchestra | Mad Keys (2002) by Al-Pha-X