Weekend links 14

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A drawing by Eric Fraser from the Radio Times, 1947. From this Flickr set.

• I helped put together the design for the Pursuit Grooves album recently. FACT magazine interviewed Vanese Smith about her work.

• One of the books whose interiors I designed last year for Tachyon was The Secret History of Science Fiction, a story collection edited by James Patrick Kelly and John Kessel. (And a book which I’ve yet to add to my web pages, I’m still behind with updates.) The LA Times has a piece about the anthology here, focusing on the Don DeLillo contribution, Human Moments in World War III.

• It’s been another week of Facebook hate; being a self-satisfied refusenik I can’t help but find this amusing. Too many good pieces to list but Gizmodo had more reasons why you should still quit Facebook, Jason Calacanis gathered lots of links to other stories on his blog while social media expert Danah Boyd got to the heart of the matter with a very cogent polemic.

• If you want an alternative to Facebook, Diaspora is “the privacy aware, personally controlled, do-it-all distributed open source social network”.

• David Toop has a new book out next month. “Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.”

• Coilhouse looks at the late Decadent artist and designer Hans Henning Voigt (1887–1969), better known as Alastair.

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come, been and gone.

• “After a sold out season at the Barbican in 2009 Michael Clark Company returns with the next instalment of his critically acclaimed production made primarily to the music of David Bowie. come, been and gone also embraces the work of Bowie’s key collaborators: Lou Reed , Iggy Pop , Brian Eno and touches on some of his influences; The Velvet Underground , Kraftwerk and Nina Simone……This production contains loud music and graphic images.” I should hope so.

• “Why should boys always be boys, and girls always be girls?” Brutal/Beautiful, photography by Austin Green.

• John Foxx, Iain Sinclair and others appear at Short Circuit 2010 next month.

Black, Brown, and Beige: Duke Ellington’s music and race in America.

Jane Siberry has made all her albums available as free downloads.

Ruth Bayer photographs people after they’ve inhaled poppers.

Swiss artist catalogues mutant insects around nuclear plants.

Pompeii’s X-rated art will titillate a new generation.

The Happy, Haunted Island of Poveglia, Venice.

The Art of American Book Covers, a blog.

Kanellos, the Greek protest dog.

• Song of the week: Twiggy Twiggy (1994) by Pizzicato Five.

Weekend links 2

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A picture for embittered lovers.

Among other things this week I’ve been working on the design for another CD featuring photos by Liz Eve, a photographer whose pictures are always a pleasure to use. (Our earlier encounters can be seen here, here and here.) The latest set have this anti-Valentine for an eye-popping cover image. I’ll be posting the finished layouts once everything is approved by the label.

Crash: JG Ballard’s artistic legacy. Iain Sinclair on Ballard and a new art exhibition inspired by the author’s fiction.

• More art: Clive Hicks-Jenkins’ Artlog is essential reading. Lots of insights into his beautiful work.

Raw Power by Iggy and the Stooges will be released in an expanded edition on April 27th with outtakes, documentary, book and other extras.

• Sonic Youth dude and fellow Arthurian Thurston Moore has a blog.

• “That’s all it comes down to in the end, though, isn’t it? Put it in and jiggle it about a bit.” Alan Bennett & John Fortune discuss sex. A hoot.

• “I wanna walk through Sodom with a boy on my arm / Who’s so damn pretty I don’t know where I am…” A song from 1984 for Valentine’s Day: I, Bloodbrother Be (£4,000 Love Letter) by Shock Headed Peters.

William S Burroughs: A Man Within

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The Ticket that Exploded. Cover design by Thomi Wroblowski for a John Calder edition, 1985.

William S Burroughs: A Man Within is a feature-length documentary by Yony Leyser, and is, so the makers say, the first posthumous documentary about the always essential writer. Howard Brookner’s 1983 film, Burroughs, is probably definitive where the biography is concerned since Brookner was fortunate to get most of the key surviving Beats, family members, and allies while they were still around. Leyser’s trailer looks interesting, however (I’m hoping the film isn’t merely a parade of celebrities and soundbites), and it’s things like this which pass on the message of Burroughs’ continued importance to a new generation.

The film features never before seen footage of William S. Burroughs, as well as exclusive interviews with his closest friends and colleagues including John Waters, Genesis P-Orridge, Laurie Anderson, Peter Weller, David Cronenberg, Iggy Pop, Gus Van Sant, Sonic Youth, Anne Waldman, George Condo, Hal Willner, James Grauerholz, Amiri Baraka, Jello Biafra, V. Vale, David Ohle, Wayne Propst, Dr. William Ayers, Diane DiPrima, Donovan, Dean Ripa (the world’s largest poisonous snake collector), and many others, with narration by actor Peter Weller, and soundtrack by Sonic Youth. 

Release is slated for later this year. Meanwhile, there’s another trailer on YouTube for a Burroughs’-inspired short, The Japanese Sandman, based on WSB’s quest for the drug yage in the jungles of Panama. For an explanation of the title, consult the Reality Studio.

Elsewhere on { feuilleton }
The William Burroughs archive

Poe at 200

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Poe by Harry Clarke.

Happy birthday Edgar Allan Poe, born two hundred years ago today. I nearly missed this anniversary after a busy weekend. Rather than add to the mountain of praise for the writer, I thought I’d list some favourites among the numerous Poe-derived works in different media.

Illustrated books
For me the Harry Clarke edition of 1919 (later reworked with colour plates) has always been definitive. Many first-class artists have tried their hand at depicting Poe’s stories and poems, among them Aubrey Beardsley, Gustave Doré, Arthur Rackham, W. Heath Robinson and Edmund Dulac; none complements the morbid atmosphere and florid prose as well as Clarke does. And if it’s horror you need, Clarke’s depiction of The Premature Burial could scarcely be improved upon.

Honourable mention should be made of two less well-known works, Wilfried Sätty’s The Illustrated Edgar Allan Poe (1976) and Visions of Poe (1988) by Simon Marsden. I wrote about Sätty’s collage engravings in Strange Attractor 2, and Sätty’s style was eminently suited to Poe’s work. Marsden’s photographs of old castles and decaying mansions are justly celebrated but in book form often seem in search of a subject beyond a general Gothic spookiness or a recounting of spectral anecdotes. His selection of Poe stories and poems is a great match for the photos, one of which, a view of Monument Valley for The Colloquy of Monos and Una, was also used on a Picador cover for Blood Meridian by Cormac McCarthy.

Recordings
These are legion but among the outstanding one-off tracks I’d note two poems set to music, Dream Within a Dream from Propaganda‘s 1985 album, A Secret Wish, and The Lake by Antony & The Johnsons. The latter appeared on the landmark Golden Apples of the Sun compilation and also on Antony’s own The Lake EP.

Among the full-length works, Hal Willner’s 1997 2-CD collection Closed on Account of Rabies features lengthy readings set to music from a typically eclectic Willner line-up: Marianne Faithfull, Christopher Walken, Iggy Pop, Diamanda Galás, Gavin Friday, Dr John, Deborah Harry, Jeff Buckley (one of the last recordings before his untimely death) and Gabriel Byrne. Byrne’s reading of The Masque of the Red Death is tremendous and the whole package is decked out in Ralph Steadman graphics.

Antony Hegarty appears again on another double-disc set, Lou Reed’s The Raven (2003), a very eccentric approach to Poe which I suspect I’m in the minority in enjoying as much as I do. An uneven mix of songs and reading/performances, Reed updates some Poe poems while others are presented straight and to often stunning effect by (among others) Willem Defoe, Steve Buscemi, Laurie Anderson, David Bowie, Amanda Plummer and Elizabeth Ashley.

Films
Once again, there’s too many films but The Masque of the Red Death (1964) has always been my favourite of the Roger Corman adaptations, not least for the presence of Jane Asher, Patrick Magee and (behind the camera) Nicolas Roeg. I wrote last May about the animated version of The Tell-Tale Heart from UPA. That adaptation, with narration by James Mason, is still on YouTube so if you haven’t seen it yet you can celebrate Poe’s anniversary by watching it right now.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The Tell-Tale Heart from UPA
William Heath Robinson’s illustrated Poe
The art of Harry Clarke, 1889–1931

Strange Things Are Happening, 1988–1990

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A NOTICE TO OUR PUBLIC…………
It’s now a shade over twenty years since Rolling Stone was launched, complete with a brave new broadside on its interests and purposes.

So we too now announce our aims and prejudices and strive to clear a path laying bare our hopes and inspirations. Strange Things will deal from the heart and feature items that we would wish to find on offer. Music, from whatever era, will always be the core, with in-depth studies of a sound or an individual, or a laugh and a picture whenever the situation arises. There will be discographies, reviews, rare photographs; there will be threads or themes across several issues or even, instead, a one off appreciation.

That aside, there will be literature, film and television; cult curiosities or mainstream geniuses. In short, the boundaries are limitless. Over the next few issues the tale of Greenwich Village will unfold; so too the life and work of Richard Brautigan. Frantic new pop will sit beside English folk-rock, the Silver Surfer will meet the San Franciscan scene and white Chicago Blues will rock with Thunderbirds. “Whatever Fits” is our new motto – we’re there wherever strange things are happening.

Continue reading “Strange Things Are Happening, 1988–1990”