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Bestia Apocalypsi (2000) by Konstantin Kalynovych. • A funding page for Better Things: The Life and Choices of Jeffrey Catherine Jones, Maria Paz Cabardo’s documentary film about the late comic artist and illustrator. • Phantasmaphile’s Pam Grossman has declared 2013 to be the Year of the Witch. • At WFMU: The Space Ghost Coast To [...]

Lucy in the Sky with Diamonds (2012) by Lesley Barnes. She also has peacock wrapping paper. Big thanks to Dennis Cooper for including this blog in his favourite music, fiction, poetry, film, art & internet lists for 2012. Lots of good company there. One benefit of end-of-year lists is the way they suggest things to [...]

Self-portrait by Jon Jacobsen from his Home series. • Steven Arnold: Cabinet of Curiosities is “a retrospective exhibition of this groundbreaking yet under-recognized queer artist at the ONE Archives Gallery & Museum in West Hollywood. The exhibition celebrates Arnold’s radical imagination, presenting many of his tableaux vivant photographs alongside never before exhibited drawings, sketchbooks, paintings [...]

Sarah and Writhing Octopus (New Wave Series, 1992) by Masami Teraoka. Strange Flowers continues to push all my buttons. For a while now I’d been intent on writing something about the strange (unbuilt) temples designed by German artist/obsessive naturist Fidus (Hugo Höppener) but I reckon James has done a better job than I would have [...]

Coronal Mass Ejection from the surface of the Sun, August 31st, 2012. • “Most of the main parts were recorded in a single day using Vangelis’s famous technique: try to play as many synths as possible at once.” Simon Drax on the prolific musical output of Zali Krishna. The new Krishna opus is Bremsstrahlung Sommerwind, [...]

Couple with Clock Tower (2011) by Louise Despont. Assuming such a thing doesn’t already exist, there’s a micro-thesis to be written about the associations between the musicians of Germany’s Krautrock/Kosmische music scene in the early 1970s and the directors of the New German Cinema. I’d not seen this clip before which shows the mighty Amon [...]

The Fox (1968). Design by Bill Gold, art by Leo & Diane Dillon. Mark Rydell’s The Fox may be regarded unfavourably now for its retrograde idea of a lesbian relationship but that’s still a great poster by the Dillons. Equally retrograde (well it was 1957) is Anders als du und ich, a film about wayward [...]

Til Eulenspiegel by Urban Janke. From Twenty Postcards of the Wiener Werkstätte at 50 Watts. • Rorschach Audio by Joe Banks is “essential reading for everyone interested in air-traffic control, anechoic chambers, artificial oxygen carriers, audio art, bell-ringing, cocktail parties, cognitive science, communications interference, compost, the death penalty, Electronic Voice Phenomena, evangelism, evolutionary biology, experimental music, [...]

Gold Head 2 (2011) by Kouji Oshiro. • Josef Hartwig’s 1922 Bauhaus chess set. Contemporary copies can be bought from Naef Spiele but they’re not cheap. Related: Bauhaus: Art as Life, a major exhibition at the Barbican, London. Related, related: Art as life by Fiona MacCarthy. • Rattera is a new font by Barnbrook Design [...]

Robert Fripp photographed by Chris Stein. Video posterization by Michael Schiess. Scans of Synapse, “The electronic music magazine”, are posted here. Issues range from 1976 to 1979, and include interviews with the more notable synthesists of the period, Kraftwerk included. Brian Eno was regularly interviewed by synth mags despite always being reluctant to talk about [...]

How to become a mermaid and dissolve into sea foam in just seven surgical operations (2010) by Carla Bedini. • D.I.Y. Magic was a regular feature in the late Arthur Magazine that’s now become a book by Anthony Alvarado: “Think of it as jail-breaking the iPhone of your mind. Teaching it to do things that [...]

Sin título (monstruas) (2008) by Marina Núñez.    • Salon asks Christopher Bram “Is gay literature over?” Bram’s new book, Eminent Outlaws: The Gay Writers Who Changed America, is reviewed here. • Robert Montgomery is profiled at the Independent as “The artist vandalising advertising with poetry.” In addition to aesthetics, McCarthy noted a deeper link [...]