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Gratifying this week to see album cover art under discussion even if the heat-to-light ratio was as unbalanced as it usually is when pop culture is the subject. Jonathan Barnbrook, who also designed the Heathen (2002) and Reality (2003) packaging for David Bowie, wrote about the thinking behind the new cover on his blog. (And [...]

Along with Elemental 7 by CTI, this was another Doublevision video release that I never got to see in its original videocassette form. Seven Songs is the first and arguably the best of the 23 Skidoo albums, released in 1982 on Fetish Records in a great sleeve by Neville Brody. Production was by “Tony, Terry [...]

Lord Horror (after Klaus Barthelmess). (No, not Pete Murphy and co.) Now that the Reverbstorm book is at the printers I have an excuse to discuss a few of the art and design appropriations that run through the narrative. I wanted to use some Bauhaus-style design back in the early 1990s when we were putting [...]

Seven Songs (1982) by 23 Skidoo. Sleeve by Neville Brody. The first volume of The Graphic Canon will be published in May by Seven Stories Press, a collection of comic strip adaptations and illustrations edited by Russ Kick. The anthology has already picked up some attention at the Guardian—Western canon to be rewritten as three-volume [...]

I mentioned yesterday Richard H. Kirk’s announcement that Cabaret Voltaire’s albums on the Virgin label are to be reissued next year by Mute Records. The news gives me a topical excuse to write something about the first album in that series, The Crackdown, which happens to be my favourite of all their releases. Cabaret Voltaire, [...]

Neville Brody creates a cover design for an issue of the V&A magazine tied to the museum’s current exhibition, Postmodernism: Style and Subversion 1970–1990. Brody’s comment amused me for the way he smartly explained the thinking behind the design whilst also distancing himself from its theme: For me, Post Modernism felt like a kind of [...]

With William Burroughs: A Report from the Bunker (1982) by Victor Bockris. Design by Neville Brody. If it’s interviews you want, some of the most entertaining are in Victor Bockris’s collection of conversations between El Hombre Invisible and the various New York notables ferried round to sit at Burroughs’ table in his Bowery Bunker. The British [...]

Amy Brenneman. In which Neville Brody’s early record sleeves lurk in the midst of a Michael Mann crime drama… I picked up some cheap DVDs last week, among them a copy of Mann’s Heat (1995) which I hadn’t seen for over ten years. I like Mann best when he’s doing his high-tech thriller thing (although [...]

Johnny YesNo video cover, 1983. Design by Neville Brody. Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a [...]

Coil, circa 1984. John Balance (left) & Peter Christopherson (right). Photo by Lawrence Watson. The depths of the night sky Reflects in his eye He says “Everything changes And everyone dies.” Coil, Blood From The Air (1986) Yes, everyone dies but you don’t always expect it this soon, six years after the sudden loss of [...]

Planet of the Apes Magazine #15 (1975), art by Bob Larkin. I never read any of Marvel Comics’ Planet of the Apes titles but the painted covers of the American editions are evidence of a distinctly lurid imagination. An excess of drugs—this was the Seventies, after all—or mere enthusiasm? You decide. Related: “The Soft Intelligence”: [...]

Peafile (2006) by Shawn Smith; plywood, ink, acrylic paint. • Surreal Friends, an exhibition of work by Leonora Carrington, Remedios Varo and Kati Horna at the Pallant House Gallery, Chichester, UK. Related: The surrealist muses who roared, Leonora Carrington and other women Surrealists profiled. • Landscapes From a Dream: How the Art of David Pelham [...]

Kieran at Sci-Fi-O-Rama was in touch recently asking me to contribute a paragraph about a favourite Roger Dean picture for this feature about the artist. The following splurge of polemic was the result, something I’d been intending on writing for a while. Since so many words would have overwhelmed the other contributions it’s being presented [...]

top row: The Division Bell by Pink Floyd; A Rush of Blood to the Head by Coldplay. bottom row: London Calling by The Clash; Tubular Bells by Mike Oldfield. The Royal Mail follows its series of British Design Classics postage stamps with a series dedicated to what they call “classic” album covers. The design classics [...]

My long and rambling post about the work of Barney Bubbles in January 2007 generated a considerable flurry of renewed interest in the great designer and ended by saying “We’re overdue a decent book-length examination of his work and his influence.” Just over a year later, here we are…. Paul Gorman was one of the [...]

Numeral by Erté. Via Fabulon. In which { feuilleton } celebrates its second birthday. As always, it’s a surprise seeing what catches the attention of readers or random browsers. The five most popular posts from the past year were as follows: • The art of ejaculation. I saw Cary Kwok’s work mentioned in a gay [...]

Contrasts in Hi-Fi by Bob Sharples. A Tribute to Alex Steinweiss The Creator of the Album Cover Robert Berman Gallery announces an exhibition of Alex Steinwiss. Original album covers, paintings, and collages by Steinweiss, and special tribute by selected artists. Co-curated by Kevin Reagan and Greg Escalante. In 1939, a 23 year-old graphic designer revolutionized [...]

Electric Funk by Jimmy McGriff (1969). Okay, so the graphical similarity between Jimmy McGriff’s album sleeve and Nick Drake‘s, which appeared a year later, is probably coincidence but I couldn’t help noting it. Electric Funk was released on the Blue Note Records label which was highly regarded for its sleeve design so it wouldn’t be [...]

Hypnotique by Martin Denny (1959). In Waikiki, where I live whenever I get the chance, a bistro known as the Daggar Bar and its accompanying Bora Bora Lounge has for some time been the mecca of people who enjoy a new type of music. I’m one of the gang that gathers there to hear the [...]

I spent much of the summer of 1983 playing games on a very primitive ZX Spectrum computer while listening to the first couple of Street Sounds Electro compilations. Those mix albums were among the best releases that year and remain highly sought after, seeing as they’ve never been reissued on CD. The musical reputation of [...]