{ feuilleton }

Light Moves on the Water (2010), a collage by Alexis Anne Mackenzie. “[She] stated, emphatically and more than once, that pornography cannot and should not be linked to LGBT rights…When a gay man lives somewhere where his identity is threatened, it’s clear how sex – including pornography – and sexuality are intertwined. His sexual imagination, [...]

One of A Pair of Peacocks (2012) by Feanne. • Jonathan Barnbrook reveals his package design for the new David Bowie CD. The Barnbrook studio has also designed the catalogue for the forthcoming V&A Bowie exhibition. And there’s more (don’t worry, it’ll be over soon): Jon Savage on When Bowie met Burroughs. • “Witches have [...]

Gratifying this week to see album cover art under discussion even if the heat-to-light ratio was as unbalanced as it usually is when pop culture is the subject. Jonathan Barnbrook, who also designed the Heathen (2002) and Reality (2003) packaging for David Bowie, wrote about the thinking behind the new cover on his blog. (And [...]

Gold Head 2 (2011) by Kouji Oshiro. • Josef Hartwig’s 1922 Bauhaus chess set. Contemporary copies can be bought from Naef Spiele but they’re not cheap. Related: Bauhaus: Art as Life, a major exhibition at the Barbican, London. Related, related: Art as life by Fiona MacCarthy. • Rattera is a new font by Barnbrook Design [...]

Untitled etching by Briony Morrow-Cribbs. • An interview with author Paul Russell whose new novel, The Unreal Life of Sergey Nabokov, concerns the gay brother of the celebrated Vladimir. • Joseph Cornell turns up again in a report at Strange Flowers about Locus Solus, an exhibition in Madrid devoted to the work of Raymond Roussel. [...]

A drawing from Bestiario Moderno by Domenico Gnoli (1933–1970). RIP Russell Hoban. Nina Allan celebrates a favourite writer while David Mitchell, writing in 2005, pays tribute to Riddley Walker. For me the gulf between Hoban and many of his contemporaries could be measured by his entry in the Writer’s Rooms feature the Guardian Review was [...]

Despite appearances I’m still doing bits of design and layout work for various musicians. In the past week I’ve been trying to reorganise this sprawling website a little so it’s easier to add new work quickly and easily. One recent job was more layout than design, a CD and vinyl package for a Roly Porter [...]

Three Seekers (2009) by Kelly Louise Judd. • Kevin Sessums talked to Elizabeth Taylor in 1997 about Tennessee Williams, her AIDS activism and related matters. Other related matters: Catholics lead the way on same-sex marriage and Mahatma Gandhi was in love with a German body-builder named Hermann. • Cray porn (the computer, that is) at [...]

That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents: From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in [...]

Flower Me Gently (2010) by Linn Olofsdotter. • “Many of Moorcock’s editorials are published here, and they still make exhilarating reading. Then, as now, Moorcock set his face against a besetting English sin: a snobbish parochial weariness, an ironic superiority to the frightful oiks who have started filling up the streets. You can almost hear, [...]

Goddem with Attendants (1924) by Harry Clarke. • Some of Harry Clarke’s extraordinary illustrations from Goethe’s Faust can be seen at A Journey Round My Skull. And a reminder for anyone who missed them, Clarke’s Poe illustrations at Golden Age Comic Book Stories. • HP Lovecraft – Audio Books, Radio Plays, & Audio Documentaries. Out-of-print [...]

Red Quechquemitls (2010) by Sylvia Ji. • The Blackout Mix, a pay-what-thou-wilt 49-minute mixtape, “specially designed to accompany (or simulate) a human-plant interaction”. Art by Arik Roper, music selection by Jay Babcock. • An ode to the many evolved virtues of human semen: “the penis is capable of dispensing a sort of natural Prozac” says [...]

A commemorative Borges coin. He says, “Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment’s objectivity or the individual’s psychic history.” There, of course, he sums up all of realism, no? “Guided by the latter, art is redeemed, [...]

Sumer Is Icumen In but you wouldn’t have known it today, it being cold and wet, O my brothers. The picture above is the work of David Owen whose Ink Corporation does a splendid job of updating the iconography of the folk music world. Via Electric Eden. • Biting the hand that feeds: designer Jonathan [...]

• Two covers from a new range of Penguin reprints for the AIDS awareness fund (RED), all of which are based around quotes from the books in question. Non-Format‘s stylised extract concerns the blazing red of the Count’s eyes while Coralie Bickford-Smith plays some Tom Phillips games with the text of The Secret Agent. The [...]

“Lenin is dead but the Russian Communist Party lives on” (no date). More typography and yet more Soviet poster art which seems perennially popular with graphic designers. Bold Constructivist designs like this example are part of the reason why: over 80 years old yet still striking. Type foundry P22 have a set of Constructivist fonts [...]

There’s nothing new about drawing attention to the viral nature of design, whether in the repeated use of motifs and styles or the way in which typefaces breed and proliferate; Jonathan Barnbrook alludes to this process directly by calling his font house Virus. The plate above comes from a Victorian book I bought several years [...]

The trailer for The Golden Compass turned up this week, the first part of Philip Pullman‘s His Dark Materials trilogy, and I can’t help but note that the film’s designers have chosen Jonathan Barnbrook’s Mason font for the titles and the rest of the typography. This isn’t so surprising given that Mason has been used [...]

The Barnbrook Bible, out in September. Jonathan Barnbrook at the Design Museum, 19 June–10 October 2007. Jonathan Barnbrook has emerged in the past two decades as one of the UK’s most consistently innovative graphic designers. Pioneering graphic design with a social conscience, Barnbrook makes powerful statements about corporate culture, consumerism, war and international politics. Through [...]

The (low-res) digitisation of the past continues apace on this site which is accumulating cover scans from a host of American sf and fantasy magazines. Oddly enough, I’d been looking for a place with pictures of the early Omni covers just recently, but this site didn’t come up on Google, or if it did, I [...]