Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. • “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse […]
Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham. • “Every single leather S&M club in London was raided by the police at least once, but they couldn’t get any convictions because juries wouldn’t convict us.” Ed Siddons on the death of […]
Études (2015) by Yair Elazar Glotman. The work section of this website is still lacking the addition of some recent commissions but I have managed this week to get the albums section up to date. If I don’t talk about my work in the music world very much that’s because it’s been scaled down in […]
Shadows (1974) by Pawel Nolbert & Lukasz Murgrabia, one of three images recreating Francis Bacon’s Triptych–August 1972. • Breaking the Code (1996), a BBC film by Herbert Wise based on Hugh Whitemore’s stage play about Alan Turing. Wise’s film has been linked here before but it’s relevant again thanks to the release of The Imitation Game. […]
The Devil in the Green Coat by Andrea Dezsö, an illustration for a new, uncensored edition of the Grimm Brothers’ Fairy Tales. • That { feuilleton } object of cult attention, Penda’s Fen, a 1974 television film by David Rudkin directed by Alan Clarke, continues its long journey out of the shadows. To coincide with […]
Signals (2014): vinyl front cover. Photo by Nico Hogg. Seeing as my design for the recent Signals album by Wen has been deemed one of the best covers of the year so far I thought I ought to mention some of the other albums I’ve worked on over the past few months. I tend to […]
Cover of Eye no. 86 vol. 22, 2013, a type special. Detail from 1970s Letratone brochure, overprinted by character from the Marsh stencil alphabet. The new edition of Eye magazine includes my essay on the evolution and aesthetics of steampunk. In the same issue Rick Poynor’s feature on the prints of Eduardo Paolozzi mentions a […]
Thanks to Callum for pointing the way to a beautiful set of playing cards designed by Picart le Doux. • Of cigars and pedants by Houman Barekat, in which Vladimir Nabokov has a problem with Henry James. Tangentially related: Post-Punk’s Nabokov: Howard Devoto and Magazine, live from Berlin, 1980. (Given A Song From Under The […]
Daughters of Maternal Impression by Arabella Proffer. A genre’s landscape should be littered with used tropes half-visible through their own smoke & surrounded by salvage artists with welding sets, otherwise it isn’t a genre at all. M. John Harrison, incisive as ever, on what he memorably labels “Pink Slime Fiction”. Elsewhere (and at much greater […]
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