Weekend links 625

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Hand (1940) by Jindrich Styrsky.

• “I love very much Symbolist painters like Odilon Redon, Ferdinand Knopf or Léon Spilliaert. Or Nordic European painters such as Munch or Gallen-Kallela. I like the way they often mix nature and mythology. Some Surrealist painters are very inspiring too: De Chirico, Tanguy, Toyen, Styrsky, or Dorothea Tanning, for instance.” Lucile Hadzihalilovic talking to Mark Cousins about her new film, Earwig, and her approach to cinema.

• “It was no accident that Mishima chose to experiment with science fiction. It was a genre he had long admired. He adored Arthur C. Clarke, and lavished praise on Godzilla…” Alexander Lee on Yukio Mishima’s sole venture into science fiction, Beautiful Star.

• Old music: Roforofo Fight by Fela Kuti, a great favourite round here, is receiving a 50th anniversary reissue.

Readers of Berlin’s Third Sex were confronted with a whole fête galante of misfits, deviants, and sexual mutineers cavorting on the legal edgelands of society. There’s the “gathering of obviously homosexual princes, counts and barons” discussing Wagner, the women-only ball where a “dark-eyed Carmen sets a jockey aflame”, the drag act burlesquing Isadora Duncan, a café in the city’s north where Jewish lesbians play chess, gaggles of gay labourers meeting up to gossip before tending to their needlework, the Russian baron distributing alms to hustlers in the Tiergarten, a canal-side tavern where soldiers from the nearby barracks find gay men only too willing to pick up their tab, and the encrypted classified ads with which the lonesome and horny sought to make the vast metropolis just a little smaller.

James Conway on the pioneering sexology of Magnus Hirschfeld

• At Aquarium Drunkard: The Miles Davis Septet playing live at Chateau Neuf, Oslo, in 1971.

Industrial Symphony No. 1 by David Lynch & Angelo Badalamenti featuring Julee Cruise.

• Mix of the week: Ghosts & Goblins 1 by The Ephemeral Man.

• New music: The Homeland Of Electricity by Scanner.

• Steven Heller’s font of the month is Pufff.

• Galerie Dennis Cooper presents Ilse Bing.

• RIP Paula Rego and Julee Cruise.

Teacher Of Electricity (1970) by Old Gold | Electricity (1980) by Orchestral Manoeuvres In The Dark | Night Electricity Theme (2017) by Dean Hurley

Weekend links 619

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A Moog on the Moon by P. Praquin, 1977. And a space helmet reflection to add to the list being accumulated by 70s Sci-Fi Art.

• RIP Klaus “Quadro” Schulze. I’ve owned many of his solo albums over the years, and while they’re historically important for the part they played in developing the kosmische sound in the 1970s I’ve never been very enthusiastic about the music. The albums I prefer are the ones where he was working with others, whether as a drummer in Ash Ra Tempel, an inadvertent member of the fake Cosmic Jokers supergroup, or part of the genuine Cosmic Couriers supergroup that made Tarot. The Tonwelle album credited to “Richard Wahnfried” benefits considerably from the presence of Manuel Göttsching and Michael Schrieve (also a rumoured Carlos Santana); I recommend it. For a taste of the synth-doodling Schulze, here he is in analogue heaven.

• Next month, Luminous Procuress, a film by Steven Arnold (previously), is released for the first time on blu-ray by Second Run: “Exploding out of San Francisco’s vibrant late-60s counter-culture, Luminous Procuress is a psychedelic odyssey of unabashed hedonism. The only feature film by artist, mystic and polymath Steven Arnold, the film celebrates gender-fluidity and pan-sexuality in a voyeuristic phantasmagorical journey towards spiritual ecstasy.”

• “Whereas [Bernard] Herrmann worked predominantly with strings and [John] Carpenter with synths, Anderson wanted to evoke a similar atmosphere with guitars.” Greg “The Lord” Anderson talks to Dan Franklin about making an album of night music.

I am troubled by how often people talk about likability when they talk about art.

I am troubled by how often our protagonists are supposed to live impeccable, sin-free lives, extolling the right virtues in the right order—when we, the audience, do not and never have, no matter what we perform for those around us.

I am troubled by the word “problematic,” mostly because of how fundamentally undescriptive it is. Tell me that something is xenophobic, condescending, clichéd, unspeakably stupid, or some other constellation of descriptors. Then I will decide whether I agree, based on the intersection of that thing with my particular set of values and aesthetics. But by saying it is problematic you are saying that it constitutes or presents a problem, to which my first instinct is to reply: I hope so.

Art is the realm of the problem. Art chews on problems, turns them over, examines them, breaks them open, breaks us open against them. Art contains a myriad of problems, dislocations, uncertainties. Doesn’t it? If not, then what?

Jen Silverman on the new moralisers

• “The website is colorful and anarchic, evoking the chaotic sensory experience of exploring a crammed, dusty shop.” Geeta Dayal explores the Syrian Cassette Archives.

• New music: The Last One, 1970 by Les Rallizes Dénudés; Untitled 3 by Final; Blinking In Time (full version) by Scanner.

• Why was erotic art so popular in ancient Pompeii? Meilan Solly investigates.

• You’ve been reframed: Anne Billson explores the history of split-screen cinema.

• At Spoon & Tamago: Japanese era names illustrated as logos.

• Mix of the week: XLR8R Podcast 745 by Wilted Woman.

Fun type

Split, Pt. 4 (1971) by The Groundhogs | Split Second Feeling (1981) by Cabaret Voltaire | Splitting The Atom (2010) by Massive Attack

Weekend links 525

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Polish poster by Franciszek Starowieyski, 1970.

• Tony Richardson’s Mademoiselle (1966) is one of those cult films that’s more written about than seen, despite having Jeanne Moreau in the lead role as a sociopathic schoolteacher, together with a screenplay by Marguerite Duras and Jean Genet, plus uncredited script-doctoring by David Rudkin. John Waters listed the film as a “guilty pleasure” in Crackpot but it’s been unavailable on disc for over a decade. The BFI will be releasing a restored print on blu-ray in September.

“While the hurdy-gurdy’s capacity to fill space with its unrelenting multi-tonal dirge is for some the absolute sonic dream, for others it is the stuff of nightmares.” Jennifer Lucy Allan on the pleasures and pains of a medieval musical instrument.

• “I truly believed”: Vicki Pollack of the San Francisco Diggers talking to Jay Babcock for the fifth installment of Jay’s verbal history of the hippie anarchists.

• “If you want to call yourself a composer, you follow every step of the instrumentation.” Ennio Morricone talking to Guido Bonsaver in 2006.

Dutchsteammachine converts jerky 12fps film from the NASA archive to 24fps. Here’s the Apollo 14 lunar mission: landing, EVA and liftoff.

• New music: Suddenly the World Had Dropped Away by David Toop; Skeleton and Unclean Spirit by John Carpenter; An Ascent by Scanner.

Peter Hujar’s illicit photographs of New York’s cruising utopia. Not to be confused with Alvin Batrop‘s photos of gay New York.

• Mixes of the week: XLR8R Podcast 651 by Dave Harrington, and Mr.K’s Side 1, Track 1’s #1 by radioShirley & Mr.K.

Simon Reynolds on the many electronic surprises to be found in the Smithsonian Folkways music archive.

The Gone Away by Belbury Poly will be the next release on the Ghost Box label.

• At Dennis Cooper’s: Ed Emshwiller Day.

Shirley Collins’ favourite music.

Mademoiselle Mabry (1969) by Miles Davis | Hurdy Gurdy Man (1970) by Eartha Kitt | Danger Cruising (1979) by Pyrolator

Weekend links 394

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Britain’s Royal Mint acknowledges this year’s bicentenary of the publication of Frankenstein with a commemorative £2 coin.

• A trailer for The Green Fog, a film by Guy Maddin, Evan Johnson and Galen Johnson, which uses clips from over 200 films set in and around San Francisco to create a collage companion to (and critique of) Alfred Hitchcock’s Vertigo. John DeFore reviewed the film for The Hollywood Reporter.

• Downloadable sound files and utilities for the Fairlight Computer Musical Instrument. Should you require it, the file containing the orchestra stab that was a feature of so much pop music in the 1980s is ORCH5. (Click on the “Library/Disk” listing then click “Extract” to download the samples.)

• Radio at the Internet Archive: the BBC adaptations of Mervyn Peake’s Titus Groan and Gormenghast (both adapted by Brian Sibley in 1984); and 554 Sherlock Holmes radio shows.

• Mixes of the week: XLR8R Podcast 523 by Scanner, RA Podcast 605 by Chris SSG, and Secret Thirteen Mix 241 by Jaroska.

• At Discogs: a list of “Experiments, gimmick and concept albums, bands and labels“.

Patrick Cowley The Ultimate Master Megamix

• At Dennis Cooper’s: Karen Black Day.

Events In Dense Fog (1978) by Brian Eno | Fog Animal (2005) by Deaf Center | In The Fog I (2011) by Tim Hecker

Weekend links 329

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Josef Vyletal borrows figures from Aubrey Beardsley’s Salomé for a Czech poster promoting The Immortal Story (1969) by Orson Welles. Vyletal’s own paintings were often strange and surreal.

Pale Fire is Nabokov’s “great gay comic novel,” says Edmund White. A surprising but not inappropriate reappraisal. White has noted in the past that Nabokov “hated homosexuality” despite having a gay brother and uncle. The portrayal of Charles Kinbote in Pale Fire isn’t unsympathetic if you overlook his being delusional, and possibly insane…

• At Folk Horror Revival: details of the charity donations raised by sales of the Folk Horror Revival books, the first of which featured my David Rudkin essay. A one-day Folk Horror Revival event takes place later this month at the British Museum, London.

• Mixes of the week: The Bug presents Killing Sound Chapter 2: Inner Space, a 2-hour blend of “sci-fi scores, expansive atmospheres and synthesized psychedelia”; Decoded Sundays presents Scanner; Secret Thirteen Mix 197 is by LXV.

Stars Of The Lid unveil a James Plotkin remix of their Music For Twin Peaks Episode #30 Pt. 1. Related: the hype for the new Twin Peaks series gets into gear with a teaser.

• Robert Aickman’s only novel, The Late Breakfasters (1964), is being given its first US publication by Valancourt Books.

• “Don’t dream it, bet it.” Evan J. Peterson on 40 years of The Rocky Horror Picture Show.

• Anna von Hausswolff’s sister, Maria, directs a video for Come Wander With Me / Deliverance.

• RIP Michael O’Pray, film writer and curator of many festivals of experimental cinema.

• Oli Warwick talks to electronic musicians about the influence of the late Don Buchla.

Breakfast In Bed (1969) by Dusty Springfield | Alan’s Psychedelic Breakfast (1970) by Pink Floyd | Another Breakfast With You (2001) by Ladytron