Weekend links 512

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Cover art by Tim White for Weaveworld (1987) by Clive Barker.

• Another week leading with obituaries but that’s where we are just now. Among others, we had film maker Bruce Baillie, cartoonist Mort Drucker, lesbian/gay rights activist Phyllis Lyon, film director Nobuhiko Obayashi, artist Tim White, and music producer Hal Willner. Related to the last: Hal Willner’s Vanishing, Weird New York.

Open Door is a new recording by Roly Porter from his forthcoming album, Kistvaen. I designed the CD and vinyl packaging for this one.

• From 1995: Peter Wollen on dandyism, decadence and death in Donald Cammell & Nicolas Roeg’s Performance.

• “Fear, bigotry and misinformation—this reminds me of the 1980s AIDS pandemic,” says Edmund White.

David Lynch wants you to meditate, maybe make a lamp during self-isolation.

• “Weird tale” by Secret Garden author Frances Hodgson Burnett discovered.

• Behind the iron curtain, the final frontier: Soviet space art in pictures.

• Mix of the week: Secret Thirteen Mix 301 by Asher Levitas.

• At Dennis Cooper’s: Raymond Queneau, Party Animal.

Oren Ambarchi Archive at Bandcamp.

Japan’s Tourism Poster Awards.

• Hal Willner produces: Juliet Of The Spirits (1981) by Bill Frisell | Apocalypse (1990) by William S. Burroughs | The Masque Of The Red Death (1997) by Gabriel Byrne

Weekend links 477

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Edge of Industry (2009) by Anne Starling.

• “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell on the photographic art of Dora Maar.

• A Visionary Work Renew’d: A conversational review of Swan River Press edition of William Hope Hodgson’s The House on the Borderland by the late Sam Gafford & The joey Zone.

Brian Blomerth’s graphic novel Bicycle Day tells the story of the psychedelic ride made in 1943 by Swiss chemist Albert Hofmann while he was researching LSD.

• “The cinema is not the industrial cinema. The cinema is independent cinema.” Francis Ford Coppola on Apocalypse Now and related matters.

• More lunacy: “Fireworks, wild swans and super-cannons were propelling people mentally Moonwards long before 1969,” says David Seed.

• Mix of the week: Then Beautiful Swift Sparrows Led You Over the Black Earth by The Ephemeral Man.

Working (You Are), a new recording by Stephen Mallinder, his first solo work since Pow Wow in 1982.

Lost Proust stories of homosexual love finally published (but only in French for the moment).

Oren Ambarchi‘s favourite albums.

My White Bicycle (1967) by Tomorrow | Trip On An Orange Bicycle (1968) by The Orange Bicycle | Blue Bicycle (2008) by Hauschka