Harry Clarke online

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The Devil’s Wife and her Eldest. A frontispiece for The Golden Hind, July, 1924, a magazine edited by Clifford Bax and Austin Osman Spare. I’ve seen this drawing referred to in print as “Goddem with Attendants” although this isn’t how it was titled in the magazine.

It’s taken some time but with a little careful searching it’s now possible to see (almost) all of Harry Clarke’s major works of illustration online. The Poe illustrations have been available in a variety of different scans for many years, their popularity being followed by some of the Faust drawings. But Clarke’s other books are more elusive, so what you have here is links to the most complete collections of illustrations from each title, several of which also include the accompanying text.

This isn’t all of Clarke’s illustration work, of course. He produced many single pieces for magazines, as well as two rare promotional publications for the Irish whiskey distiller, Jameson. If he hadn’t been so tied up with the stained-glass business he inherited there would have been much more. The biographical books mention titles he suggested to publishers as potential projects, a list which includes Dr Jekyll and Mr Hyde, Huysmans’ À rebours, and—most tantalising of all—Bram Stoker’s Dracula.

Fairy Tales of Hans Christian Andersen, 1916.

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A post at Flickr. Despite Clarke’s achievements as a stained-glass artist his colour illustrations aren’t always as successful as those in black-and-white. That’s certainly the case here.

Tales of Mystery and Imagination by Edgar Allan Poe, 1919.

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The 1923 edition is at the Internet Archive, a reprint which added several new colour pieces, none of which fare well in this scan. The book is also missing the frontispiece.

The Year’s at the Spring, edited by Lettice D’Oyly Walters, 1920.

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Another complete edition at the Internet Archive.

The Fairy Tales of Charles Perrault, 1922.

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An almost-complete edition. This one again suffers from a missing frontispiece.

Faust by Johann Wolfgang von Goethe, 1925.

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Not great reproductions since this edition is adapted from an e-book, but it does feature all of the black-and-white Faust illustrations in order, and with their accompanying quotes. No colour plates, however.

Selected Poems of Algernon Charles Swinburne, 1928.

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Clarke’s most Decadent and erotic work, this one has yet to turn up in complete form but the defunct art blog, Golden Age Comic Book Stories, posted all of the art here.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Harry Clarke record covers
Thomas Bodkin on Harry Clarke
Harry Clarke: His Graphic Art
Harry Clarke and others in The Studio
Harry Clarke’s Fairy Tales of Charles Perrault
Harry Clarke in colour
The Tinderbox
Harry Clarke and the Elixir of Life
Cardwell Higgins versus Harry Clarke
Modern book illustrators, 1914
Illustrating Poe #3: Harry Clarke
Strangest Genius: The Stained Glass of Harry Clarke
Harry Clarke’s stained glass
Harry Clarke’s The Year’s at the Spring
The art of Harry Clarke, 1889–1931

Harry Clarke in colour

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Older illustrated books often suffer at the hands of owners or a certain breed of iniquitous antique dealer who razor out their colour plates in order to frame them as prints. The Internet Archive has two copies of The Year’s at the Spring; An Anthology of Recent Poetry (1920) edited by Lettice D’Oyly Walters, and illustrated by Harry Clarke: one copy features all of the colour plates, the other has many of them missing. Looking at these again I thought it worth drawing attention to their peculiar mixture of the delicate and the grotesque, a result of illustrating a variety of content combined with Clarke’s habit of pushing book illustration into areas where few of his contemporaries would tread. His painting for The Donkey by GK Chesterton is at once an accurate illustration of the poem but also quite repellent, especially in the company of those phallic extrusions which become increasingly common in his later work. Elsewhere, when illustrating James Elroy Flecker’s The Dying Patriot, it’s a description of submerged corpses that he chooses to depict.

The rest of the book—which contains many beautiful ink drawings—may be browsed here or downloaded here. The Internet Archive is raising funds throughout December to support its running costs. I’ve been using their books as a source of reference a great deal over the past two years so was happy to contribute something.

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