Kenneth Anger’s Hollywood Babylon

anger1.jpg

Nigel Finch was a key member of the team of producers and directors working on the BBC’s Arena arts documentaries throughout their golden run during the 1980s and 1990s. The films he directed himself—among them studies of Robert Mapplethorpe’s photography, and a history of the Chelsea Hotel in New York—gave him an opportunity to push some gay content into the TV schedules at a time when Britain’s gay population were seen as enough of a public threat to be legislated against. Some of that proselytising impulse can be found in Kenneth Anger’s Hollywood Babylon (1991), an hour-long documentary which alternates the life and work of the filmmaker with readings and enactments of the lurid episodes recounted in Anger’s scandal anthologies, Hollywood Babylon and Hollywood Babylon II. Finch at one point asks whether Fireworks, the first film in Anger’s Magick Lantern Cycle, should be regarded as a pioneering piece of gay cinema; Anger’s says he’s happy if people take it that way but says little else about its evident homoerotic atmosphere. He remains as resistant to identity politics as he’s always been. (See the unauthorised biography by Bill Landis for details.)

anger2.jpg

Between the readings and interview sections Finch shows Anger being chauffeured around Beverly Hills in a hearse which stops occasionally at some locus of bygone scandal. Most of the Anger anecdotes are familiar ones from subsequent interviews but there is a bonus for Angerphiles with the appearance at the end of Marianne Faithfull who talks a little about their relationship before singing Boulevard Of Broken Dreams. The picture quality of this YouTube copy could be better but it’s watchable enough.

Update: That YouTube link went private so I’ve updated the links to a better copy at the Internet Archive.

Previously on { feuilleton }
Lucifer Rising posters
Externsteine panoramas
Missoni by Kenneth Anger
Anger in London
Arabesque for Kenneth Anger by Marie Menken
Edmund Teske
Kenneth Anger on DVD again
Mouse Heaven by Kenneth Anger
The Man We Want to Hang by Kenneth Anger
Relighting the Magick Lantern
Kenneth Anger on DVD…finally

Weekend links 41

2001.jpg

Being an inveterate Kubrickphile I was naturally pleased to hear that some of the excised scenes from 2001: A Space Odyssey have survived in a watchable form, even though I’m often ambivalent about the restoration of such material. While it was good to see at last the missing French compound sequence of Apocalypse Now, for example, that sequence added nothing to the film as a whole and its inclusion was spoiled by music which Coppola used for sentimental reasons. In Kubrick’s case, there’s a longer version of The Shining which the director allowed to be screened on UK TV in the 1980s but, again, most of the unseen material was incidental and added nothing to the film.

• Related: Roger Ebert’s review of 2001 from 1968; Olivier Mourgue, designer of the Djinn chairs seen in the film’s space Hilton scenes; Magnificent obsession, a Vanity Fair piece from 2002 about the search for the missing scenes from The Magnificent Ambersons. Meanwhile, the trailer for Terrence Malick’s new film, The Tree of Life, features some surprising cosmic moments among its scenes of family life.

The separate history [of gay and lesbian artists] has been kind of edited out of art history but in fact art history is very much interwoven with gay or queer history. In a way the two can’t be separated. America doesn’t like anything uncomfortable. I find in my dealings with museums that if I ask a question and the answer is ‘no,’ they don’t answer. If the answer is ‘yes,’ I get these amazingly enthusiastic responses. I find it sort of strange sometimes, not being American myself. In a way what they’re doing is editing out the uncomfortable. David Wojnarowicz’s work can make you uncomfortable — and they’ve edited out that possibility in the show.

Canadian artist AA Bronson (see below).

• More on the Smithsonian versus David Wojnarowicz affair: Frank Rich examined the train of events in a comment piece, Gay Bashing at the Smithsonian, for the NYT; the Andy Warhol Foundation threatened to withdraw their funding for future Smithsonian events unless the work is reinstated, the Robert Mapplethorpe Foundation will be doing the same; another artist featured in the National Portrait Gallery exhibition, AA Bronson, requested that the gallery withdraw his work from the show in protest; the NPG refused, citing a contractual arrangement; among the increasing number of galleries showing support for Wojnarowicz, Tate Modern, London, will host an event in January which will feature a screening of the contentious video; lastly, there’s a protest event in New York City today (Sunday, December 19th) at 1.00pm, details here.

• More censorship in America: Jeffrey Deitch Censors Blu’s Political Street Art Mural. In the book world, writer Selena Kitt finds her erotic incest stories removed from Amazon’s Kindle store. Other authors, Jess C Scott and Esmerelda Green, have had their erotic titles removed from the store. Selena Kitt says:

When some of my readers began checking their Kindle archives for books of mine they’d purchased on Amazon, they found them missing from their archives. When one reader called to get a refund for the book she no longer had access to, she was chastised by the Amazon customer service representative about the “severity” of the book she’d chosen to purchase.

Can you imagine buying a paper book and the bookstore then paying you a visit to forcibly reclaim it? To date no adequate explanation from Amazon has been forthcoming but they’ll be happy to sell you a Kindle edition of the Marquis de Sade’s The 120 Days of Sodom.

m51.jpg

Galaxy M51 aka The Whirlpool. One of the Top Astronomy Pictures of the Year from a selection by Bad Astronomy. Photo by the Hubble Heritage Team & Robert Gendler.

• More cosmic events: there’ll be a total lunar eclipse this coming Monday, visible in much of the Northern Hemisphere.

• “Heterosexuality is the opiate of the masses!” The Raspberry Reich (2004), a film by Bruce LaBruce.

New editions of Borges poetry. Fine so long as you accept that the translations can never truly satisfy.

• Just the thing for the winter weather, illustrations for Pushkin’s Queen of Spades from 1966.

• Another Ghost Box download: Radio Belbury Programme 1: “Holidays & Hintermass”.

Monsters, Inc: Arcimboldo and the Wunderkammer of Rudolf II.

• Silent Porn Star found some burlesque lamps.

Giant airship powered by algae.

Space Oddity (1969) by David Bowie.

Weekend links: the queer edition

queer.jpg

A T-shirt design by artist Daryl Vocat.

Tove Jansson: Out of the Closet. The unorthodox life and work of the woman who gave us the Moomins.

Submissions are now open for PANK’s October special online issue featuring Queer prose, poetry & art.

• More new magazines: Zeus and Made in Brazil Magazine, the latter being a spin-off from the justly-praised weblog of Brazilian hotness.

• An old magazine, called, er…Magazine: “Everything about Magazine was new, from the stark photoless cover design with its bold typeface to the way the men were photographed. The pictures weren’t overtly sexual, but proudly confronted the viewer in a different way: “To us, showing a face was the most important thing because back in 1980, gay people still had to hide their faces,” Lestrade says.” A few pictures from Magazine.

Revealed: The Tradition of Male Homoerotic Art, an exhibition at the Leslie-Lohman Gallery, NYC, from May 12th.

• The programme for the International Dublin Gay Theatre Festival which is running to May 16th.

scissors.jpg

Scissor Sisters have a new album, Night Work, out next month. The cover picture is a photo of dancer Peter Reed by Robert Mapplethorpe. Antony and the Johnsons have announced a new album (and accompanying book) for October.

• Headline of the week: “Christian right leader George Rekers takes vacation with ‘rent boy’ ”. Rekers took issue with the story; his Rentboy.com escort took issue with Rekers’ issue-taking. Then things became unpleasant. And now another escort has come forward.

Henry & Glenn Forever, “a love story to end all love stories”. “Who knew Rollins was such a caring spouse? Who knew Hall and Oates were so infernally evil—yet so considerate?”

• This week’s Tumblr silliness: Lesbians Who Look Like Justin Bieber.

• I’m not on Facebook, nor will I ever be. If you are, however, here’s ten reasons why you should quit. The EFF has six things you need to know about Facebook Connections. Wired thinks that Facebook has gone rogue and an alternative is needed. What does Facebook publish about you and your friends? Finally, Gawker has ten reasons why you’ll be on Facebook forever.

The Prague Pneumatic Post.

How to serve absinthe.

Cthulhu is not cute.

• Song of the week: Gay Messiah by Rufus Wainwright.

Peter Reed and Salomé After Dark

peter_reed.jpg

Peter Reed from a 1977 photo shoot for After Dark magazine. The Flickr page this is from also has photos of the dancer by Robert Mapplethorpe (no longer…see below), while the After Dark pools have a wealth of scanned material ranging from the sexy to the iniquitous, with hair and fashion crimes aplenty.

salome_kemp.jpg

David Meyer in Salomé.

And if you make your way past the shirtless models and naked ballet boys, the 1975 pages have a nice set of pictures from Lindsay Kemp’s Salomé which I hadn’t seen before.

Update: Unfortunately Hilly Blue has had to delete all his Flickr pages but he’s now blogging here. He explains what happened in the comments below.

Elsewhere on { feuilleton }
The Salomé archive

Previously on { feuilleton }
Felix D’Eon
Dancers by John Andresen
Youssef Nabil
Images of Nijinsky
The art of Hubert Stowitts, 1892–1953

Sex at the Barbican

warhol.jpg

Still from Blowjob by Andy Warhol (1963).

Seduced: Art and Sex from Antiquity to Now opens today at the Barbican Art Gallery, London, and runs until 27 January 2008.

Seduced explores the representation of sex in art through the ages. Featuring over 300 works spanning 2000 years, it brings together Roman sculptures, Indian manuscripts, Japanese prints, Chinese watercolours, Renaissance and Baroque paintings and 19th century photography with modern and contemporary art.

Seduced presents the work of around 70 artists including Nobuyoshi Araki, Francis Bacon, Jeff Koons, Robert Mapplethorpe, Pablo Picasso, Rembrandt van Rijn and Andy Warhol among others. Stimulating the mind and the senses, provocative and compelling, Seduced provides the historical and cultural framework to explore the boundaries of acceptability in art. Seduced is curated by Marina Wallace, Martin Kemp and Joanne Bernstein.

Barbican gallery selection
Guardian gallery selection

Previously on { feuilleton }
The Male Gaze