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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘Salomé’ tag

 

Flowers: A Pantomime for Jean Genet

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Flowers (1986) by the Lindsay Kemp Company. Photos by Maya Cusell. Weidmann appeared before you in a five o’clock edition, his head swathed in white bands, a nun and yet a wounded pilot fallen into the rye one September day like the day when the world came to know the name of Our Lady of […]

Posted in {books}, {film}, {gay}, {theatre} | 3 comments »

 


Gockinga’s Bacchanal and an unknown portrait of Fritz Klein

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Bacchanal by René Gockinga. A guest post today by Sander Bink who generously translated his latest piece of research into the Dutch artists of the early 20th century who took the Beardsley style as a foundation for their own black-and-white delineations. As with this earlier post on the subject, many of these drawings are very […]

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Antony Little’s echoes of Aubrey

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The Dancer (1967) by Antony Little. My thanks to Sweet Jane this time for alerting me to her post about a series of Beardsley-inspired illustrations from 1967 by Biba designer Antony Little. The Wandering Jew and Other Stories was the first translation in English of Apollinaire’s 1910 collection L’Hérèsiarque et Cie. I’ve known about this […]

Posted in {art nouveau}, {art}, {beardsley}, {black and white}, {books}, {design}, {fashion}, {illustrators} | Comments Off

 


Aubrey in LIFE

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Turned out for a big night at the opera like Beardsley’s Wagnerites, girls wear bare-backed blacks by Trigère. Coiffed heads are by Hugh Harrison and Halston of Bergdorf Goodman’s; Halston also made the pouf-skirted dress. (Photo session by Milton Green & Joe Eula.) Being determined to catalogue every last piece of Beardsley trivia from the […]

Posted in {art}, {beardsley}, {black and white}, {fashion}, {illustrators}, {magazines} | 3 comments »

 


Spanish Salomés

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Uncredited painting based on Modern Salomé (1927), a poem by Emilio Carrere. Yet more on this indefatigable theme, the examples this time being by Spanish artists and illustrators. All the pieces are from this page, and the artists involved aren’t well-known at all so checking details isn’t easy. Take the references with a pinch of […]

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Salomé: the font

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This isn’t the first font that’s been named after Salomé but Salome (without accent) by Rebecca Alaccari and Patrick Griffin was a revival of an earlier design, Cantini, from 1972, whereas Salomé is an original creation by Spanish design studio Atipo. The Atipo design itself owes something to the 1970s being reminiscent of François Boltana’s Stilla […]

Posted in {theatre}, {typography} | 1 comment »

 


Schalcken’s paintings

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Self Portrait by Candlelight (1695). One additional pleasure of Le Fanu’s story and Leslie Megahey’s film is the way they draw attention to the work of an artist who might otherwise have remained overshadowed by his more famous contemporaries. Ever since seeing the meticulous chiaroscuro of Joseph Wright’s An Experiment on a Bird in an […]

Posted in {art}, {film}, {horror}, {painting}, {television} | 4 comments »

 


Two films by Clive Barker: The Forbidden and Salome

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The Forbidden. Clive Barker announced late last month that arrangements were being made for a remake of Hellraiser. This isn’t the first time such an announcement has been made so we’ll have to wait and see what comes of that. I think I’m in a minority of people who’ve always been well-disposed to Barker and […]

Posted in {film}, {horror}, {occult} | 6 comments »

 


The poster art of Akiko Stehrenberger

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W.E. (2011). Being someone who enjoys adopting and pastiching different art and design styles for different projects I naturally like to see other people doing the same. American illustrator and designer Akiko Stehrenberger is very adept at using this approach for her film posters. Without knowing the identity of the person responsible you wouldn’t guess […]

Posted in {art}, {design}, {film}, {illustrators} | 1 comment »

 


Beardsley reviewed

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More Aubrey Beardsley ephemera. These pages are from the bound edition of The Studio for 1894, reviews of two of Beardsley’s earliest publications: the first editions of Le Morte d’Arthur (which was published in multiple volumes), and the illustrated edition of Oscar Wilde’s Salomé which sealed Beardsley’s reputation as a major force in the art of […]

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More Salomés

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Salome (1918) souvenir book. A few of the Salomés recently added to the Google Art Project. The painting by Andrea Ansaldo shows a head that looks distinctly unwell, something that’s not so common in the world of glow-in-the-dark saints. Ansaldo’s Salomé, meanwhile, is so young and diminutive that she hardly seems capable of holding the […]

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Aubrey Beardsley in The Studio

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Aubrey Beardsley in the year 1893 was 21, and on the threshold of being catapulted to fame (and notoriety) via his illustrations for Oscar Wilde’s Salomé. Some of Beardsley’s drawings in the distinctive style he called “Japanesque” had already appeared in The Pall Mall Magazine, and he was hard at work on some 600 illustrations […]

Posted in {art}, {beardsley}, {black and white}, {books}, {gay}, {illustrators}, {magazines}, {photography} | 1 comment »

 


More Art Nouveau

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The Poetry of József Kiss (1897), design by Nándor Gottermayer. There’s always more Art Nouveau. Searching for term at the Google Art Project turns up a surprising number of paintings, drawings and other objects which are nothing of the sort, as well as many things which are, of course. These are a selection of the […]

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Salomé cigarettes

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Many food and drink brands are still marketed today as exotic pleasures; some long-running products—Fry’s Turkish Delight, for example—even continue to sell themselves via an Orientalist mystique that now seems quite outmoded. This will never happen again with cigarettes, of course, although I wouldn’t be surprised to see it tried with cannabis if it’s ever […]

Posted in {dance}, {design}, {drugs} | Comments Off

 


Weekend links 174

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Dress (2012) by Nao Ikuma. • Two of my Cthulhu artworks can currently be seen in the Ars Necronomica exhibition at the Cohen Gallery, Brown University, Providence, RI. The exhibition is part of NecronomiCon, and runs to September 13th. In related news, my steampunk illustration has been nominated in the Visual category of this year’s […]

Posted in {art}, {books}, {borges}, {collage}, {design}, {electronica}, {film}, {gay}, {lovecraft}, {music}, {politics}, {theatre}, {typography}, {work} | Comments Off

 


Ads for The Yellow Book

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More Beardsley ephemera, and more from the recently upgraded NYPL Digital Collections. These US ads for The Yellow Book date from late 1894 to early 1895, a couple of months before Oscar Wilde was arrested and Aubrey Beardsley had to leave the magazine despite having no connection with Wilde’s activities. What’s most interesting for me […]

Posted in {art}, {beardsley}, {magazines} | 2 comments »

 


Lindsay Kemp’s Salomé again

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The NYPL digital library has recently upgraded its website (thanks to BibliOdyssey for the news), adding some features that make searching (and random browsing) an easier business. At first glance the contents seem pretty much the same but I definitely hadn’t seen this set of photos by Kenn Duncan before. The all-male production of Oscar […]

Posted in {gay}, {photography}, {theatre} | 4 comments »

 


The poster art of Frank McCarthy

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The Venetian Affair (1967). “Murder! Spies! Women!” If you added “guns” and “explosions” to that list you’d have the ingredients of the wild poster art of Frank McCarthy (1924–2002). I used to love posters like this when I was a boy, especially those from the everything-happening-at-once school which, by the look of these examples, was […]

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Tamara Karsavina’s Salomé

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Salomé: portrait of Tamara Karsavina (1914) by George Barbier. A slight return to the Russian ballet, and another Barbier portrait. Tamara Karsavina danced lead roles for the Ballets Russes, most notably with Nijinsky in the original performances of The Firebird. The pictures here are from La Tragedie de Salome, a ballet with music by Florent […]

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The art of Ted Coconis

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This poster for Massimo Dallamano’s 1970 updating of The Picture of Dorian Gray was featured here several years ago, and it’s taken me all this time to finally discover the name of the artist responsible, Ted Coconis. Better late than never. It could be argued that the illustrations below for Nabokov and Goldman tend more […]

Posted in {art}, {books}, {film}, {illustrators} | 6 comments »

 


 




 

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