Oct 13, 2009

I should have mentioned this a lot sooner considering the museum sent me a copy of the exhibition prospectus. Maison d’Ailleurs is the Museum of Science Fiction, Utopia and Extraordinary Journeys in Yverdon-les-Bains, Switzerland, and their current exhibition is Lines of Flight—Mervyn Peake, the Illustrated Work. Yverdon-les-Bains is too out of the way for most [...]
May 23, 2009

Pan teaching Daphnis to play the panpipes; Roman copy of a Greek original from the 3rd-2nd centuries BCE by Heliodoros.
“The worship of Pan never has died out,” said Mortimer. “Other newer gods have drawn aside his votaries from time to time, but he is the Nature-God to whom all must come back at last. He [...]
May 22, 2009

Another charity shop book-raid this week netted me a copy of Ian Fleming’s On Her Majesty’s Secret Service in its 1965 Pan Books edition, one of the Bond series with great covers designed by Richard Hawkey. The sight of the tiny Pan silhouette above reminded me that this logo was based on drawings commissioned from [...]
Jan 13, 2009

“For all the world I was led like a dancing bear” by NC Wyeth (1911).
This year’s reading began with a desire to explore some of the Robert Louis Stevenson volumes in my collection which I’ve so far neglected. At the moment I’m thinking of maybe reading everything I have by RLS, having begun with [...]
Sep 16, 2008

Lilliput issue no. 150, December 1949.
A nice selection of Ronald Searle book covers and illustrations turns up at Caustic Cover Critic. The Lilliput cover above isn’t among them, I just happened to have it lying around as a result of putting together a new edition of Maurice Richardson’s The Exploits of Engelbrecht earlier this year. [...]
Sep 8, 2008
Far from Gormenghast
| Mervyn Peake’s Collected Poems.
Aug 10, 2008

Pauline Baynes, who died earlier this week, was for a long while the only Tolkien illustrator of note. Her work was approved by Tolkien himself but faded from view as the JRRT spin-off industry began to expand in the late Seventies and other artists quickly crowded the field, many of whom lacked her subtlety and [...]
Feb 5, 2008

Seeing as Jeff VanderMeer and his publisher have made the cover for the new edition of Shriek: An Afterword public, I may as well do the same. The design is mine, the cover painting is by comic artist Ben Templesmith. The design and its integration with the book contents are more evident when you see [...]
Jan 21, 2008

This month I’ve been redesigning the Savoy Books edition of The Exploits of Engelbrecht by Maurice Richardson, in preparation for a reprint. This has involved scanning the covers of the issues of Lilliput, the magazine where Richardson’s tales of the dwarf surrealist sportsman first appeared, and one number of these, from May 1950, also [...]
Nov 26, 2007

Previous posts about illustrators.
• Der Orchideengarten illustrated
• Equus and the Executionist
• Mervyn Peake at Maison d’Ailleurs
• Charles Robinson’s Alice’s Adventures in Wonderland
• The art of Raphaël Freida
• The art of Bertha Lum, 1869–1954
• The art of George Barbier, 1882–1932
• The art of Warwick Goble, 1862–1943
• Steinlen’s cats
• Science fiction and fantasy covers
• Willy Pogàny’s Lohengrin
• [...]
Oct 5, 2007

Sunrise in a Valley (1974).
It’s difficult to say whether the work of Harold Hitchcock (born 1914) is rarely seen in his native country because of those British art critics who’ve often regarded fantastic or sacred themes with suspicion—or whether it’s merely because people find his work to be bad. Sometimes the latter accusation appears to [...]
Jul 12, 2007

Forever Changes by Love (1967).
Art by Bob Pepper, design by William S Harvey.
Following yesterday’s post about Philip K Dick covers (and Erik Davis’s appraisal of the DAW cover), I decided to check out Bob Pepper’s work a bit more and it quickly became obvious I should have joined the dots with this particular artist years [...]
Mar 21, 2007

Latest book purchase is this large format volume from 1972, one of a number of interesting art books produced by Academy Editions in the early seventies. I also have their monographs on Odilon Redon, “insane” painter Richard Dadd, and their collection of Félicien Rops‘ pornographic and “Satanist” drawings which remains one of the few Rops [...]