Weekend links 391

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Mass by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross.

• Thanks of the week: to In Wild Air for asking me to fill their list of six favourite things; to Hodderscape for including my cover for Jeannette Ng’s Under the Pendulum Sun among their choice of best book covers of the year; and to Dennis Cooper for listing this blog among his own end-of-year favourites. Ta, all!

• New/old music: The Quietus reissues, etc, of the year, new Pye Corner Audio, Soul Jazz presents Deutsche Elektronische Musik 3, and The Cleansing is a new album by Annabel (lee).

• Mixes of the week: Seeing The Forest For The Trees by Gregg Hermetech, FACT mix 631 by Zola Jesus, and Secret Thirteen Mix 240 by Restive Plaggona.

Were a normally sexed person to enter such an establishment, he might be puzzled to see so many finely dressed men sitting there with soldiers, though he would find nothing particularly offensive. The friendships between homosexuals and soldiers forged here over sausage, salad and beer frequently endure for the full term of service, and often longer. The soldier returns home, living as a married farmer far from his beloved Berlin garrison, but many a uranian still receives freshly killed quarry as a token of friendship. Sometimes these relationships are even passed on to younger brothers; I know one case where a homosexual had relations with three brothers one after the other, all of whom were with the Cuirassiers.

An extract from Berlin’s Third Sex by Magnus Hirschfeld, one of the new titles from Rixdorf Editions. Ostensibly straight soldiers supplementing their income by having sex with “uranians” was still a common thing decades later, as detailed in John Lehmann’s In The Purely Pagan Sense.

The Cremator (1968) a film by Juraz Herz, was reviewed on these pages a while ago. It’s now out on region-free blu-ray. Highly recommended.

• At Wormwoodiana: Mark Valentine on a map of old Dunwich, and Egypt in England.

Clive Hicks Jenkins on Mapping the Tale: image making and the narrative tradition.

Wyrd Daze returns with a free pdf, and a mix by The Ephemeral Man to download.

• At the BFI: Chris Gallant on where to begin with giallo cinema.

The Parisian Cabinet of Curiosities Loved by Wes Anderson.

Mass Production (1977) by Iggy Pop | Mass (1981) by Yellow Magic Orchestra | Mass Transit Railway (1997) by Monolake

Weekend links 380

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Night Out, Shibuya, a photograph by Yoshito Hasaka. One of a remarkable series.

• Rixdorf Editions is a new publishing venture from Strange Flowers’ James Conway which “…aims to cast light on an era which is misunderstood to the extent that it is thought of at all. I speak of the German Empire, specifically the Wilhelmine period from 1890 to 1918.” The first two titles, both translated by Conway himself, are Berlin’s Third Sex (1904), a study of the city’s queer demi monde by the pioneering Magnus Hirschfeld; and The Guesthouse at the Sign of the Teetering Globe (1917), a collection of strange stories by Franziska zu Reventlow.

• Patrick McGoohan’s enigmatic TV series, The Prisoner, premiered 50 years ago this week. Among the series’ many stylistic hallmarks was the use of Berthold Wolpe’s Albertus typeface, as detailed at We Made This.

• Three of Bill Nelson’s home-produced instrumental albums from the 1980s—Sounding The Ritual Echo, Das Kabinet, and La Belle Et La Bête—are reissued in November.

Photos by Heinrich Klaffs of German group Faust performing live (for the first time?) in 1971. Klaffs’ other photos are worth looking at as well.

• Mixes of the week: XLR8R Podcast 509 by Laylla Dane, and Secret Thirteen Mix 231 by New Hip Tiki Scene.

• At Spoon & Tamago: Altered landscapes meticulously rendered in pencil by Shinji Ogawa.

• “Why are UK and US book jackets often so different?”asks Danuta Kean.

Samantha Manzella on eight of the world’s remaining gay bookstores.

• At greydogtales: F. Marion Crawford & the Screaming Skull.

Tunnel View, a previously unheard demo by Broadcast.

Zealandia: Earth’s Hidden Continent

Seeland (1975) by Neu! | Neu Seeland (1992) by Terminal Cheesecake | Osprey’s Odyssey (2010) by Seeland