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Mighty Baby (1969). Illustration by Martin Sharp.

Yet another album cover prompts this post, part of an occasional series. Mighty Baby were a British rock band who formed out of psychedelic group The Action in the late Sixties, and their music is fairly typical of the period, being “heavy” without any of the psych trappings which—for [...]

Las Meninas (1656) by Diego Velázquez.
The sight of one of Picasso’s many versions of Las Meninas (The Maids of Honour) by Velázquez earlier this week prompts this post. An endlessly fascinating painting whose influence runs through three hundred years of art history. That influence isn’t so surprising if you consider this as a painter’s painting; [...]

A juxtaposition of old and new theatre posters in the New York Times caught my eye this week, part of a feature about the current Broadway run of Peter Shaffer’s play. The news there, of course, has been Daniel Radcliffe’s on-stage nudity; understandable, perhaps, but celebrity trivia has overshadowed appraisal of Shaffer’s work as a [...]

Pages from Der Amethyst (1906).
Okay, don’t get too excited, I simply wanted to make a couple of points of order while this story is still causing a stir. I noted earlier the recent (London) Times piece about James Hawes’ new book, Excavating Kafka, described as a work which:
seeks to explode important myths surrounding the [...]

Ubuweb continues to come up with the very obscure goods. Mary Ellen Bute’s Passages from James Joyce’s Finnegans Wake is the kind of thing you would have been lucky to see on television even in the days when non-Hollywood fare was screened regularly. Joyce is almost the definitive example of the unfilmable author although that [...]

James Joyce by Wyndham Lewis (1921).
Wyndham Lewis: Portraits is an exhibition running at the National Portrait Gallery, London, until October 19, 2008. I’m still slowly reading my way through Ulysses so here’s Lewis’s sketch of Joyce, a drawing I’ve always liked for its curving lines. The exhibition notes mention Joyce as one of the [...]

Jessica Helfand at Design Observer draws attention to Mr Picassohead, a site which allows you to create your own Picasso-style portraits. The interface doesn’t have as much choice of elements as the Simpsonizer did but messing around with it this afternoon yielded a passable rendering of David Britton’s Lord Horror.
This idling reminded me that I’ve [...]

The Fencing Team by Bruce Sargeant.
Artists in the 20th century used to be multifarious in their activities, often taking their work through different stages or periods of evolution; Picasso and Max Ernst are two good examples of this. In today’s inflated art market this is no longer a wise move. As Brian Eno has [...]

A Pictorial Sequence by RH Ives Gammell Based on
The Hound of Heaven (1956):
left: Panel II—I Fled Him, Down The Nights and Down The Days.
right: Panel XI—Would Clash It To.
I mentioned Francis Thompson’s poem The Hound of Heaven in the Stella Langdale post a couple of days ago. There don’t appear to be any examples of [...]

Still from Blowjob by Andy Warhol (1963).
Seduced: Art and Sex from Antiquity to Now opens today at the Barbican Art Gallery, London, and runs until 27 January 2008.
Seduced explores the representation of sex in art through the ages. Featuring over 300 works spanning 2000 years, it brings together Roman sculptures, Indian manuscripts, Japanese prints, [...]

Detail from La Havane by René Portocarrero; photo by C. Marker.
This week’s book finds are a pair of titles I hadn’t come across before in these particular editions, another haul from the vast continent that is the Penguin Books back catalogue. Labyrinths I’ve had for years in a later edition (see below) but the [...]

I posted an old James Joyce portrait sketch for Bloomsday a couple of days ago and today decided to rework it as a vector graphic. This is the result. I was producing a lot of sketches like this while working on Reverbstorm a decade ago, most of them post-Picasso/Bauhaus/De Stijl variations. Joyce is particularly easy [...]

Lord Horror: Reverbstorm #3 (1992).
Following from the post about an art forgery exhibition (and Eddie Campbell discussing his American Gothic cover for Bacchus), I thought I’d post some of my own forgeries, or pastiches as we call them when no deception is intended.
Reverbstorm was the Lord Horror comic series I was creating with David Britton [...]

Harlequin Disturbs Sleeping Fish by John Myatt
in the style of Joan Miró (no date).
Fakes and Forgeries: The Art of Deception is an exhibition at the Bruce Museum, Connecticut, running from May 12th–September 9th 2007.
For its major spring/summer exhibition, the Bruce Museum explores a subject that is exceptionally topical in today’s art world. Fakes and [...]

Guernica by Pablo Picasso (1937).
• The legacy of Guernica (the event)
• Echoes of Guernica (the painting)

Cadeau Audace by Man Ray (1921).

L’amour fou
Fur teacups, wheelbarrow chairs, lip-shaped sofas … the fashion, furniture and jewellery created by the Surrealists were useless, unique, decadent and, above all, very sexy.
Robert Hughes
The Guardian, Saturday March 24th, 2007
THE VICTORIA AND Albert’s big show for this year, Surreal Things: Surrealism and Design, is—well, maybe we don’t much [...]

Image-heavy post! Please be patient.
Four designs for three bands, all by the same designer, the versatile and brilliant Barney Bubbles. A recent reference over at Ace Jet 170 to the sleeve for In Search of Space by Hawkwind made me realise that Barney Bubbles receives little posthumous attention outside the histories of his former employers. [...]

The Guardian profiles the wonderful Leonora Carrington, one of the last of the original Surrealists. There’s little excuse for the Tate’s neglect as recounted below, Marina Warner has championed her work for years and she was the subject of a TV documentary in the BBC’s Omnibus strand in the 1990s. Maybe the Tate curators should [...]

New Year by Picasso (1953).
Happy new year.
02007? Read this.

A 35-minute color film by Cocteau entitled La Villa Santo Sospir. Shot in 1952, this is an “amateur film” done in 16mm, a sort of home movie in which Cocteau takes the viewer on a tour of a friend’s villa on the French coast (a major location used in Testament of Orpheus). The house itself [...]