Weekend links 435

moss.jpg

An illustration by “Lapthorn” for Little Green Apples: the Chronicle of a Fallen Man (1930) by Geoffrey Moss.

Jean-Michel Jarre & Michel Granger: how we made Oxygène. “[It] was initially rejected by record company after record company. They all said: ‘You have no singles, no drummer, no singer, the tracks last 10 minutes and it’s French!’ Even my mother said: ‘Why did you name your album after a gas and put a skull on the cover?'”

• “When we ignore or demean consensual BDSM erotica, or stories about female sexual submission, we inadvertently contribute to a cultural legacy that routinely pathologizes, demeans, or erases women’s sexual desires.” Hayley Phelan on why we need erotica.

• “More than a literal reconstruction of an imagined collaboration between Eno and Morricone, Ghost Box opens a door onto a world where ambient music and country-western make for natural bedfellows.” Ghost Box (Expanded) by Suss.

Peter Bebergal and Janaka Stucky discuss Bebergal’s new book, Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural. There’s more at the Occulture podcast.

Great Noises That Fill The Air (1988), an album by Bow Gamelan Ensemble, receives its first release on CD next month. Related: the group in 1987 staging one of their pyrotechnic performances.

• Mixes of the week: Bleep Mix #45 by Lawrence English & William Basinski – Casting Voices Mixtape, DJ Food Solid Steel mix by Matt Berry, and The Séance – 13th October 2018.

• “…the social position filled by art and aesthetics is increasingly best understood in terms of magic.” Marina Warner and Eleanor Birne discuss forms of enchantment.

• From 2104: Ten little tales of terror for late of a Halloween night by Levi Stahl.

Words I Heard by Julian Holter

The Cosmodrome Futurists

Urban Gamelan (Pt. 1) (1984) by 23 Skidoo | Chez Les Futuristes Russes (1984) by Aksak Maboul | Oxygen (1997) by Gas

Weekend links 344

axiomdub.jpg

Axiom Dub – Mysteries Of Creation (1996), a Bill Laswell production. Art by James Koehnline.

• As noted earlier, the great Bill Laswell has made some of his sprawling back catalogue available at Bandcamp, news of which has prompted Vinyl Factory to put together a recommended listening guide. Judging by the comments I’m not the only Laswell-head deploring the absence of the masterpiece from Material, Hallucination Engine. Linked here before, and happily still being updated, the comprehensive Bill Laswell discography at Silent-Watcher. Related: An ESP-Disk Primer by Marc Masters.

Listen to the Voice of Fire, a symposium concerning alchemy in sound art, takes place at the National Library of Wales at the beginning of March. Phil Legard offers some thoughts on alchemy, music and John Dee.

• The guilty cinematic pleasures of John Carpenter. Related: Director and actor Alice Lowe chooses seven favourite horror films.

The Broomway, Essex, a tidal path known as “The Doomway” for its reputation as the most dangerous walk in Britain.

• Mixes of the week: K-Punk presents Return to the Fourth World, and FACT Mix 584 by Lawrence English.

• “There was more to the late John Berger than that TV series and art book”, says Richard Turney.

• “Music’s cassette-tape revival is paying off,” says John Paul Titlow.

Diamanda Galás announces two new albums.

Bob Dylan paints a Blackpool pier.

• Pixel art by Uno Moralez

One Letter Words

Reduction (1980) by Material | Ghost Light/Dread Recall (1996) by Material | No Guts No Galaxy (1999) by Material (feat. Ramm Ell Zee & phonosycographDISK)