Weekend links 384

muljat.jpg

Sultans of Swing by Samantha Muljat.

• Pain & Pleasure, Indivisible: Mat Colegate talks to Stephen Thrower (Coil, Cyclobe) about the meeting between Coil and Clive Barker that would have led to Coil scoring Barker’s Hellraiser if the studio hadn’t rejected the music.

• “From Arsedestroyer to Zoogz Rift: 50 underground albums you’ve never heard of” The usual presumption—I’ve been listening to The Groundhogs since the mid-1980s—but it’s a good list.

• More magazines at the Internet Archive: an incomplete run of British science-fiction monthly Interzone; and a complete (?) run of the film magazine for horror (and gore) obsessives, Fangoria.

• “…it’s background music, is what it is. But there’s nothing wrong with that. I’m very proud of it.” John Carpenter discussing his soundtrack music and his new album, Anthology.

• Mixes of the week: Aral Mix 05 by Ellen Arkbro, Secret Thirteen Mix 234 by FOQL, and Samhain Séance Six: Triffid Witch by The Ephemeral Man.

• Dallas Killers Club: Nicholson Baker reads a stack of books about the Kennedy assassinations then draws his own conclusions.

Michael Flanagan on searching for LGBT histories of Neopaganism, the paranormal and the occult in San Francisco.

• At Lounge Books: author Amelia Mangan on horror, old and new, and her favourite things.

• At Monoskop: the (almost) complete works of James Joyce in one convenient epub.

Jillian Steinhauer on Duchamp’s last riddle.

Hell Raiser (1973) by Sweet | Hell’s Bells (1989) by Rhythm Devils | Hell’s Winter (2011) by Earth

Art that transcends

ca56.jpg

Late last year, US design magazine Communication Arts asked me to write a piece about psychedelic art, past and present. The resulting feature has been out for a couple of weeks in the May/June issue (no. 56) but I hadn’t seen it in print until a copy turned up today. Attempting to wrangle discussion of a very wide-ranging and amorphous field into 1500 words isn’t an easy task but I managed to sketch a history of psychedelic art beginning with Aldous Huxley and Humphrey Osmond’s mescaline experiments in the 1950s. Art that can be considered psychedelic goes back into prehistory but Huxley’s The Doors of Perception (1954) is the first book that considered art in general from a psychedelic viewpoint. That book, and the later Heaven and Hell (1956), are still valuable for their aesthetic meditations however much Huxley’s optimism may have been tainted by the ferment of the 1960s.

earth.jpg

Primitive And Deadly (2014) by Earth. Art by Samantha Muljat.

The psychedelic art of the 60s isn’t exactly overlooked so I paid more attention to tracing the influence of the psychedelic style, and also mentioning painters such as Ernst Fuchs, Alex Grey, Martina Hoffmann and Mati Klarwein. Among the more recent artists, I was pleased that Samantha Muljat‘s album cover for Earth was featured. I’ve been listening to this album a great deal over the past few months, and loved that cover as soon as I saw it. One of the other contemporary names, Brazilian artist Duda Lanna, works in a very different style: bold, vivid, and often abstract. There seems to be a lot of this kind of work around at the moment, so much so that I kept spotting new examples after the article had been delivered. It’s difficult to say whether this is a developing trend or simply a case of there being more of everything around these days. I’ll play safe and suggest it’s probably a bit of both although, as I say at the end of the article, if the movement to legalise drugs gains momentum we can expect to see a lot more psychedelic art.

lanna.jpg

Garden of Psychedelic Delights by Duda Lanna.

Weekend links 225

mori.jpg

Still from The Shaman-Girl’s Prayer (1997), a video piece by Mariko Mori. This page has pictures of Mori’s futuristic/cosmic performances, films & environments.

Time Out of Mind (1979) was a BBC TV series about science fiction writers, five short films concentrating on Arthur C. Clarke, John Brunner, Michael Moorcock, Anne McCaffrey and an sf convention. I was only interested in the Moorcock film at the time, not least because it featured a short clip of Hawkwind playing Silver Machine, and inserted scenes from the film of The Final Programme (1973) between the interviews. The Moorcock episode is less about his books than about New Worlds magazine and the so-called New Wave of sf in general, so you also see rare footage of M. John Harrison in a Barney Bubbles “Blockhead” T-shirt talking then ascending a limestone cliff, and bits of interviews with Brian Aldiss and Thomas Disch. Ballard isn’t interviewed but is present via a scene from the Harley Cokeliss film Crash! (1971) in which Gabrielle Drake slides in and out of a car while someone reads Elements of an Orgasm from The Atrocity Exhibition.

• “…there happened to be a book on Ritual Magick that talked about John Dee and summonings and Dr. Faust and all that kind of stuff. So then obviously at that age, too, I read HP Lovecraft and then Michael Moorcock and what they call fantasy literature. Through HP Lovecraft I discovered Arthur Machen, and I think that sort of percolated down inside…” Dylan Carlson of Earth talking to Steel for Brains. The Wire has the vinyl-only track from the new Earth album, Primitive And Deadly, and a track from Carlson’s solo album, Gold. Related: Artwork by Samantha Muljat, designer/photographer for the new Earth album.

Phantasmaphile has details of the next two issues of deluxe occult magazine Abraxas. Issue 6 includes a major feature on Leonora Carrington while Luminous Screen is a special issue devoted to occult cinema.

• More Broadcast: Video of a performance at Teatro Comunale di Carpi, March 2010 (part 2 here), and “constellators and artifacts” at A Year In The Country.

• “Petition demands return of ‘Penis Satan’ statue to Vancouver.” There’s an uncensored photo of the contentious statue here.

• Literary Alchemy and Graphic Design: Adrian Shaughnessy on James Joyce’s writings among graphic designers.

• Frank Pizzoli talks to John Rechy about “the gay sensibility”, melding truth and fiction, and his literary legacy.

• Mixes of the week: Secret Thirteen Mix 127 by Roberto Crippa, and FACT Mix 459 by Craig Leon.

Alan Moore has finished the first draft of his million-word novel, Jerusalem.

• Crazy pavings: Alex Bellos on Craig Kaplan’s parquet deformations.

Noise Not Music: “Live recordings, obscure cassettes and more…”

Pylon of the Month

Zoot Kook (1980) by Sandii | Rose Garden (1981) by Akiko Yano | Telstar (1997) by Takako Minekawa