A light wheel. Via.
• “Part of the instrument’s draw is its fallibility. Famously, or perhaps infamously, every Rhodes is different: some freakishly responsive, some with keys that stick like glue, and all with uneven registers, darker corners, and sweet spots.” Hugh Morris on the delicate art of reinventing the Fender Rhodes.
• Rambalac’s YouTube channel of first-person walks through Japanese locations is a vicarious pleasure, especially on a big screen. It’s not all city streets but if you like urban meandering then Tokyo walk from day to rainy night – Higashi-Ikebukuro, Mejiro, Ikebukuro is a good place to start.
• At Igloomag: Chang Terhune interviews Stephen Mallinder in a gratifyingly lengthy piece which covers Mallinder’s recent solo recordings and collaborations, his work with students on his sound-art course, and (unavoidably) the late Richard H. Kirk and Cabaret Voltaire.
What I think might be a useful approach—perhaps impractical, but bear me out—I think that if we were to reconnect magic and art as a starting point, because they’re practically the same thing anyway, make art the product of your magical experiments, the way that Austin Spare did for example, then that would give magic an enormous sense of purpose and I think it would also lend art the vision that it seems to be lacking at present. A lot of modern art seems rather empty and hollow conceptualism that lacks any real vision or substance or power. A linking of magic and art would help both of those fields. Then, once you’ve done that, maybe linking art and science. There’s plenty of work already done in that regard.
• Wheels of Light: Designs for British Light Shows 1970–1990 is a book by Kevin Foakes (aka DJ Food) which will be published later this month by Four Corners Books. The author talks about his book here.
• “The Sandjak of Novi Pazar always sounded as if it were a title, like the Sultan of Zanzibar or the Dame of Sark…” Mark Valentine on discovering outdated maps in forgotten books.
• “My brief was to find tracks that had been left by the wayside or disregarded.” Lenny Kaye on 50 years of his influential garage-rock compilation Nuggets.
• At Dennis Cooper’s: Spotlight on Shirley Jackson The Haunting of Hill House (1959).
• Steven Heller’s font of the month is Slag.