Yellow Submarine comic books

submarine1.jpg

By the time Yellow Submarine appeared on TV in the early Seventies I was already a keen viewer of anything showing the groovier side of the late Sixties. What I recall of that decade is resolutely unspectacular—I was only 7 in 1969, after all—but Swinging London as seen in the lighter films of the period, or via trace elements in TV series such as The Avengers, always looked like a fun place to be. Yellow Submarine was a concentrated dose of all the gaudiest elements of the era and immediately became one of my favourite films, probably the favourite psychedelic film until I finally got to see Performance in 1983.

This comic strip adaptation of the film is a curious cash-in from 1968 which is nonetheless better, and longer, than I expected. The writer and artist go uncredited but whoever they were they manage to flesh out the admittedly sketchy storyline and still retain the atmosphere of the film. One significant change may be the result of the timidity of the time with John Lennon’s lysergic muse, Lucy in the Sky with Diamonds being downgraded to Paul McCartney’s rather more mundane Rita the Meter Maid.

submarine2.jpg

The comic came with this poster and the whole package is now highly-sought by Beatles collectors with near mint copies going for $300. Naturally there are various copies circulating in the digital world and I shouldn’t have to tell you how to find them.

submarine3.jpg

There were plans by Dark Horse in the 1990s to produce a more faithful adaptation of the film in comic form. Bill Morrison was the artist and this would have tied-in with the film’s release on DVD in 1999. He managed 26 pages before Apple Records pulled the plug on the project which seems a shame going by the completed work. The Beatles’ back catalogue is due to be reissued soon in CD editions which will replace the shoddy 1987 versions. Expect to hear more about Yellow Submarine before the year is out.

Previously on { feuilleton }
The Sonic Assassins
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…

The Strawberry Alarm Clock

strawberry.jpg

I’m on a total psychedelia groove at the moment—again—so expect more posts like this. The iTunes playlist is stuck in 1965–69 and doesn’t exclude moments of kitsch psych such as Incense and Peppermints by the Strawberry Alarm Clock, their debut single and a big hit from 1967. Thoroughly infectious and redolent enough of the era to feature in the first Austin Powers film, nothing else they produced came close. There were other soundtrack moments, a track called Pretty Song was featured in Psych-Out (1968) and the band themselves appear in Beyond the Valley of the Dolls (1970), one of many reasons to watch that lunatic movie. I always liked this sleeve design—printed in a number of variations—but even that pales next to their surfboard-shaped guitars, created specially for the band. Read more about them here.

strawberry2.jpg

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
Exotica!
The art of Bob Pepper
A splendid time is guaranteed for all
Heinz Edelmann
The L.S. Bumble Bee

AVAF at Mao Mag

avaf.jpg

New York-based Mao Mag seems to have a predilection for a particular brand of psychedelic imagery if recent issues are anything to go by. Peter Max was on the cover of #8 earlier this year and appeared inside together with a feature on the equally eye-popping work of Kenny Scharf.

For #9 it’s the turn of AVAF aka Assume Vivid Astro Focus, a Brazilian artist also based in NYC whose paintings and installations combine a psychedelic vibrancy with frequent gay themes. The work in the magazine looks considerably more interesting than the show I saw at Tate Liverpool in 2005 which seemed to suffer from bad lighting and being separated from the Summer of Love exhibition it was intended to complement.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Heinz Edelmann
Verner Panton’s Visiona II

Heinz Edelmann

edelmann.jpg

edelmann2.jpg

Yellow Submarine art direction and character design by Heinz Edelmann. No dedicated website, unfortunately. XTC (among others) swiped the style for the sleeve of their excellent 1989 album, Oranges & Lemons.

xtc.jpg

Update: Edelmann is ambivalent about being known as the Yellow Submarine designer but he talked to Baltimore’s 21st Century Radio about working on the film here. And the same site has a look at the film’s production process.

Previously on { feuilleton }
The L.S. Bumble Bee
Joe Orton
Please Mr. Postman
All you need is…