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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘Salomé’ tag

 

After Beardsley by Ryan Cho

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One of the posts last week concerned a swipe from Harry Clarke by an unknown illustrator. This Beardsley pastiche came to my attention shortly after the Clarke discovery, not a swipe but a deliberate exercise by American illustrator Ryan Cho in adopting the Beardsley style. It took some effort to trace the origin of Cho’s […]

Posted in {art}, {beardsley}, {black and white}, {illustrators} | No comments »

 


A few more Salomés

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Jean Benner (1899). I’ve not done a Salomé post for a while so here’s another handful of different interpretations. The most interesting ones are the two most recent: a drawing by Barry Windsor Smith I’d not seen before (undated but it looks like his work from the 1980s), and a great piece by Paula Andrade […]

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René Gockinga revisited

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Presenting another guest post by Sander Bink concerning drawings by Dutch artists from the early decades of the 20th century, several of which show a distinct Beardsley influence. There’s also more than a little Harry Clarke in some of the details, especially the large Salomé picture below. Sander examines the provenance. * * * In […]

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Odilon Redon’s Temptations

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Saint-Antoine: Au secours, mon Dieu! (Saint Anthony: Help me, O my God!) St. Anthony and his temptations provide another connection between the Surrealists and the Symbolists via Gustave Flaubert and his phantasmagoric drama. Flaubert’s The Temptation of St Anthony (1874) doesn’t quite stand in relation to the art of the time as does Oscar Wilde’s […]

Posted in {art}, {black and white}, {books}, {fantasy}, {religion}, {symbolists} | 2 comments »

 


Aubrey Beardsley’s Keynotes

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Promotional poster. Keynotes was a series of 34 novels and short story collections published by John Lane from 1893. Aubrey Beardsley produced cover designs and embellishments for 22 of the titles in 1895 while he was working on The Yellow Book which John Lane was also publishing. Beardsley’s designs comprised a title frame with illustration […]

Posted in {art}, {beardsley}, {black and white}, {books}, {design}, {horror} | 2 comments »

 


Lucian’s True History

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Lucian is Lucian of Samosata whose True History (also known as A True Story) is often regarded as one of the earliest works of science fiction. The book is a satirical work, but unlike many earthbound satires this one concerns a journey into outer space, encounters with the inhabitants of various planets, and descriptions of […]

Posted in {art}, {beardsley}, {black and white}, {books}, {illustrators}, {science fiction} | 4 comments »

 


Weekend links 253

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A painting by Stephen Mackey. • “Creativity is visual, not informed thought. Creativity is not polite. It barges in uninvited, unannounced—confusing, chaotic, demanding, deaf to reason or to common sense—and leaves the intellect to clear up the mess. Above all else, creativity is risk; heedful risk, but risk entire. Without risk we have the ability […]

Posted in {architecture}, {art}, {books}, {design}, {electronica}, {fantasy}, {film}, {gay}, {music}, {painting}, {photography}, {psychedelia}, {science fiction}, {surrealism}, {television} | 2 comments »

 


Crystal balls

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The Crystal Ball (c. 1900) by Robert Anning Bell. Crystal balls in art, film and the pulp magazines. The Crystal Ball (1902) by John William Waterhouse. Alexander, Crystal Seer (1910).

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New Life for the Decadents by Philippe Jullian

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This essay by cult writer Philippe Jullian appeared in an edition of the Observer colour supplement in 1971, shortly after Jullian’s chef d’oeuvre, Dreamers of Decadence, had been published in Britain. Esthètes et Magiciens (1969), as Jullian’s study was titled in France, was instrumental in raising the profile of the many Symbolist artists whose work […]

Posted in {art}, {books}, {gay}, {magazines}, {painting}, {symbolists} | 9 comments »

 


Moorcock: Faith, Hope and Anxiety

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Photo of the author by Linda Moorcock. I mentioned a few days ago that I had another new piece of work to reveal, and this is it, a poster/promotional piece for Russell Wall’s forthcoming documentary about Michael Moorcock. The main challenge with one was to create something that would give a sense of Moorcock’s extensive […]

Posted in {art}, {books}, {design}, {fantasy}, {film}, {magazines}, {science fiction}, {work} | 3 comments »

 


The art of John Jack Vrieslander, 1879–1957

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The Darkness (1900). Another discovery to add to the long list of post-Beardsley illustrators, John Jack Vrieslander was a German artist whose not-very-German name was a pseudonym of Hans Zarth. It took some searching to establish that a) it is Zarth, not “Zahrt” as one site has it, and b) the two were indeed one […]

Posted in {art}, {black and white}, {books}, {illustrators} | 5 comments »

 


Wildeana 13

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Oscar Wilde, no. 26 (1882). One of a series of photo portraits taken by Napoleon Sarony when Wilde was in New York. Every day is an anniversary for something. Among other things, October 16th 2014 is the 160th anniversary of the day that Oscar Wilde was brought to Earth in a spaceship—see Velvet Goldmine for […]

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Saragossa Manuscript posters

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Polish poster (1965) by Jerzy Skarzynski who was also the film’s production designer. I love The Saragossa Manuscript, both the novel by Potocki and the movie by Has. I saw the film three times which, in my case, is absolutely exceptional. Luis Buñuel in My Last Sigh (1983) No surprise that a lifelong Surrealist was […]

Posted in {art}, {books}, {design}, {film}, {surrealism}, {theatre} | 4 comments »

 


Salomé and Wilde Salomé

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Three years on and Al Pacino’s recent pet projects—Salomé and Wilde Salomé—have yet to be given a general release. Salomé is the one I’m most eager to see, a filmed performance of the Oscar Wilde play with Jessica Chastain in the title role. There is at least a trailer now, which gives an intriguing taste […]

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Flowers: A Pantomime for Jean Genet

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Flowers (1986) by the Lindsay Kemp Company. Photos by Maya Cusell. Weidmann appeared before you in a five o’clock edition, his head swathed in white bands, a nun and yet a wounded pilot fallen into the rye one September day like the day when the world came to know the name of Our Lady of […]

Posted in {books}, {film}, {gay}, {theatre} | 3 comments »

 


Gockinga’s Bacchanal and an unknown portrait of Fritz Klein

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Bacchanal by René Gockinga. A guest post today by Sander Bink who generously translated his latest piece of research into the Dutch artists of the early 20th century who took the Beardsley style as a foundation for their own black-and-white delineations. As with this earlier post on the subject, many of these drawings are very […]

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Antony Little’s echoes of Aubrey

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The Dancer (1967) by Antony Little. My thanks to Sweet Jane this time for alerting me to her post about a series of Beardsley-inspired illustrations from 1967 by Biba designer Antony Little. The Wandering Jew and Other Stories was the first translation in English of Apollinaire’s 1910 collection L’Hérèsiarque et Cie. I’ve known about this […]

Posted in {art nouveau}, {art}, {beardsley}, {black and white}, {books}, {design}, {fashion}, {illustrators} | Comments Off

 


Aubrey in LIFE

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Turned out for a big night at the opera like Beardsley’s Wagnerites, girls wear bare-backed blacks by Trigère. Coiffed heads are by Hugh Harrison and Halston of Bergdorf Goodman’s; Halston also made the pouf-skirted dress. (Photo session by Milton Green & Joe Eula.) Being determined to catalogue every last piece of Beardsley trivia from the […]

Posted in {art}, {beardsley}, {black and white}, {fashion}, {illustrators}, {magazines} | 3 comments »

 


Spanish Salomés

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Uncredited painting based on Modern Salomé (1927), a poem by Emilio Carrere. Yet more on this indefatigable theme, the examples this time being by Spanish artists and illustrators. All the pieces are from this page, and the artists involved aren’t well-known at all so checking details isn’t easy. Take the references with a pinch of […]

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Salomé: the font

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This isn’t the first font that’s been named after Salomé but Salome (without accent) by Rebecca Alaccari and Patrick Griffin was a revival of an earlier design, Cantini, from 1972, whereas Salomé is an original creation by Spanish design studio Atipo. The Atipo design itself owes something to the 1970s being reminiscent of François Boltana’s Stilla […]

Posted in {theatre}, {typography} | 1 comment »

 


 



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