Weekend links 665

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Entrance of the Fish Frogs (1919) by Fritz Schwimbeck. Via.

• “This bold chunk of fiction comes garlanded with the promise that it is written in Polari, the historical cant of British gay male society. This turns out to be not quite true—Polari was only ever a vocabulary, rather than a full language—but it certainly indicates where we’re heading; back to the late 1960s, when Polari had its heyday, and far out into the choppy waters of linguistic transgression. The largest part of the book is taken up with what purports to be a typescript of the ‘anarcho-surrealist’ memoirs of one Raymond Novak. The tersest summary of Novak’s literary stylings might be to say that Julian and Sandy, those Polari-dishing stars of Round the Horne, meet Bataille and Breton—and lose.” Neil Bartlett reviewing Man-Eating Typewriter by Richard Milward. • Related: You’ve got male: British beefcake photos from the 1940s to the 1970s.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Can Such Things Be? (1893) by Ambrose Bierce, a collection of weird fiction that includes the story that gave the world the name “Carcosa”. Also The Hashish Eater (1857), Fitz Hugh Ludlow’s account of his drug experiences.

• “…despite the book’s title, there is very little explicitly sexual here.” Hunter Dukes on Cultus Arborum: A Descriptive Account of Phallic Tree Worship (1890), a privately-printed volume believed to be the work of Hargrave Jennings.

• New music: Tenere Den by Tinariwen, Offworld Radiation Therapy by Memnon Sa, and Die Untergründigen by Alva Noto.

• At Spoon & Tamago: Japanese buildings that are shaped like the things they sell.

• At Unquiet Things: The papercut art of Ivonne Garcia.

• Mix of the week: DreamScenes – March 2023.

Hashish (1968) by West Coast Natural Gas | The Hashishins (1970) by Ry Cooder & Buffy Sainte-Marie | Hassan I Sahba (1977) by Hawkwind

Weekend links 473

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“Spectra of various light sources, solar, stellar, metallic, gaseous, electric”, print by René Henri Digeon; plate IV in Les phénomènes de la physique (1868).

• More polari: Thom Cuell this time with another review of Fabulosa!: The Story of Polari by Paul Baker. Good as it is to see these articles, one thing they all share is paying tribute to the polari-enriched radio series Round the Horne without crediting its writers, Barry Took and Marty Feldman.

• “…with its conspiracy theories, babbling demagogues and demonised minorities, Bahr’s investigation is sadly all too relevant today.” Antisemitism (1894) by Hermann Bahr, is the latest new translation from Rixdorf Editions.

Isao Tomita in 1978 showing a presenter from NHK around his tiny studio. Japanese-only but the discussion reveals that the words “synthesizer”, “tape recorder” and “mixer” sound the same as they do in English.

Ben Frost talks to Patrick Clarke about his music for German TV series, Dark.

• PYUR composes a guide through limbo with Oratorio For The Underworld.

• Steven Heller on Don Wall’s book design for a Paolo Soleri retrospective.

• Coming soon from Fulgur Press: Ira Cohen: Into the Mylar Chamber.

Will Harris compiles an oral history of Q: The Winged Serpent.

• Mix of the week: a mix for The Wire by Overlook.

• At Dennis Cooper’s: Magic Shop Internationale.

Shadow In Twilight by Pram.

The Feathered Serpent Of The Aztecs (1960) by Les Baxter | The Serpent (In Quicksilver) (1981) by Harold Budd | Black Jewelled Serpent Of Sound (1986) by Dukes Of Stratosphear

Weekend links 470

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A rail station in ruins by Tokyo Genso. From a series of views of Tokyo showing a ruined and abandoned city.

• Old music technology of the week: The EKO ComputeRhythm, a programmable drum machine from 1972 used by Chris Franke (who didn’t like the sounds so he used it to trigger other instruments), Manuel Göttsching (the rhythms on New Age Of Earth), and Jean-Michel Jarre (on Equinoxe); and Yuri Suzuki‘s digital reconstruction of Raymond Scott’s Electronium.

• At Dennis Cooper’s: Spotlight on…Ishmael Reed Mumbo Jumbo (1972), and DC’s favourite fiction, poetry, non-fiction, film, art, and internet of the year so far. Thanks again for the link here!

• “Pauline told her to shove her shyckle up her khyber.” Philip Hensher on the origins and revival of Polari, the secret gay argot. Related: a Polari word list, plus other links.

In Star, Mishima fuses his major theme of the mask, the public role all humans are destined to play out, with the theme of suicide, an act which Mishima considered a work of art. All of his work is punctuated by suicide, and it is peopled with masks, with people knowing they are nothing but masks, who are aware that the center doesn’t hold because there is no center, that character is a flowing fixture, a paradoxical constancy and a definite variable, always.

Jan Wilm on Star, a novella by Yukio Mishima receiving its first publication in English

• “How have these places managed to transform from monuments to atrocity and resistance into concrete clickbait?” Owen Hatherley on the popularity of spomeniks.

• The late George Craig on translating the scrawl of Samuel Beckett’s letters (written in French) into coherent English.

• Outsider Literature, Part 1: a Wormwoodiana guide by RB Russell.

• Mix of the week: Secret Thirteen Mix 291 by Arturas Bumsteinas.

Symbiose, a split album by Prana Crafter and Tarotplane.

Robby Müller’s Polaroids

Apollo 11 in Real-time

Tokyo Shyness Boy (1976) by Haruomi Hosono | Tokyo (1979) by Jean-Claude Eloy | Tokyosaka Train (2002) by Funki Porcini